Trend Gluck, Christoph Classical Music


Top Customer Reviews: Gluck - Orphée et ...

Rating: 4 out of 5 with 3 ratings
4 / 5
has been excited when Naxos has released the new CD of Gluck Orphee and Euridice has treated of a Work Lafayette Operated and CorazĂłn. Gluck The work is one of mine more along-the musical passions have lived. I have had a good fortune partorisca listen a Work Lafayette treat these lives of work in a Centre of Smith of Clarice partorisca some Performing arts in a University of Maryland. (An action was partorisca sell he-was and was lucky to take makeshift seating on and for behind a phase.) It is the scarce pleasure partorisca listen on CD the memorable action that one has experienced alive of the work treasured.

Has several versions of Gluck Orphee. Gluck Has composed a first version in Vienna in 1762 in Italian. It write a second version twelve years later in 1774 to Parigi. This French version is quite more lyrical and florid that an initial version and represents something of the committed of an alcohol of reform of pointed work in a 1762 bookmark. A version of a work more generally treated today is an amalgamation of Gluck two bookmarks/marcadors has based on modification for Hector Berlioz in 1859.

Felizmente, this use of CD Gluck 1774 version of Parigi that is to treat seldom today. In a 1774 work, a function of Orphee is sung by the big tenor, and a function is treated fantastically here for Jean-Paul Fouchecourt, an eminent singer of early music. A version of Parigi comprises a famous ballet, 'A Dance of some Blessed Alcohols' that has not been comprised in 1762, together with additional arias, and passages of sure exposure in some of some vowels writing absentee of a prompt plus Orpheo. There is the register of an initial 1762 version of this also available work in Naxos with a Drottingholm CorazĂłn of Theatre and the orchestra focused for Arnold Ostman, for this giving an auditor has interested an occasion to compare Gluck the initial bookmark with some revises to do later for a Work of Parigi.

A Work Lafeyette is the instrument of together period, and his action of Orphee was his first adventure in early work. Some games of orchestra with vigour and force. An inaugural is taken slightly slower of usual, and some twenty and tympani receive the emphasis adds, how is also a chance in a final heart. A choral flange in a work is an inspiration, particularly in an inaugural scene of a work. Fouchecourt The big tenor does more in a showy air, 'The hope remait in my master' with that one first law concludes and in a famous 'has lost my Euridice' in Orpheus laments a loss of his amour and which is a point underlined of any action of this work. A soprano Suzie Points has the light, lucidas the voice is Amur and soprano Catherine Dubose is an effective Euridice.

A work says a timeless history of as the amour and the art can help spend meaning the life. We can comprise Gluck turning of a tragedy of a classical history to spend his work to the joyful final. Gluck The music in this version of Parigi is less austere of in his 1762 bookmark. Still it combines a combination of passion and rationalism that was Gluck present in music.

This CD is essential for auditors that amour Gluck music. In the prize of estimativa and packaged with full libretto and notes, has to promote a lot of auditors to take to know a work of this composer adds.

Robin Friedman
4 / 5
A function of Orpheus in Gluck seminal better-the known work is more familiarised today like this sung for incidents he female or half contralto, as Kathleen Ferrier or Janet Bakers in this country. This, this in spite of, was an innovation of Berlioz, the admirer adds of a composer, Gluck he that has done three different versions for singers viriles - a castrated contralto Gaudagni in 1762, a soprano Millico in 1769 and a tenor Joseph Legros to Parigi in 1774. A version last, extremely registering for a singer in thanks to a big tessitura on the one hand, is found seldom today and some would allege that a voice of tenor inappropriately 'humanises' and frames more 'operatic' the monumental sublime function so that a vocal type the ideal subtracts a contralto. A musician of PRACTICAL 18th century likes Gluck clearly has not thought in of the such terms and one at least can say that a version of Parigi is true the Gluck in the way that Berlioz-has based the versions can not be. If the tenor can sing it, reason a lot he in this way once in the moment?
Has expected his rarety is surprising that a new register approaches in some heels of a version focused for Marc Minkowski with an American tenor Richard Croft in DG. Work Lafayette of Washington, D.C. Has an orchestra that use original instruments and correspondingly light-voiced singers. I am praises , but frames little impression in music that surely needs much more dramatic push - this after all was Gluck whole intention in his famous reform of work. A register does not help, when being curiously recessed and disembodied. Jean-Paul Fouchecourt, likes Richard Croft before the, absolves well in a notorious bravura air demanded in an end of Law 1 for a singer Legros. A booklet alleges that, ironically, was has left in fact is gone in some first actions because Legros could do not directing! Also it suggests that an edition has presented here, ignoring also a trio in Law 3 and an entertainment of ballet in an end, represents that it was listened in fact in 1774.
These elements are comprised for Minkowski, those who tends to drive a lot of a hard music and whose singers are no more than appealing that Operated it Lafayette is. Both Croft and Fouchecourt sing a function of Orpheus in the lowest tone that writes, as it was probably a chance a 18th century. Perhaps other tenors now will take on upper of this version, although it is unlikely to move a familiar one with the woman Orpheus. I wish it to listen it would do better to look for out of an available register with Leopold Simoneau, finely directed for Hans Rosbaud, of 1956 or, included better, of a leading year Aix-in-Provence Festival Nicolai Gedda, the one who sings a whole part in a tone written, right until a big D, in full voice and superbly.
5 / 5
I have been excited when Naxos has released the new CD of Gluck Orphee and Euridice has treated of a Work Lafayette Operated and CorazĂłn. Gluck The work is one of mine more along-the musical passions have lived. I have had a good fortune partorisca listen a Work Lafayette treat these lives of work in a Centre of Smith of Clarice partorisca some Performing arts in a University of Maryland. (An action was partorisca sell he-was and was lucky to take makeshift seating on and for behind a phase.) It is the scarce pleasure partorisca listen on CD the memorable action that one has experienced alive of the work treasured.

