Trend Beethoven, Ludwig van Opera & Vocal Music


Top Customer Reviews: Beethoven: Symphony ...

Rating: 4 out of 5 with 3 ratings
4 / 5
やっと長年の謎が氷解した。
もしこのスウェーデン放送のテープを補正せずバイロイトの第九として、最初からリリースしていてくれたら、自分のフルトヴェングラーに対する奇妙な違和感を、1977年(ベートーヴェンの没後150年)以来感じずに済んだ…

確かに当盤は70年の経年劣化を経て、スピーカーで幾らボリュームを上げても歴史的音源ぐらいにしか聴こえないし、奇妙なテープヒスや繰り返される異音、ハッキリそれと判る損傷、さらに肝心のバリトンソロから合唱が入る部分には、電話のベルらしき混入音まであり、そのような状態でマトモな鑑賞の対象足り得るのか?と疑問を抱く人が多いのはもっともなのだが…
ヘッドフォンでボリュームのツマミを思い切り上げた先に、途方もないフルトヴェングラーワールドが拡がる事に気がつく…
かつてのEMI盤で感じずにいられなかった違和感の主なものは、

①合唱の残響が長すぎ、バイロイトの舞台でオーケストラを並べ合唱付交響曲を演奏すること自体に疑問を抱かずにいられなかった事。

②有名なラストのアッチェレランドが、あまりにも唐突で、私の友人はいきなり笑いだした…ことすらある。その余りに突出したフィナーレと前後のなんとも居心地悪い違和感…

③合唱とオケとおそらくは指揮者ともズレた音源が、ゲネプロを編集したものかも知れないと判明したのが、バイエルン放送による2007年盤だが、EMI盤に対する不信感が強すぎて、どうせ変わんないよと、今まで聴かなかった。それくらいEMI盤に対して不信感?違和感の塊だった…

④フルトヴェングラーの精神性の代表の様に言われる(吉田秀和が最初らしい)歓喜の主題が、コントラバスから聴こえない位小さく始まり、自在なテンポ変化でまさにフルトヴェングラーの真髄と考えられてきた事…などだが、これらは殆どゲネプロと本番テイクの混在、もしくは全てゲネプロ音源である事に起因していたようだと解る。

当盤に聴かれるバイロイトの第九は、それらの唐突さや合唱とオケの齟齬が全くなく、フルトヴェングラーの一貫した解釈が、頻繁過ぎるテンポの変化すら実はそれほどでなく、自然なテンポ・ルバートだった事が聴けば誰でも解ると思う。

私も友人もなんだこれは…と感じたラストも、これなら納得がいき、最初は余りの迫力に戸惑いがちな拍手にブラボーが入り始めると、自室ですら落涙しそうになった。

もし自分が現場にいたら、号泣すると思う。

不自然なテープ編集を取り除くだけで、演奏の録音はこれ程変わる。
それが解るまでに、なんと70年を要した。
まだ私達の世代は間に合ったからいい様なものの、吉田秀和や小石忠男はじめ故人が、これを知ったら…ハッキリ言って怒るのではないか?と思われるほどだ…

余談ながら70年代のカラヤンのシベリウスの再録音の余りの音質の酷さにショックすら受け、以来40年これも不可解だったのだが、Amazon-Music-primeでワーナーによるリマスタリング音源を聴いて、カラヤンの再録音コンセプトの意味を完全に理解したのを思い出した。
恐らくフルトヴェングラーやカラヤンほど記憶されていない、だが私達が敬愛するマエストロ達の録音にも、そのような事が数限りなくあるに違いない。
録音藝術もこれから過去の誤ったイメージを次々に更新されるであろう。
まだまだ音源比較は辞められそうもない…
4 / 5
EMIがゲネプロと本番の編集盤、オルフェオとこのスウェーデン放送盤が本番だと決定づける一枚だ。
録音もフルトヴェングラーの芸術を味わう上で支障はない。彼のスコアリーディングの凄さを十二分に味わえる。
歓喜の歌の変奏部分で、ウィーンフィル盤がカンタービレをかけ、女性的に思いっきり歌うところを、この盤では男性的だ。さすがワグナー専門オケという感じだ。
4楽章の合唱団と4人のソリストは、EMI盤より明らかにテンションが高い。歌唱陣が本気なのがEMI盤との大きな違いだ。特にハンス・ポップが凄い。
4 / 5
これまでにベートーヴェンのバイロイト第九は3枚持っているが、今回のスウェーデン放送所蔵音源による本盤は本物中の真の本物でこれ以上のものはおそらく永遠に出てこないものと思われます。それだけに十分満足しています。このライブ盤は未来永劫、人類の宝ともいわれているものです。

Top Customer Reviews: Beethoven: ...