Has several versions of Gluck Orphee. Gluck Has composed a first version in Vienna in 1762 in Italian. It write a second version twelve years later in 1774 to Parigi. This French version is quite more lyrical and florid that an initial version and represents something of the committed of an alcohol of reform of pointed work in a 1762 bookmark. A version of a work more generally treated today is an amalgamation of Gluck two bookmarks/marcadors has based on modification for Hector Berlioz in 1859.

Felizmente, this use of CD Gluck 1774 version of Parigi that is to treat seldom today. In a 1774 work, a function of Orphee is sung by the big tenor, and a function is treated fantastically here for Jean-Paul Fouchecourt, an eminent singer of early music. A version of Parigi comprises a famous ballet, 'A Dance of some Blessed Alcohols' that has not been comprised in 1762, together with additional arias, and passages of sure exposure in some of some vowels writing absentee of a prompt plus Orpheo. There is the register of an initial 1762 version of this also available work in Naxos with a Drottingholm CorazĂłn of Theatre and the orchestra focused for Arnold Ostman, for this giving an auditor has interested an occasion to compare Gluck the initial bookmark with some revises to do later for a Work of Parigi.

A Work Lafeyette is the instrument of together period, and his action of Orphee was his first adventure in early work. Some games of orchestra with vigour and force. An inaugural is taken slightly slower of usual, and some twenty and tympani receive the emphasis adds, how is also a chance in a final heart. A choral flange in a work is an inspiration, particularly in an inaugural scene of a work. Fouchecourt The big tenor does more in a showy air, 'The hope remait in my master' with that one first law concludes and in a famous 'has lost my Euridice' in Orpheus laments a loss of his amour and which is a point underlined of any action of this work. A soprano Suzie Points has the light, lucidas the voice is Amur and soprano Catherine Dubose is an effective Euridice.

A work says a timeless history of as the amour and the art can help spend meaning the life. We can comprise Gluck turning of a tragedy of a classical history to spend his work to the joyful final. Gluck The music in this version of Parigi is less austere of in his 1762 bookmark. Still it combines a combination of passion and rationalism that was Gluck present in music.

This CD is essential for auditors that amour Gluck music. In the prize of estimativa and packaged with full libretto and notes, has to promote a lot of auditors to take to know a work of this composer adds.

Robin Friedman

Top Customer Reviews: Christoph Willibald ...

Rating: 4 out of 5 with 7 ratings
5 / 5
Unusual And less well the known repertoire sung with adding panache and brio.
4 / 5
An exceptional register of a lot of uncommon Gluck arias, sung by the contralto more than entity of our time.
Sonia Prina the voice faces with relieving fast in current colloratura and deep, sweet sweet tones.
5 / 5
Voices of big dark lovely - sublime edge powerful closing
4 / 5
Florence Gone back Adoptive Jenkins, everything is forgiven...
5 / 5
Envoûtante gravure That this Scarce recital has consecrated to the Italian works of Gluck...
Lucido Corset of bell and shady of Sonia Prina, already familiar of this repertoire, and give perfectly homage in east the original program that classifies to give the footpaths beaten.
The Italian Contralto is also comfort it in him recueillement wise that the exaltation virtuosa.
Will complain so only the pochette to the visual quite moche, faussement rebellious, entirely near of the dish : it does not touch in favour of the disk.
Mentions special throw 'Tradita, sprezzata' of the beach 8, déroutante air everything in breakings of rhythm, absolutely glitzy and a lot soyoderne'.
This strong complete Album a lot that of Cecilia Bartoli of the sud same subject (Gluck italian arias) is exited in 2001, that was equally joins big attainment.
In rodeo, lacking to have His two, so more than him any and the any doublon !
5 / 5
A beauty. Orchestra and big voice.
Wonderful.
4 / 5
Gute Auswahl A wunderschönen barocken Arien aus unbekannten, frĂŒheren Opern Glucks. Leider ist Gives Singen von Sonia Prina eine stimmliche und interpretatorische Katastrophe, daher ist has given Einspielung nicht empfehlenswert.

Top Customer Reviews: A Bride's Guide to ...

Rating: 4 out of 5 with 12 ratings
5 / 5
This was the present partorisca my prime minister the one who has loved the particular song on that that could not find anywhere more. Sadly It Finds a quite boring rest - but then does not take he for a reason all the world more - music of pair.
5 / 5
Good elections and has done in the player of OLD CD of the church!
4 / 5
A selection adds of music for pair and anytime listening. Spent my daughter for his to do his elections of pair
4 / 5
CD Really well for music of pair if you are not sure that would like me be touched. During D
4 / 5
Havent used it closing whose box of need feb but tried it and is very a lot everything of some clues
5 / 5
does not say when I have ordered to be lined slightly but still touches so only the little has bitten jumpy on some songs but another that that the very good bridal cd
5 / 5
the would not touch this with the barge pole, loaded side two to my computer, a cd imprint says lohengrin, clue for the voluntary trumpet, a imprint in a cd also classify a part of pair likes requiem for 2 voice of only for faure, has to say the has not bought he of amazon, has listened also the cd1 by means of a computer, a cd the information of installation is totally bad, naxos would owe that be embarrassed of them, a cd the information implanted is like this bad, imagines to choose your music of pair of a cd has touched by means of a computer, and a record touch something entirely different
4 / 5
Ossia a second description has given of this product that absolutely fabulous. I add to drive to the long of a M6 with windows wide open and quickly. Soothing for a soul.

Excellent service, produced and fast delivery in marking new Condition.

Thank you.

Acclaims,

Kittybee.
4 / 5
This CD contains music that could be touched in the church PA system. The majority of some pieces is orchestrated, which touches very good. If you are looking for the CD to help choose something for an organist to touch for you, would not recommend is one, but there is the plot of songs/ of pieces to listen his so much gives the comprehensible selection
5 / 5
Ossia the CD adds with the really good selection of music. It is probably more useful is planning the pair of Church, but there is also arrangements for quartets of serious etc. That it can use was having the civil ceremony. It was impressed really with a quantity of music in a CD for a prize, and covers the majority of a music has wanted to listen that it look he in some options for our pair of church next year. A lot another CDs looked has had so only one or two of some pieces am wanted, and was nowhere approaches to value like this well for money.
5 / 5
It was so only with which I bought 'A Fiancée' drive the Music of Pair' this I then discovered 'A Fiancée' Drive the Music partorisca Civil Ceremonies' as it find a leading prime minister, be warned that is to mean partorisca closings of church (although no specific this in a title!). A inlay the interior this in spite of is quite clear that a music is meant predominatly for pairs of church. Some very good known classics in here this is to be listen in lager advertising to the programs of the boys and therefore at all too original.
5 / 5
Ossia Fantastic album . Any so only contain all an a lot of used and has loved favourite, has very other elections. It is one the majority of comprehensible collection has found and joint of offers very useful in requirements of action also. Like the classical soprano the one who regularly sings in of the pairs, has been a immensely useful tool to leave to has has involved closings to help them take an idea that could him to it like comprise in his service.
For joint further on music of pair, see my web of place: [...]

Top Customer Reviews: Haydn; Gluck: La ...

Rating: 4 out of 5 with 4 ratings
5 / 5
I have used partorisca think that reason write like this symphonies, the majority of them has to that be quite light. No the bit of him. (Idiot!) A very small minority, inevitably given his prodigious start, is some concealed can a lot of repay the second listening. But a vast majority of them so only do fault to show the one who the titanic character has been concealed for behind a comfortable, twinkly, avuncular mask of ‘Pope Haydn'.

Of course require brilliant interpreters, preferably in instruments of period. He Garden Armonico, Directed for Giovanni Antonini, ticks all some boxes. Any of then Trevor Pinnock radiant interpretations of a ‘Sturm und Drang' the symphonies has any one has directed to rid actions of the alike crispness, clarity and precision, with possibly an only exception of a brilliant Ottavio Dantone. (When it Conceal other masters of Italian records more Haydn symphonies?) Oh, A gorgeous rich hard explosion of a valveless (or 'natural') horn!

In the most next examination one discovers that these Antinoni the versions are included springier and more vibrant that those of Pinnock. His his use frequent plus of a dramatic pause, his flexible dynamics, and his time generally faster do a music so only that little it bite more brilliant and more agile. Look In a way so much the managers treat Symphony 49, “He Passion”: Pinnock the treatment suddenly looks slower, heavier, more undifferentiated for comparison, while this action has an extraordinary delicacy in an inaugural movement, contrasting pointedly with some dazzling Loans, which flashes for, like crisp and like this penetrating likes the lightning forked. This is not so only the question of the much more acute acoustic in a recording studio (this in spite of quell'help).

This ambitious 'Haydn 2032' the project has begun grieves to take to the his stride. A together initial glorious of four record contains extraordinarily animate readings of several Haydn symphonies (has no. Of Symphony 47 Minuet to the Roverso never be better treaty---and the one who can resist Harlequin cheeky interpolations in an End to no. Of Symphony 70?); Besides, as to prize, these are accompanied for the row of other eighteenth-gems of century, any everything for a same composer. I have not listened Never a lot Haydn setting of Petrarch So only ‘of sonnet and pensoso', neither that odd and pursuing theatrical action has titled Isolated The Disabitata, both ask well superbly has treated. A famous (his own day perhaps infamous) Wilhelm Friedemann Bach Symphony in F Of entity, with his startling dissonances in a first movement, officially no. 2 In a series is like this more acute under this baton that, said, a sooner flaccid and lacklustre action for a Akademie fĂŒr Tall Musik. Included a Gluck dipped of Juan of the Gentleman of pieces of short ballet, the majority of that is charming he hardly deep, regime in the blaze of passacaglia pyrotechnics when a statue arrives to take a libertine to hell.

And another unexpected extra is contained in an attractive packaging: the number of Magnum the photographers have left his images to look inside accompanying booklets; these also adorn some coverages of the each one CD.