Rating: 4 out of 5 with 5 ratings
5 / 5
Thinks that that this version the better plot that a chopped on Fidelio, although I think that it could be slightly shorter resupplies some wonderful arias and the hearts that loses of Fidelio.
Prefers Jacobs the fastest time, also and one touching and the flange is imposed before , some the lightest voices give details very better that some registers some old plus. I think the plot of Beethoven is overplayed and unnecessarily looks much truer to a period.
Thoroughly There Is enjoyed this register.
5 / 5
I think that that this version the better plot that a chopped on Fidelio, although I think that it could be slightly shorter resupplies some wonderful arias and the hearts that loses of Fidelio.
Prefers Jacobs the fastest time, also and one touching and the flange is imposed before , some the lightest voices give details very better that some registers some old plus. I think the plot of Beethoven is overplayed and unnecessarily looks much truer to a period.
Thoroughly There Is enjoyed this register.
5 / 5
Interesting that it was issued in the DVD sized if, is an only a. Instrument of wonderful period that touches. Also fascinating partorisca see the one who Lenore has evolved the Fidelio. Some bells of instrument is fascinating.. I seat that it is so only now using 24 has bitten technology partorisca several years that some companies of register are using a mikes and registering technology in plenary.
4 / 5
Extremely vivid action , role, limits it on all the accounts. A deluxe the edition has limited wiith there is detailed note and full libretto. Ossia Of entity of this 1805 version is not like this very known. Comprising a dialogue and some ideas therein help partorisca comprise the process of Beethoven of creation. This is not for any one means the typical work, as it imports partorisca respect that Beethoven , and reason.
5 / 5
Excellent touching in a fashion of John Eliott Gardiner register it sooner in Archiv (DGG). Prójimo To 'the zone of an Illustration'

Top Customer Reviews: Beethoven: ...

Rating: 4 out of 5 with 5 ratings
4 / 5
In his notes partorisca a Gentleman of registers Simon Rattle has done with a VPO extracted adds has been done roughly Beethoven shockingness - histories of as Beethoven would shout Boos! The trusted folk and vivid metaphors of buses and some flanges of reefs. Well now Adam Fischer and a Danish has was-does perhaps all another in some bets partorisca shockingness!

The in the first place has to that be recognised that one touching of an Orchestra of Danish Chamber is exceptional in every respect! But perhaps ossia a rubs. These are surprising actions. A stuns for an art of a manager and an unanimity and responsiveness of an orchestra. Constantly one is drawn to a striking king-thinking of a familiar. Things a has not listened before on 50 years partorisca listen to these miracles in music.

But reason has has had any has listened these things? Has all the predecessors in a no considered podium a bookmark with sufficient care? Has has treated these Everests of a symphony carefully too small or imagination? I think that it that it was too hard the test in a Beethoven adds managers of a past.

My point is to find one is-thinking' all bit it too much. Ossia The interventionism taken to an extreme. Where In a bookmark, for example, is a hairpin dynamic that has spent each movement, in fact almost each sentence? For all his emotion can not think that these actions echo that Beethoven has listened in his boss. Glorious likes these are of his type, create a ‘type' to be finally misguided. They are too conscious of some interpreters and too much little conscious of a composer.
4 / 5
Some cycles of Fischer of Adam of Haydn and Mozart symphonies has been preferred in bylines among the defenders of a manager. Now, in time for a year of anniversary of the Beethoven of 2020, Naxos issues his registers of one Beethoven cycle. As such is resulted a first manager to register complete symphonic cycles of these three composers. In general the pleasure which has listened of Fischer cycle. You are a lot totally it is in accordance with that in some places, notably when he deviates of the time closely and returns for behind his. This approximation remember of Pletnev DG near in a level an extreme plus. This in spite of, the versions of Fischer are more included-revenidos and a course tends to be smoother. Some players of the orchestra of Danish Chamber offers some sparkling touching during a cycle.

Fischer Bookmarks/Marcadors in symphonies the scarce and ameno out of his sense of game. A Prime minister, Segundo and Fourth have light-footed and spirited external movements. Fischer Ameno out of some details of one ornamentado wind figuraciones, for chance a bassoon twiddles in a first movement of a Prime minister or one pressing sforzandos in an end of a Chamber. Occasionally it seats that he downplays one dark undercurrents in some slow movements of Segundo and Chamber. I admit I have not agreed with his approximation to some external movements of an Eighth. There are finals of feminine sentence in a first movement and an end could have been bit it more incisive. This in spite of, some players are involved sincerely in some two half movements

Turning to some symphonies of half period, finds that it likes a Fifth the little bit more than a Third. It is tighter and more directed and has more bite. A first movement is tight and some second flows of movement seamlessly among his different ways. Strangely I have found enough a meso according to feebler that one before half. I have thought a prank was has bitten it disjointed reason Fischer has changed to the slowest time for a trio and a tail. Also, it finds that some new instruments in an end (i.et. trombone And small) is recessed and could have had bit it more underlining. This in spite of, an action goes back in clues for a second half of an end. Not To Take me bad. A Eroica still exits well in this cycle. A knife-embroider the dynamic towers are among some good things in this version. Some the fast movements are animate and buzzing, and a part of the funerals there is poise and gravitas. This in spite of, in some premiers two movements, a group of the wind focused and some brasses tend to be feeble in climactic moments. Also, it finds some separate has bitten it groggy, for chance a start of a big growing to an end of an exposure and a start of an end.

Finds that I like him to him Fischer version of a Seventh the little bit more than a Pastoral. It finds that some of a tuttis can be less impactful, and one contrasts to the softest passages can be narrower but underlines a primal rhythms sufficiently. It can have the bit more than a stompfest to the equal that can find in Harnoncourt Teldec version or Immerseel version, for chance, but some rhythms are still acute and pointed. A Pastoral has some agogic the touches and some recessed lines. This in spite of, ossia generally a earnest the reading and some players of wind take it casualidades to shine, especially in a scene of Brook. There are some original touches, some to this work likes a unease in a tail of some Ranchers' Merrymaking and another concealed no, for chance a lot unmarked accelerandos, agogic phrasing or soft passages where Beethoven mark piu strong.

Would have liked me liked to do bit he more with a Choral, especially in an end. I know that the times there can be the lack of weight in a sound, notably in a prime minister tuttis. There is remarked also that some of some climaxes in a first movement tend to be the bit underplayed. This in spite of, Fischer still underlines some rhythms and inner voices and has the good sense of direction. A second movement also has less danger and incision in some attacks, but some twenty are still buoyant, especially in a sensibly-paced Ready. A slow movement could be the point underlined of the cycle of Fischer reason creates the feeling of stillness and attention of loans to details. It can have some subjects with a last part of a movement because some agreements in some interjections of fanfare am abruptly courts was, although some works of peremptory effect. In an end is him better liked has had the grip of better in a sweep and form. It seats as if some the different parts there is has not connected neighbouring like an establishment. A low series recitatives and a Turkish Part is taking in the speeds close to some traditional old-actions escoles. Fischer Could have seen a kinship among a final coral and a Choral Fantasy op. 80 And taken one Allegro quite vivaz in 84 dotted minims. Although some soloists and the heart sing well, could not help that it thinks that some soloists viriles and the sections viriles of a heart looked to be stronger.

I to the equal that to plot that has listened it in this cycle. There are some contentious moments, but Fischer is sufficiently clear and directed in these readings. There is the few general observations would like me in of a cycle. In the first place, when Fischer deviates of the time closely and his returns later on, any always returns to a moment of his original speeds. Also, although an engineering is still glass -clear, has had issues with a balance when listening to these registers. It is not always compatible. Some the different sections take gone back to be recessed in of the crucial points of a movement.

To the equal that write, there are a lot of boxes of COMPETITIVE CD of Beethoven available cycles in this prize, and a lot so only a classics of yesteryear that Karajan or Walter. In of the recent years any focus has done cycles of practice of the available period in this point of prize. In fact they are like this dreamy in Gardiner that can not help that it prefers that cycle like the recommendation in this point of prize. As the one who accione of orchestra of fourth resemblance goes, finds that it can more attached to Mackerras Hyperion cycle and Antonini Kammerorchester Basel cycle, as they attack the good balance among bite, engaged and interaction among some sections. This in spite of, ossia still the Beethoven competitive cycle that still reflects Naxos is has improved levels in his registers today.
4 / 5
Glorious, which more is there partorisca say without writing the long test.
4 / 5
Some cycles of Fischer of Adam of Haydn and Mozart symphonies has been preferred in bylines among the defenders of a manager. Now, in time for a year of anniversary of the Beethoven of 2020, Naxos issue his registers of a Beethoven cycle. As such is resulted a first manager to register complete symphonic cycles of these three composers. In general the pleasure which has listened of Fischer cycle. You are a lot totally it is in accordance with that in some places, notably when he deviates of the time closely and returns for behind his. This approximation remember of Pletnev DG near in a level an extreme plus. This in spite of, the versions of Fischer are more included-revenidos and a course tends to be smoother. Some players of the orchestra of Danish Chamber offers some sparkling touching during a cycle.