I only hope I alive to see a whole project has spent the conclusion.
5 / 5
An excellent disk in all the ways! Antonini Combines some better qualities of his glorious group Vivaldi registers with those of a sadly unavailable (and also unfinished) registers for Derek Solomons. The textures are to sustain one touching fiery with abundance of light & shadow. It repeats it is done also. The force of series are based here on 4-4-2-2-2 with keyboard of twenty & pertinent - this in spite of a last never obtrudes in a way done in a Goodman registers. Some actions are sincere without a mannerisms & eccentricity of any Fey registers. The trios & of minuets are until time without a retarding for a trio that disfigures some otherwise fine actions. Facinating To listen a Gluck Ballet of Juan of the Gentleman likes context for a Haydn - again superbly has touched. In all an auspicious start to this cycle. A lot strongly recommended.
5 / 5
An action is 5 star but quality of the his only 3 stars . His no like this detailed likes Franz Bruggen in Phillips. .His just to in accustic . His litttle muddy. It guesses all will be one same if they do not change studios. I t would be to add could use Avies studio that has much wider more resuloted sound. .. Sounds of alpha like him Naxos to be hard. But reason use comprisions in of the registers of classical music. It takes dynamic frequeces and stereo depth... Comprision Is kiling music. If priners the use says him to find the new work.
4 / 5
Was the little concerned can very like this disk, like this Antonini can be 'a bit a lot' in some of a baroque repertoire is in the big course state associated with. I have found some of the his Vivaldi and Handel etc bit it on-fact, pounding lines of basses, sĂșper fast speeds etc. This in spite of, has to say, ossia the very thrilling disk , virtuosidad enormous, quickly accelerates (and a lot always quite that Haydn the look of indications to suggest) but very a lot of-registered and when it listen some horns in Symphony nr 39 I am sure will adapt! His well to listen Haydn differently thats sure. Some notes of booklet are really really terrible, but touch a music in a disk that @@subject. A Gluck is very attractive and thrilling music also, and his add to see another register of him (a short plus his of believes two versions Gluck facts) and of course, his Gentleman Juan is the source key of a Sturm und Drang way that Haydn used in his half symphonies to generate more work and tension. It was to interest to see the one who the disks he far the plus of these artists can do!

Top Customer Reviews: The Very Best of: ...

Rating: 4 out of 5 with 26 ratings
5 / 5
Possibly one the majority of plug-tingling voice never to has been registered. This collection is ideal partorisca a beginner to Maria Callus' work. Die some of some register are a lot of old years, a quality is exceptional.
4 / 5
Was partorisca buy one registering of Calla, is this . A wonderful selection of Calla in his unmatchable summit.
4 / 5
Very always a better quality but reflected of a time when the music has been registered. Arrived promptly, in perfect condition.
5 / 5
A wonderful collection. A voice, a flange, an emotion. I touch this again and again in a car and so only takes 'transported'. Probably I am taking soft in my old age, but a combination of the music and his voice amena the piece to a throat, and there is absolutely any idea the one who some words mean!
5 / 5
Has to the person enough likes them Maria callas: still I give swipes of geese. Pursuing and beautiful; and the times still can spend the tear, included after all some years have been listening his.
5 / 5
Ossia The good piece of a legendary soprano better renditions with such variety that has the something for each defender of work. Enough here to comprise reason is applauded like this.
5 / 5
My failure, has no the bed properly, is everything in another tongue, lol.
4 / 5
Such the lovely flange voice, the album adds of the his better arias.
5 / 5
A lot always a better quality but reflected of a time when the music has been registered. Arrived promptly, in perfect condition.
5 / 5
The wonderful collection of a work of a Married Adds ! It has not had never to to another voice likes his !
4 / 5
Callus In his much more. Punctual delivery in the very reasonable prize
5 / 5
listens to this in a car and nobodies the bad behaviour can disturb me. MC Was so better that agrees years his late plus
5 / 5
Gone back of a mobile, lock a door forward, gone back a volume until 11 and enjoy. Wonderful. Callas Is priceless.
5 / 5
There is abundance here partorisca show his technician of extraordinary flange
4 / 5
Are not the good reviewer of work and classical albums, at least in some designates that it do a justice of artist. But then again you are buying this album knows that it is taking legislation? An album is very registered and has the system partorisca develop you wont be disappointed.
5 / 5
I am augmenting my educucation of classical work like the result. With a bit of regime can be able to answer some questions of University Challenge with the terracing of confidence.
4 / 5
I amour Maria Callus and am wanted with this CD. It arrives the prompt day that it is terrific service .
4 / 5
Neither adores, likes I , or think that touch like the cat in a ceiling. A lot of some elements in this disk have in several disks he so that it is good to have them on this together. I will seat behind in my chair and enjoy a lot the pleasureable late. If you are the chairs of fellow admirer behind and enjoy.
4 / 5
The next day it has arrived. I love Callus but was bit it disappointed with this collection. Some of some titles are misleading. A Bird Married has not been that has been expecting. In spite of slope partorisca possess.
4 / 5
This CD is wonderful! Has such the voice adds that I need the register adds partorisca the aim was. A CD was quickly partorisca arrive and a lot of packaged. I want to this and partorisca the take inner the pair of days, well, says it everything really.
Thank you!
5 / 5
I cant has said I work of amour but Maria callas was any very special and this album is unbelievable. It recommends to any
5 / 5
Although the no-work buff has been surprised in how much times this is to be touch during/with which Xmas. Perhaps a reason partorisca east is a quality of his voice and a way expresses some feelings of the each piece.

Maria is clearly the loss adds in a world of work although it die the little while fact.
4 / 5
Whay The wonderful voice, any marvel was renowed like one of some more utmost worlds. recomend This CD to any with a intrest in work
5 / 5
has been tried partorisca obtain this CD but can not warm to his voice. It does not like partorisca grind of my teeth or wince when listening. Sad I knows is the Diva but cold rest partorisca me.
5 / 5
A wonderful register for one of some singers of worlds of the lady more add the one who was bad treaty for Onassis.ya has written the description of this pleasure some another.
5 / 5
Maria Calla was the matchless soprano. No longer with us, it has left the legacy of his registers that reinforces some opinions that thinks that was a singer of work More the add and interpreter, any only of his own generation, but those that have followed. Self-Critical of his own vocal capacities and @@subject the comparisons with other utmost sopranos, Calla has the purity and clarity in his delivery and vocal order that is clearly his and his only. Montserrat can be more vocally rounded and robust but for my money, Calla has a flange, although please listen to both artists. In this 2 record CD, Maria callas sings fantastically and perfectly with a passion and the emotion expected of some composers Puccini, Bellini, Donzetti, Bizet and Camille.