Fischer Bookmarks/Marcadors in symphonies the scarce and ameno out of his sense of game. A Prime minister, Segundo and Fourth have light-footed and spirited external movements. Fischer Ameno out of some details of a ornamentado wind figuraciones, for chance a bassoon twiddles in a first movement of a Prime minister or one pressing sforzandos in an end of a Chamber. Occasionally it seats that he downplays one dark undercurrents in some slow movements of Segundo and Chamber. I admit I have not agreed with his approximation to some external movements of an Eighth. There are finals of feminine sentence in a first movement and an end could have been bit it more incisive. This in spite of, some players are involved sincerely in some two half movements

Turning to some symphonies of half period, finds that it likes a Fifth the little bit more than a Third. It is tighter and more directed and has more bite. A first movement is tight and some second flows of movement seamlessly among his different ways. Strangely I have found enough a meso according to feebler that one before half. I have thought a prank was has bitten it disjointed reason Fischer has changed to the slowest time for a trio and a tail. Also, it finds that some new instruments in an end (i.et. trombone And small) is recessed and could have had bit it more underlining. This in spite of, an action goes back in clues for a second half of an end. Not To Take me bad. A Eroica still starts well in this cycle. A knife-embroider the dynamic towers are among some good things in this version. Some the fast movements are animate and buzzing, and a part of the funerals there is poise and gravitas. This in spite of, in some premiers two movements, a group of the wind focused and some brasses tend to be feeble in climactic moments. Also, it finds some separate has bitten it groggy, for chance a start of a big growing to an end of an exposure and a start of an end.

Finds that I like him to him Fischer version of a Seventh the little bit more than a Pastoral. It finds that some of a tuttis can be less impactful, and one contrasts to the softest passages can be narrower but underlines a primal rhythms sufficiently. It can have the bit more than a stompfest to the equal that can find in Harnoncourt Teldec version or Immerseel version, for chance, but some rhythms are still acute and pointed. A Pastoral has some agogic the touches and some recessed lines. This in spite of, ossia generally a earnest the reading and some players of wind take it casualidades to shine, especially in a scene of Brook. There are some original touches, some this work like a unease in a tail of some Ranchers' Merrymaking and another concealed no, for chance some unmarked accelerandos, agogic phrasing or soft passages where Beethoven mark piu strong.

Would have liked me liked to do bit he more with a Choral, especially in an end. I know that the times there can be the lack of weight in a sound, notably in a prime minister tuttis. There is remarked also that some of some climaxes in a first movement tend to be the bit underplayed. This in spite of, Fischer still underlines some rhythms and inner voices and has the good sense of direction. A second movement also has less danger and incision in some attacks, but some twenty are still buoyant, especially in a sensibly-paced Ready. A slow movement could be the point underlined of the cycle of Fischer reason creates the feeling of stillness and attention of loans to details. It can have some subjects with a last part of a movement because some agreements in some interjections of fanfare am abruptly cut was, although some works of peremptory effect. In an end is him better liked has had the grip of better in a sweep and form. It seats as if some the different parts there is has not connected neighbouring like an establishment. A low series recitatives and a Turkish Part is taking in the speeds close to some traditional old-actions escoles. Fischer Could have seen a kinship among a final coral and a Choral Fantasy op. 80 And taken an Allegro quite vivaz in 84 dotted minims. Although some soloists and the heart sing well, could not help that it thinks that some soloists viriles and the sections viriles of a heart looked to be stronger.

I like the plot that has listened it in this cycle. There are some contentious moments, but Fischer is sufficiently clear and directed in these readings. There is the few general observations would like me in of a cycle. In the first place, when Fischer deviates of the time closely and his returns later on, any always returns to a moment of his original speeds. Also, although an engineering is still glass -clear, has had issues with a balance when listening to these registers. It is not always compatible. Some the different sections take gone back to be recessed in of the crucial points of a movement.

To the equal that write, there are a lot of boxes of COMPETITIVE CD of Beethoven available cycles in this prize, and a lot so only a classics of yesteryear like Karajan or Walter. In of the recent years any focus has done cycles of practice of the available period in this point of prize. In fact they are like this dreamy in Gardiner that can not help that it prefers that cycle like the recommendation in this point of prize. As the one who accione of orchestra of fourth resemblance goes, finds that it can more has attached the Mackerras Hyperion cycle and Antonini Kammerorchester Basel cycle, as they attack the good balance among bite, engaged and interaction among some sections. This in spite of, ossia still the Beethoven competitive cycle that still reflects Naxos is has improved levels in his registers today.
5 / 5
In his notes for a Gentleman of registers Simon Rattle has done with a VPO extracted adds has been done roughly Beethoven shockingness - histories of as Beethoven would shout Boos! The trusted folk and vivid metaphors of buses and some flanges of reefs. Well now Adam Fischer and a Danish has was-does perhaps all another in some bets partorisca shockingness!

The in the first place has to that be recognised that one touching of an Orchestra of Danish Chamber is exceptional in every respect! But perhaps ossia a rubs. These are surprising actions. A stuns for an art of a manager and an unanimity and responsiveness of an orchestra. Constantly one is drawn to one attacking king-thinking of a familiar. Things a has not listened before on 50 years to listen to these miracles in music.

But reason has has had any has listened these things? Has all the predecessors in a no considered podium a bookmark with sufficient care? Has has treated these Everests of a symphony carefully too small or imagination? I think that it that it was too hard the test in a Beethoven adds managers of a past.