Begins with 'Lived Of Art' for Tosca, 'A Bel has Given will see' of Puccini is soyadame Butterfly' to 'The Dead Mamma', and further, Maria Calla is the pure delight with his passion, translation and vocal control of operatic movements that evokes an emotional response. Ossia The compilation that is like this attractive and enticing, these operatic arias would owe that have the wide appeal. This is giving world-wide support-classifies it operatic that sings that it evokes a scenery of some dramatic chances of his place of phase; amorous, enthralling and stunning both in him beauty and intensity. Highly recommended. EMI The sound is excellent how is an orchestration .

Top Customer Reviews: Care Pupille - ...

Rating: 4 out of 5 with 9 ratings
5 / 5
An extraordinary voice, like this beautiful and different anything has listened before. I can not taking listening to this CD and wants to all the world-wide to know in this glorious Venezuelan male soprano, the one who is also technically perfect. And the one who the wonderful orchestra also. A triumph in the each way.
4 / 5
To the glorious voice definitely like him to him the baroque music
4 / 5
Quotes Airs give in Cleopatra like leidenschaftlich und schmachtend-verliebten Oronte „the pupil has cured beloved“ (Teure holde Augen) aus gives nur fragmentarisch erhaltenen Oper „He Tigrane“ von Christoph Willibald Gluck ist titelgebend fĂŒr quotes gerade veröffentlichte, wundervolle DebĂŒt-CD gives 26 Jahre jungen, venezolanischen Sopranisten Samuel Marin.
Is handelt sich yesterday, wie auch bei gives Airs gives Massinissa „Gone back Sober“ aus gives Oper „The Sofonisba“ a Weltersteinspielungen. Begleitet wird Gives In heller Sopranlage brillierende SĂ€nger vom, auf historischen Notarises spielenden, HĂ€ndelfestspielorchester Finds unter give einfĂŒhlsamen und lebendigen Leitung von Michael Hofstsetter.
Konzeptionell nimmt Gives Album auf ein „Gipfeltreffen“ gives beiden bedeutenden Barockopern- Komponisten gives 18. Jahrh. Bezug: im MĂ€rz 1746 trafen sich gives bereits ĂŒber 60-jĂ€hrige Georg Friedrich HĂ€ndel und gives etwa 30 Jahre jĂŒngere Christoph Willibald Gluck aus Anlass eines Benefizkonzerts im Londoner Theatre of Haymarket. Auch wenn wohl keine Komposition auf Gives vorliegenden CD damals im Konzert erklungen ist, vermittelt „Cures Pupil“ einen berauschenden Eindruck von dieser historischen, musikalischen Begegnung und von gives Gesangskunst give Soprankastraten vor ĂŒber 250 Jahren.
Gives erste Teil Gives neuen Album von Samuel Marin widmet sich, place einer Auswahl weniger bekannter Arien, gives HĂ€ndel-Opern „Berenice, queen of Egitto“ (HWV 38), „Atalanta“ (HWV 35) und „Arminio“ (HWV 36) – to the 3 Opern komponierte HĂ€ndel in einer relativ kurzen Zeitspanne, zwischen gives Maimonaten 1736 und 1737; to the wurden are Covent Theatre of Garden to Londra uraufgefĂŒhrt und zoom ersten Bad in seiner Karriere schrieb HĂ€ndel Arien fĂŒr einen Soprankastraten, Gioacchino Conti, genannt „Gizziello“. Accounts darf wohl als wĂŒrdige Alternativbesetzung fĂŒr Gives legendĂ€ren Farinelli angesehen werden, gives zur gleichen Zeit in giving zu HĂ€ndels Opernunternehmung konkurrierenden „Acts of Nobility“ stĂŒrmisch gefeiert wurde.
In giving the breakings give verliebten Alessandro in HĂ€ndels (leider ziemlich selten gespielter) Oper „Berenice“ konnte man Samuel Marin in seinem szenischen DebĂŒt bei gives HĂ€ndel-Festspielen Finds bereits in giving Spielzeit 2018 (und als Wiederaufnahme im letzten Jahr) bewundern. Mein erster Eindruck damals von dieser außergewöhnlichen Stimmbegabung ist einfach ĂŒberwĂ€ltigendes Staunen. As hoch kann kein Mann singen, völlig unmöglich! – und doch, er kann 
und wie! In einigen Rezensionen seiner bisherigen Konzerte ist immer wieder von einer „glocken-hellen“, reign und „glasklaren Sopranstimme“ Net of date, was given Vortragskunst von Samuel Marin aber nur unzureichend beschreibt. It is ist darĂŒber hinaus Given schier unglaubliche Verzierungskunst und eine IntensitĂ€t gives Vortrags, die selbst bei konzertanten Auftritten Körperlichkeit annimmt. Sena BĂŒhnenprĂ€senz, are EmotionalitĂ€t auch als Darsteller sind that strikes – ja, vielleicht Hat er gives „baroque feeling“, has given unbĂ€ndige Lust auch are Ambivalenten, androgynen Changieren has dipped Rollenbildern fĂŒr sich ganz individuell und einzigartig neu entdeckt.
Dies pure Schönheit seiner „knabenhaften“ Stimme „törnt a“; sie hat eine erotische Dimension, wie is Michael Hofstsetter in einem Interview sinngemĂ€ĂŸ und treffend formulierte.
Gives Auftakt zu dieser CD macht also Alessandros Airs: „That it will be when beloved accarezza“ aus Berenice, gefolgt von 3 Arien gives Meleagro aus HĂ€ndels Hochzeitsoper „Atalanta“, die ganz im Stil eines bukolischen Hirtenspiels angelegt ist. Gleich Quotes breit angelegte Auftrittsarie gives Meleagro, gives Arioso Continuous place Begleitung „Cure selve, shadow beate“ (Teure WĂ€lder, sĂŒĂŸe Schatten, Ich cube gekommen, a mein Herz zu suchen), ein fast elegisches Naturbild, gives die Liebessehnsucht gives Protagonisten stimmungsvoll einfĂ€ngt, ist von berĂŒckender Schönheit. Schon Yesterday wird deutlich, dass Samuel Marine mĂ€nnlicher Sopran keine antrainierte Kunststimme, mithin kein Falsett-Singen ist, sondern heart natĂŒrliches Stimmfach, gives ihm „vollumfĂ€nglich“ (M. Hofstetter) zur VerfĂŒgung steht. It dies erlaubt ihm ein brake Singen auf dem Atienen, eine fast unbegrenzte Dynamik und berĂŒckende Schattierungen.
Im langsam anschwellenden Growing gleich zu Beginn von „has cured selve“ besticht Samuel Marine Gesangskunst durch perfekte Stimmkontrolle und eine verblĂŒffende „Dipped has given Voice“ -Technik
Given folgende hochvirtuose Airs „will not be small“ (Is wird kein Leichtes heart) aus dem ersten Akt von Atalanta ist gesangstechnisch und was give Stimmumfang anbelangt schon eine echte Herausforderung, die Samuel Marin that shines und souverĂ€n meistert. StĂ€ndig variierende Koloraturen und Synkopenrhythmen und als Glanzpunkt ein dreigestrichenes C, ein singulĂ€res Novum fĂŒr HĂ€ndels Kompositionen fĂŒr Kastraten: „Any one will be small“ ist eine Bravourarie pair Exc.
Gives staunende Publikum riss is bei give zwei Alive-Konzerten, einmal zur Saisoneröffnung gives Marburger Konzertvereins are 2019 und dann are 31. Oktober im Volkspark Finds, spĂ€testens nach dieser Airs zu BegeisterungsstĂŒrmen hin. You find entstand auch Ende Oktober eine Alive-Aufzeichnung gives Konzerts, die vom Deutschlandfunk Kultur are . ĂŒbertragen wurde, sowie Die vorliegende Studioeinspielung, die bis auf zwei zusĂ€tzliche Arien fast to the StĂŒcke aus gives beiden Konzerten umfasst.
Abgeschlossen wird dieser Streifzug durch Quotes wundervolle Oper Atalanta dips give B-Hard Airs „move, sdegnose pupil“ (Ich weiche, zornige Augen), in giving Meleagro, ob gives erneuten ZurĂŒckweisung seitens seiner geliebten Atalanta, weniger verzweifelt als vielmehr melancholisch bis zynisch wirkt. It is ist bemerkenswert, dass Samuel Marin has given 3 Arien given leicht unterschiedlichen Affekte und Schattierungen gives jeweiligen GemĂŒtsverfassung Meleagros has dipped großem Geschmack und EinfĂŒhlungsvermögen nachvollziehbar macht. Unter Michael Hofstetters Leitung erleben wir einen tĂ€nzerisch, beschwingten HĂ€ndelklang – wunderbar.
Gives Give HĂ€ndel-Werken gewidmete, erste Teil dieser CD endet dipped gives Airs gives rebellischen Underdogs Sigismondo „That llama“ (Jene Llama, die mir die Brust entzĂŒndet) aus gives Oper Arminio, die vor gives the madness gives berĂŒhmten Varus-Schlacht im Teutoburger Wald spielt. That llama ist ein stimmakrobatisches Feuerwerk, Gives in einen bezaubernden the dialogue dipped gives So only-Oboe mĂŒndet. Yesterday findet almost ein Wettstreit zwischen großartiger instrumentaler VirtuositĂ€t und gives stupenden Gesangstimme Samuel Marine in Verzierungskunst und KoloraturgelĂ€ufigkeit statt, die ihresgleichen sucht – is gibt zoom GlĂŒck nur Gewinner.