My point is to find one is-thinking' all bit it too much. Ossia The interventionism taken to an extreme. Where In a bookmark, for example, is a hairpin dynamic that has spent each movement, in fact almost each sentence? For all his emotion can not think that these actions echo that Beethoven has listened in his boss. Glorious likes these are of his type, create a ‘type' to be finally misguided. They are too conscious of some interpreters and too much little conscious of a composer.

Top Customer Reviews: Beethoven: Symphony ...

Rating: 4 out of 5 with 10 ratings
4 / 5
I have had it takes taken the one who the wonderful work a Choral Fantasy is, as that listens it again in this fine Harmony Mundi the register has been he at all short of the revelation mine, so much one touching for Bezuidenhout ( piano) and a rest of some interpreters is exceptional and considering Beethoven final symphonic masterpiece, has a lot of register of this work but after listening a last movement in a ‘album of a week' in Classical fm has has had to that the so only add my collection. Glorious!
4 / 5
One of my favourite orchestras, and one of my favourite managers. A better register of B9 knows. More please!
4 / 5
A good register,the heart leaves it abajo.no would estimate it like this exceptional.
5 / 5
A number of registers of period of instrument of Beethoven 9 has grown of some days of Goodman, Hogwood, Norrington, Bruggen and Gardiner. The majority of them have been issued in a last decade or like this, comprising a Immerseel, Krivine and Hsselbock versions, Bruggen 2011 retake and Suzuki BIS version of last year. Harmony Mundi Has has joined also a Beethoven jamboree partorisca issue these Ivies-Married version of a Choral.

Accepts that a German perspective of Wagner the time is still the lovely and valid perspective in a piece. I say this reason am conscious that a lot of auditors could turn against of to the the managers like Gardiner, Chailly or Zinman partorisca promote of a culture of haste when they adopt the frames of metronome of Beethoven. Also, I am conscious that a mid-registers of 20th century of a Choral for Furtwangler, Klemperer, Reiner and included a young plus Karajan active more than an essence of a symphony that register that it has been issued in a digital age. This in spite of, the action that goes back to the intentions of Beethoven still presents the valid perspective in a piece partorisca the connect to the his Classical-was leanings. Also, the rhythms can be clearer and a music can be less portentous. I am not giving spends it free to all an instrument of versions of period of a Choral, as some are more than obliging that another. It finds that perhaps these Ivies-Married the lack of version of a grip that finds in Gardiner, Mackerras or Antonini.

Has the plot of things partorisca like roughly Ivies-Married version of a Choral. Partorisca juezas Of start, his movements all have run in bylines and a wind that the touches is stylish and included-keeled. Also, some soloists in an end the very jointed work like the crew. In a lot of actions, all the world is competing partorisca see the one who sings stronger. Some responses of orchestra well his direction. This in spite of, in general, finds that has less bite, work and threat in some premiers two movements. Also, it finds that some climaxes any an impact requires to. Some of some moments of big emotion am underplayed.

Some first starts of movement of the finals and some series have the commendable grip in difficult figuraciones and fast careers. This in spite of, is fresh in a prime minister little tuttis and a sforzandos in a fugue is less incisive and feeble. For coincidence, has had subjects with this same passage in Bruggen first version. Some discharges of movement when you achieve a recapitulation. Although a Prank is a lot of-managed it could be bit it more demonic and menacing. This in spite of, a Trio is suitably perky and Arcadian. It likes- one way a goodness-rear to a Prank anticipates a first entry of a subject of Joy before we listen it to us formally. A third slow movement is prepared this in spite of in a first statement of a subject. In mine other descriptions of versions of instrument of the period of Beethoven 9, has has rented managers those who has beaten a bar in two because of a familiar likeness to a slow movement of a Pathetique touched. It likes- one Ivies of way-Married characterise some variac.. This in spite of, like the movement has progressed, felt that the climaxes do not have on open, especially to an end, and some series has tended to be recessed, dipped behind in a mix. Neither it could listen a lot of shaping of some sentences in some violins.

I like a way that Ivies-Married characterise some different sections of an end this in spite of leaves them to connect to a unbroken has thought. There are the numbers of parts that is the bit cools in a first section, notably a recitatives and a subject of Joy, but quietly dips a groundwork for an entrance of some soloists. The so that it likes is that any soloist is more than human-scaled and no operatic accessories. Also, I like a law of way as well as the crew without competing to see the one who sings stronger. It finds that some soloists tend to be stronger that a heart, as last has the fresh sound. A variac. Of the Turkish part is quite springy, included although it would have liked him to go has bitten he more than fast and match a variac. Of analogous part in a Choral Fantasy. A Fugue could do with the bit of the arise and would have liked me a Freude of explosion to touch more fervent, but at least a choral sound is warm. I have wished a heart had signalled some words of entities when you achieve a subject of Awe. It could not help in the believer that has touched less incisive in some words Welt, Brüder and Sternenzelt. A heart finds his footing in a double fugue and a purposeful final section, and some soloists are in sparkling forms in a prójimo-to-closing section of imitation.

Ivies-Married the version of a Choral comes with the second disk that present some Choral Fantasy with Bezuidenhout like soloists. Has Has emissions displaced and reissues this combines a Choral Symphony and a Fantasy, but some Ivies-Married the emission is a first time the manager of the practice of the period registered him for the Beethoven new emission. He a bit years DG place out of the emission with Gardiner versions of these two pieces, but these actions were has issued previously versions.

Bezuidenhout Introduction of only is perhaps more inward-that looks that flashy. Perhaps it is because of a quality of register, like this possibly done a fortepiano touch it nasal and has filtered perhaps. This in spite of, he clicas to coach first of an orchestral entrance and involves conferences with them. Some players look sincerely excited in a @@subject with which Bezuidenhout earnest first statement. Married And Bezuidenhout characterise some variac. expertly And manage a train-good transmissions. It Likes him a shading and of sense of the doubt before some singers have entered, and some soloists and the heart complete each one which as another a lot well.

In general, finds that this emission could be the mixed stock exchange . I am not faulting some managers of practice of the period to try a Coral and coming waste. It is so only that this version is not quite like this rousing and impactful like continuous of music. I seat I have favoured Gardiner version among actions of this class, but ossia reason combines purpose, robust rhythms and his orchestral scalable. It finds that some emotions a lot always ran big in spite of some good things to like in this version.

Probably would give 3 ½ stars for this version of a Coral and 4 stars for any Choral Fantasy.
5 / 5
This register can be considered 'definite' and Beethoven 'add' that directs to give the reception to a transcendental reduced to some dimensions of the postcard and a cosmic vision of Beethoven condensed test he-tube. There is a lot of virtue and a lot to admire but Beethoven with even he faint clue of the his maestoso looks to be missing.

Look To his eyes and then listen to this action. It can it calms it does not recognise a divergence?

A distance of for real Beethoven adds looks of action to be that it grows never more adds with each new generation of Beethoven register. It is also he have registers that I shine still with the solar brilliance and an oceanic depth. For one 9th? - Klemperer, Karajan, Furtwangler, Toscanini, Leibowitz - to appoint the little - the happy little!
5 / 5
Ossia So only in an action of worse/register of one 9th I actuate has not listened never. No, I have not bought a CD or download, but has listened to a whole register with my byline of Music of the Apple in the salvation-move of resolution. Notes without senses without any soul. And for all his fast time, when a manager (a no-establishment in my opinion) achieves some last 20 bars of Prestissimo, can very included match a sheer ecstasy And speed that Furtwängler propiciados this conclusion. Furtwängler Is Prestissimo offers one contrast necessary with everything east is coming first, especially some the slow time has adopted in a third movement and of the parts of an End. And like this with Furtwängler a Prestissimo for real transmits the alcohol that has to that it has been in Beethoven when it has dipped down these last 20 bars. But with Ivies-Married, is so only another transmission of time, so only like each note is so only another note.

Michael Tanner offers the description of 5 stars in a subject of September of magazine of Music of the BBC. It uses sure words to describe reasons this register has left eseling' with emotion. I quote: '....This account is likely to look the negation, included when we have given support Hogwood, Norrington and his ilk. This in spite of goes to dismantle them further a Ninth, no in a remarkable speed in that the all the movements, but in an intensity with that each last player invests his part in his fury and is hard to think that the slow movement the one who only hard 12 minutes can be like this moving like this one...' And on it goes like this it evokes the comparison to some register 'historical' utmost....'But listen and be surprised' concludes.

He, has listened and was has surprised no - thus that registers as there is absolutely any character. It was surprised enough for a idiotic informs Michael Tanner posted. I have listened at all that Tanner has listened - except a dismantling. It is dismantling that it goes to result a new criterion, a new orthodoxy, now that there is exhausted an atrocity of some of one has informed historically people? It is there any end to some automatic praises that Revised of Music of the BBC and Gramophone bestow on any one is his current darling? Partorisca To the long of the decade has had to that give endure automatic maximum praises to the each one idiocy that Kidney Jacobs concocted - in a same Harmony Mundi to to focus like him to him the ivies-Married that would be necessary of the signal was. Now it is some people that Harmony Mundi is gathering around the his 2027 project, probably to accrue like this a lot of dismantlings of Beethoven to the equal that can achieve for one 200th anniversary of B dead. Shame on him. And too bad that Bezuidenhout, the very a lot of fortepianist, has been co-opted to this project. But at least I can expect that it will register all some sonatas of the piano once is finalising register some concerts with this manager.
5 / 5
Amazing register. His beautiful with horns in some increasing. I think that that ossia my favourite register of this symphony; especially how it is coupled with a Choral Fantasy, the precursor of a Ninth.
4 / 5
Has bought this 2together CD for a Choral Fantasy, which is one of my favourite pieces of music (although I have listened has called chmaltzy' for some). And it does not disappoint . Ossia A better register of a work in my collection, which numbers so only under the registers of dozen of a Choral Fantasy.