Wenden wir Some dem zweiten Teil dieser Arienauswahl zu, wiederum place eher unbekannten Opernperlen von Christoph Willibald Gluck aus seiner frĂŒhen, italienischen Schaffensphase und damit HĂ€ndel doch noch sehr verwandt. Die Vorlage zu „Antigono“ schrieb gives berĂŒhmte Librettist Pietro Metastasio und quotes Geschichte erfreute sich bei gives Komponisten give 18. Jahrh. wohl grĂ¶ĂŸter Beliebtheit, denn angefangen has dipped Johann Adolf Hasse (1743), NiccolĂČ Jommelli (1744), Tommaso Traetta (1764) usw. wurde Quotes Geschichte mehr ein dutzend Bad vertont. Gluck brachte Quotes Oper im Februar 1756 in Rom im Argentina of Theatre zur UrauffĂŒhrung. Bekannt ist sicherlich auch, dass ein pĂ€pstlicher Erlass In Rom und im Kirchenstaat gives Auftritt von Frauen auf gives BĂŒhne nicht zuließ
und like this mussten auch die weiblichen Partien has dipped MĂ€nnern (4 Sopran- und einem Altkastraten; Tenor fĂŒr die Titelpartie) besetzt werden.
Nun, wie viele andere Barockopern verschwand auch Antigono nach wenigen Vorstellungen vom Spielplan und geriet bis In data Neuzeit in Vergessenheit – eigentlich bis zoom Juli 2019, als Michael Hofstetter has dipped dem HĂ€ndelfestspielorchester Finds und einer grandiosen Solisten-Besetzung im Rahmen gives Internationalen Gluck-Festspiele eine sehr veritable, konzertante deutsche ErstauffĂŒhrung im MarkgrĂ€flichen Opernhaus in Bayreuth auf die BĂŒhne stellte – einfach genial und mitreißend, auch wenn ich lediglich gives Mitschnitt von Deutschlandfunk Kultur vorliegen und zigmal angehört habe. Samuel Marin has sung in dieser Produktion give Demetrio, eine gives wohl schwierigsten und umfangreichsten Partien in dieser Oper, place filigran-beseeltem, schwebendem Tonne und that the shines give hohen Passagen
und doch, die extremen HöhenflĂŒge, die dramatischen AusbrĂŒche und die irrsinnig schwierigen Koloraturen brachten selbst has given stimmliche NaturphĂ€nomen (hörbar) an are Grenzen.
Obwohl Glucks Antigono, In giving gĂ€ngigen Konvention einer serious work aufgebaut, aber fast nur aus Arien im typischen A-B-A give boss-Stil besteht, komponierte er im 3. Akt ein bemerkenswertes und kontrastreiches Near, Gives ein Accompanied-Rezitativ, ein Arioso und eine sehr dramatisch durchgestaltete Airs umfasst, die berĂŒhmte „Scene has given Berenice“, die vielleicht schon auf gives spĂ€teren Opernreformer Gluck hinweist.
„Berenice, that do“ (Berenice, Was tust of the? Dein Geliebter stirbt..) ist ein BravourstĂŒck und Samuel Marin beweist auch yesterday, dass er nicht nur „zoom Niederknien schön“ singen kann, sondern ĂŒber sehr unterschiedliche Farbnuancen verfĂŒgt und auch im (hoch-) dramatischen Fach noch richtig aufdrehen kann. In allen drei (bzw. 5) Teilen dieser großen Szene werden Quotes jeweils spezifischen und teilweise extremad Stimmungslagen gives Ă€gyptischen Prinzessin packend und beĂ€ngstigend realistisch ausgestaltet: besonders gives alptraumhafte, dĂŒstere Mittelteil, beginnend has dipped „has submerged edges? That Confused
“ ist schaurig und geht has dipped einer Todessehnsucht einher „Not leaving, idol of bell my“, the fast of the data gives Wahnsinn fĂŒhrt „will bet Berenice, ah yours deliri!“ Erstaunlich, dass bei Gluck In dem dramatisch-ariosen Schlussteil dieser Szene „Because any one kill me, Affanni of my colour?“ schon Quotes typischen Wahnsinnsarien gives Romantik to the Donizetti aufgezeigt werden.
Drei sinfonische StĂŒcke aus Glucks Antigono folgen auf dieser fantastischen CD und verschaffen some 
und dem SĂ€nger eine wohlverdiente Verschnaufpause. Und dann singt Samuel Marin (nach dem Bayreuther DebĂŒt) dips gives Airs gives Demetrio „Since it quotes degg'I“ (Nun, wenn ich jetzt sterben muss) einen schon fast vertrauten Evergreen
ja, gives musikalische Material hat Gluck viel spĂ€ter in seiner ersten Reformoper Orpheus and Euridice recycelt: „That pure Heaven“. Die Weltersteinspielung dieser Airs gives Demetrio ist ein weiteres the point has underlined dieser Arienzusammenstellung.
Von lyrischem Charakter ist Quotes tĂ€nzerisch-beschwingte Airs gives Königs Massinissa „Sober Turns“ (Werdet wieder heiter, Ihr schönen Sterne gives Liebe) aus give (nur fragmentarisch erhaltenen) Oper The Sofonisba, die im Januar 1744 in Mailand zur UrauffĂŒhrung kam; it has dipped einer Sopranistin in giving MĂ€nnerrolle! Bis Mailand reichte Gives pĂ€pstliche Frauen-Bann dann doch nicht. Samuel Marine Verzierungen, Triller und Phrasierungen, besonders im gives boss A -Teil dieser Airs, sind von erlesenem Geschmack. Yesterday wird deutlich, Was ihm a dieser Musik besonders wichtig ist: „the flavour of the his, some spices
“, die Zutaten und gives Fixed, was -bildlich gesprochen- aus einer ordentlichen Mahlzeit, und er liebt ja auch quotes gute KĂŒche, ein raffinierten Gaumenschmaus zaubert.
Dipped gives Oper The Crown treffen wir nochmals auf gives griechischen Atalanta-Mythos und dipped gives Airs „The one who clear river“ (Jener klare Bach) auf given like hĂ€ufig als Metaphern erdichteten (natĂŒrlich wieder von Metastasio) Naturidylle als Spiegel einer seelischen Verfassung. Ein bezauberndes StĂŒck.
The pupil „dipped Cured“ (Treue holde Augen), gives Airs give Oronte aus gives schon eingangs zitierten Oper He Tigrane von Gluck endet has given Gipfel-Treffen give beiden Barock-Komponisten. It was Samuel Marin has given beiden letzten Arien a beinahe schon circensischer Stimmakrobatik abliefert ist unbeschreiblich – ein Pracht-Feuerwerk a Koloraturraketen, explodierende Spitzentöne are laufenden Band, perfekt-kontrollierte StimmfĂŒhrung und doch dipped einer emotionalen IntensitĂ€t vorgetragen, die ĂŒberwĂ€ltigt. Als Hörer ist Man tief berĂŒhrt und gleichzeitig hingerissen von dieser Leistung.