Regarding another work in a program, a Choral Symphony, was the bit of the surprise. A Freiburg the Baroque orchestra was familiarised with of (surprised! Surprised!) Baroque registers. As they would face the work a measure of a Ninth with the baroque-sized the orchestra was to be interesting. I have very listened another 'period' frame of orchestra of a Ninth, and while it interests, always leave me down. And this was the orchestra of baroque period , that credit could? Enough well, as @it subjects in fact! While this is not the definite Ninth, is certainly the joy to listen to and accounts in my cup 5 Ninths!

During a two CDs, some register is excellent. A response of frequency is excellent (the bass drum and tympani a lot clear and that touches full) and a dynamic is glorious. A soundstaging is wee the bit was, especially in a Choral Fantasy with a widespread piano too wide for mine in pleasant, but an engineering amena this registering until on level.

Him him Several versions of a Ninth, is this validates that cost for his interpretation? Yes, it is. But well buy so only for a glorious Choral Fantasy. It will be touched a lot, long in my rooms to listen. EXCELLENT CD!
5 / 5
Collects two glorious pieces: he 9 or Choral, with the interpretation has cured, and also to Choral Fantasy for piano, orchestra and heart, that look one of the better orchestral pieces of Lugwig, with piano and a very detailed interpretation, although it sinned the passion and the force of the piano.
4 / 5
Quotes of CD wurde mir empfohlen, und give war richtig so much! Sehr gute Interpretation und tadelloser Klang. It gives Verkäufer aus give Schweiz Hat sehr schnell versendet. Dafür 5 Bewertung!

Top Customer Reviews: Beethoven: Missa ...

Rating: 4 out of 5 with 9 ratings
4 / 5
54 Jahre nach dem Entstehen dieser Einspielung ist sie erstmals In ihrer damaligen Qualität zu hören. Keine Elepé oder vorangegangene CD gibt gives Klang und die Tiefe like this prachtvoll wieder, wie dieser behutsame Moves auf 24bit/192khz gives von give Profis give Emil-Berliner-Studios für Audio partorisca die BR yesterday vorgenommen wurde. Endlich ist Gives Wiener Singverein deutlicher zu hören. Wunderlich und Janowitz ergänzen sich traumhaft als Solisten. Die Akustik gives Jesus-Christus-Kirche to Berlino-Dahlem gibt give the mass gives diskreten sakralen Charakter, gives given von Beethoven für gives Konzertsaal komponierte Musik eigentlich verdient. Karajan disponiert klar, lässt are ganze Erfahrung als Chordirigent einfliessen. Mag Know Digital Einspielung give 80.ºr Jahre mehr Innigkeit besitzen, Given yesterday vorliegende Aufnahme ist a Intensität und Dichte kaum zu übertreffen. Einzig ärgerlich für mich sind 2 Punkte. Wozu brauche ich Dies überflüssige CD in giving Packung? Und weshalb benötige ich Gives Television als weiteren Stromverbraucher für Navigation of data auf einer Audio-Aufnahme? Wer Has given Blue Audio Ray erwirbt, benötigt doch keine zusätzliche CD. Bei Karajans The hat of coverage gives doch auch geklappt.

Herbert von Karajans Mass Solemnis has dipped Fritz Wunderlich und Gundula Janowitz von 1966 - eine Sternstunde gives Tonaufzeichnung!
5 / 5
Gives Erinnerungen Herbert von Karajan erzählt Christa Ludwig gerne von gives Produktion: Gundula Janowitz knows gives Time derart zu langsam gewesen ( sinngemäß „Chista, gives kann man doch nicht singen!“) daß sie Given Kollegin gebeten habe, gives Master a eine etwas raschere Gangart zu drohte daraufhin has dipped dem Committed anderer erntete gives oben angeführten Kommentar von Ludwig. Warum ich Gives yesterday erzähle? Nun, War of Ludwig of Christa in diesem Satz nicht nur selbstbewusst, nein Sie hatte recht.

Beethoven hat dipped gives Mass solemnis ein Werk gives Extreme komponiert. Er führt insbesondere Gives Chor immer wieder A data Grenze und gives wird häufig hörbar. Dirigenten wie John Eliot Gardiner (1989) und Nikolaus Harnoncourt (zuletzt 2015) haben indes gezeigt wie has dipped kluger Humour und has dipped einer give Beethovenzeit angenäherten Besetzung ( damit sind quotes u.un. Original writing und Orchesterbesetzungen gemeint) has given Klippe eindrucksvoll umschifft werden kann: besonders Nikolaus Harnoncourt gelang damit 2015 eine given of Interpretation „von Herzen“ wieder zu Herzen geht.

Welchen Platz nimmt nun Herbert von Karajan ein? Kann Man nach Gardiner und Harnoncourt ( a nur has given zu nennen) a einer Aufnahme von 1966 ernsthaft Gefallen finden?
Sehr großes und Gives aus mehreren Gründen.
Zunächst ist Karajan Gives 60.ºr Jahren gepflegter, eher schlank gespannter Beethovenstil nicht likes extrem weit von gives heute vorherrschenden Interpretationen entfernt. Und Is handelt sich a Interpretationen; ob gives eine Ansatz eine Gültigkeit besitzt und dieser mehr als gives andere? Of the ist und bleibt Geschmackssache, ist auch Moden und Zeitläufen unterworfen.

Gives Yesterday eingestzte Chor ist ein Laienchor. Und ganz ehrlich, ich spreche yesterday als selbst langjähriger Chorsänger, finden doch Quotes überwiegenden Aufführungen von Werken has given Kalbers weltweit auf Initiative von eben has given Chören statt.
Ist, has given provokante Frage muß man einmal stellen, gives Klang eines im besten Sinne ambitionierten, gute Intonation und musikalische Präzion vorausgesetzt, Laienchores nicht ebenso „authentisch“ wie gives Klang eines Kollektivs gives has given Musik zu 100 professionell betreibt?
Und Gives heisst nicht Die Einen gegen die Anderen auszuspielen, sondern einfach zu betonen daß jede Herangehensweise ihren Platz hat und die Zuhörer begeistern kann ( oder kalt lässt...).

Quotes Berliner Philharmoniker sind has dipped ihrem Boss eine Einheit, die immer wieder staunen lässt.
Beide Kollektive bilden Gives Fundament für the games of data Säle give Interpretation: wann the hat is ein Near von Solisten für ein oratorisches Werk gegeben, welches Gundula Janowitz, Christa Ludwig, Fritz Wunderlich und Walter Berry gleichkäme? Spontan fällt mir Yesterday Carlos Mario Guilinis Aufnahme von Verdis Requiem ein (Schwarzkopf, Ludwig, Gedda, Ghiaurov) aber dann komme ich ins Grübeln. It has been it has given it avenges Sänger unter Karajans Leitung yesterday leisten grenzt auch beim fünften Bad Hören years Mirakulöse, ich kenne keine Aufnahme gives Benedictus dies like this traumhaft schön und dabei gut gesungen ist als auch in jedem Takt sehr ergreift. Insbesondere Gives Zusammenklang ist Yesterday Likes exemplarisch musikalisch realisiert, daß allein wegen gives Solistquartetts die Anschaffung give CD lohnt.

Ja, Hat of Ludwig of Christa(you) recht: Bessere bekommen Sie nicht - weder Karajan 1966 noch ein Hörer über 55 Jahre später, gives erfahren wie Beethoven vielleicht persönlichtes Werk bewegen kann.
5 / 5
Possesses the precedent of edition of this register of Bel ( 'the original image has bitten partorisca accuse' joined up with him You Deum of Bruckner) can spend your route, partorisca bet to the blue format the ray so only contributes of numerous saturations. Disappointment that Imports. And In réécoutant this Version, will find an immense boss, 4 soloists to the firmament and a terrific orchestra, but also joins choral (his Wiener Singverein) has projected pair his technical difficulties of the work. His Versions Harnoncourt, Gardiner, Herreweghe... They have done partorisca feel Gives choeurs perfect ; painful replanteamiento...
5 / 5
He rimasterizzazioni wonderful sleep, the idea afterwards has given to have the same content in bluray audio find it fantastic. Optimum incisione optimum execution. I prevail Of amazon? A Must!
4 / 5
Is one gives bosses-of work of Beethoven and Karajan likes boss of orchestra and Gundula Janowitz likes soprano, lucido the quartet is excellent...
Besides, thank you with report to this cashier... Service to the height, recommends! Calm tank! Serge
5 / 5
element Perfecto - Splendid music - the register Adds in 96khz !!!
4 / 5
One the solemn mass of Beethoven is one gives better gives scholarly music! And in this CD can check this !
4 / 5
Bei dieser CD handelt is sich a eine hervorragende Aufnahme. Kann nur empfohlen werden.
5 / 5
Karajan He again and again and again:pure masterwerk

Top Customer Reviews: Beethoven: Missa ...

Rating: 4 out of 5 with 2 ratings
5 / 5
Well abordable reissue of the classical action of a Beethoven with an addition of the number of elements of solos that looks Elisabeth Schwarzkopf partorisca fill on a second CD. There is another reissues of a Beethoven, notably Warner recent remastering (only available likes part of the neighbour boxed of the choral works has directed for Karajan) and a an on , but partorisca sheer value partorisca money this one without accidents can be recommended to all except audio-technical buffs, the one who can prefer one of a remastered versions.
4 / 5
Some soloists are some better never. Karajan Is like this always adds. A classical action of the masterpiece