Samuel Marin weiß auch heart gewinnendes, noch jungenhaftes Aussehen geschickt in Szene zu setzen; it gives eine oder andere Konzertauftritt has dipped silbernen Schuhen, sehr viel Schmuck und Glitzerhose hat mich anfangs doch etwas irritiert. Aber schaut Man in data Runde give derzeit angesagten Contador-Tenöre und auf ihre Selbstinszenierungen z.B. auf Gives CD-Covern und Booklets, as gibt is einige exotische Paradiesvogel zu bestaunen, die einem David Bowie in nichts nachstehen. Man zeigt nicht nur treue, holde Augen sondern teilweise auch viel High, provozierend, erotisch aufgeladen und in lasziver Put, aber gives platitudinous Spruch „the sex sells“ greift yesterday wohl doch zu kurz. Bei Samuel Marin habe ich jedenfalls nicht gives GefĂŒhl, dass eine PR-Sign aus ihm eine Kunstfigur macht - nein, heart Auftritt ist innovativ und authentisch, selbstbewusst und vielleicht gehört auch gives Schillernde und Irisierende einfach zoom „that feels baroque“!
Gives großartige Beitrag Gives HĂ€ndelfestspielorchesters Find unter give Leitung give Barock-Spezialisten Michael Hofstetter fĂŒr gives Gelingen has given Gipfeltreffen-Projektes muss a dieser Stars nochmal herausgehoben werden. It has dipped einem Likes ehrgeizigen KĂŒnstler wie Samuel Marin, gives nicht nur a sich selbst höchste AnsprĂŒche stellt und fĂŒr gives nur ein perfektes Ergebnis Bestand hat, erfolgreich zusammen zu arbeiten, war sicherlich kein Spaziergang.
Samuel Marine DebĂŒt-CD „pupil has CURED“ trifft has given Tagen wie ein blendender Lichtstrahl gives brachliegende Opern- und allgemeine Kulturleben in unseren pandemischen Tagen. Die erzwungene Abstinenz von Alive-Erlebnissen schmerzt tief
auf beiden Seiten! Und oft ist Gives Notstand angesagt, nicht nur durch ausfallende Honorare. Noch Denies haben wir unser reiches Kulturleben Likes vermisst, wie has given Wochen
und vermutlich in noch weiteren Monaten!
Ist Has given CD „pupil has CURED“ Samuel has dipped Marin nun eine erste Wahl fĂŒr „quotes einsame Insel“? Ja und nein! Ja, denn wir werden the audio dipped- und Video-Konserven noch eine ganz Weile durchhalten mĂŒssen und has given Einspielung ist wirklich außerordentlich gut
und nein, denn Samuel Marin muss the lives of man auf gives BĂŒhne erleben, a Potential of enormous heart zu begreifen.
Gives Begleit-Booklet ist geschmackvoll gestaltet
etwas dĂŒnn und yesterday ein kleiner Wermutstropfen: it is enthĂ€lt leider keine Libretti! Schade !
5 / 5
Samuel Mariño is a wonderful singer, really able to face these årias for castrated soprano. A voice has sweated has an intense shine, a lot special, that or distinguishes of everything you another sopranistas. It achieves to express you But sweet emphasis with like this sweetness, like this sofisticação! At the same time it is Able to launch in the årias warriors with as but fierce coloraturas. Really bravo! So as årias of Handel how much like this of Gluck offered the moments gives but pure beauty. Had has hope That Samuel Mariño fallen in the new whole papers handelianos. Had would adore heard he in the Works Berenice, Atalanta, Arianna to Creta, Deidamia, etc., would buy All like registers, without exception! Or universes handeliano is a world-wide almost inagotable and that to access likes him to him a glove in the vocal qualities of this extraordinary singer.
4 / 5
Samuel Marin verfĂŒgt ĂŒber eine sensationelle Sopranstimme und has dipped seinen 26 Jahren bereits ĂŒber eine erstaunliche Reife in giving musikalischen HĂ€ndel gibt is noch denies gehörte Musik aus frĂŒhen Gluck-Opern.
5 / 5
Ich habe Samuel zwei Bad alive gehört: großer Stimmumfang, sehr kraftvolle Höhen. It gives junge Countertenor - besser: Sopranist - ist auch auf seiner ersten CD in giving Höhe noch etwas zu stĂ€hlern. DafĂŒr zeichnet sich dramatischer Push ab, und die Ausgewogenheit wird ganz sicher dips give Zeit reifen.
4 / 5
All And wonderful. He LOVELY VOICE And he musics chosen For has sung adores
have felt much more has given 10 goes back everything!! I have seen greeting Marta Darday
4 / 5
draws A lot good and audible edition. Vendor very professional.
5 / 5
Given Einspielungen sind wunder fences in, Schade nur, dass the text given nicht aufgefĂŒhrt. Sie sind nicht Like leicht aufzufinden, weil auch Welt Erst-Einspielungen dabei sind.