Trend Gounoud, Charles Opera & Vocal Music


Top Customer Reviews: Cinema ...

Rating: 4 out of 5 with 31 ratings
5 / 5
I asked why a cast of the songs have not been aimed, now know. If it attended to here all some lovely songs of musicals etc will be the lady disappointed Jenkins has the good-looking voice, but does not think a cd is likes is announced , will not touch it again, has varied hundred cd,s which acclaim me on loving my music, but this cd me feel depressed. If it love the work recommends it, but any one want to here happy music
4 / 5
Absolutely album of épico, Katherine better to date. An emotional rollercoaster partorisca begin to finalise. Songs of films like Singin in a Rain the Schindlers Ready, this album has it everything. It does not lose it era! ⭐️⭐️⭐️⭐️⭐️
5 / 5
Has bought this like the present which have given on October 9th. When A cd has been uploaded to an I pod any data has been transferred of a disk to the equal that has had to that be entered manually. When Touched in the player of CD THAT information of exposures any one is showed. This me question if ossia the genuine copy or no. Some notes with a cd the genuine looks to the equal that are in the lustrous paper but I still have doubt in my alcohol
5 / 5
to to that likes him Ennius Morricone of music, has been attracted by a title, so only to be more disappointed with a poor selection, comprising less popular pieces, so much Danny Chico a lot trite and River of Moon . I do not comprise to like Cinema Paradise was appropriate to a lot a content.

This has been distant a lot of the his better....
4 / 5
Some poor elections of songs. It could have been better. A bit it disappointed it. Sad.. Amur A Welsh..
4 / 5
Usual quality for Katherine Jenkins there is Disappointed that my original mandate of the signed cd has been annulled and has had to that solve by second better
5 / 5
CD BOUGHT for the anniversary of the husband and wants to touch the when doing a washing up! A good mix of songs in this CD. Recommended.
5 / 5
Has purchased like the present for my Father the one who was very pleased with him.
4 / 5
A slightly different collection of music. Everything fantastically there is rid. An excellent register.
4 / 5
Sadly Any partorisca me, prefers more traditional that sing-to the long of songs.
5 / 5
Has bought this partorisca the fellow the one who thinks that that it is a lot good.
4 / 5
Wonderful selection of music that has dressed his voice.
4 / 5
This CD is the mix of the good-looking songs sung by an iconic singer. That is not partorisca like?
4 / 5
A beautiful cd elections of glorious song a singing glorious as always the addition adds my cd collection
5 / 5
A lot a lot happy with a awesome Katherine Jenkins cd
4 / 5
So only never dipped in and out of the work of Katherine - certainly can sing, but perhaps the little too mainstream partorisca my flavours. But this album is fantastic, running ‘constant'.
Has dreaded a ‘film' the subject would be the little cliche, but is an unusual collection, unexpected (this would say is not too obviously ‘films', in spite of me when being the defender of enormous film - which is a force adds of an album). And Luke Evans takes to duet on ‘Tonight' - another incredible voice!
Is conscious result of a new album when it follows it ‘Here is To Some Heroes' has been touched in radio and TV, and has thought at the beginning bit it caseous and twee, but besides far listening is incredibly powerful spending it dampness to an eye! It has said on it interviews that when it has registered it it was the general ‘army ' feel, but there is taken on the meaning more adds in a current climate, celebrating a NHS and keyworkers.
Likes another had said, his better album still, certainly value the place in any collection. And the photo of coverage adds!
4 / 5
A wonderful cd, Katherine there is once has released more the memorable collection of songs. Of classics likes River of Moon and am singing in a rain the most modern songs of some films. A Rose is good-looking, and the heroine is Dances with the wolves there is poured in these workers of line of the front, nurses, guardians, police, firemen and all the hard-working keys to the equal that has done like this last during a COVID-19 pandemic. Of a cd has arrived is been at stake constant, precise listens to this, calm will not be disappointed
5 / 5
has been listening to this all the morning - such the brilliant collection of songs that take behind.
4 / 5
The mine has arrived this morning and has listened already his a whole way by means of. An amazing album and possibly one of Katherine better!!
5 / 5
My partner presented to Katherine the few weeks done and has ordered this in the whim. It thanks the goodness has done reason have discovered mine all-time favourite singer!! A whole album is the SLEEP . Cinema Paradise with Albert Dares has to that be my preferred. I can not expect listen all his other albums... As Has I gone like this long without Katherine in my life!
4 / 5
Loves this Album, has a autographed copy which he the like this special fact. A selection of songs is fantastic, love a two duet/of only of songs. Songs of History lateralmente west so only is in amazing. Has all the albums of Katherine and this do not disappoint want it.
4 / 5
Stunning album, amour “Singin in a Rain” and “Cinema Paradise” - classics! Katherine Attractive was like this well and an album is very dipped near. One of the his plus end
4 / 5
Katherine does again - such the perfect election of songs, has treated fantastically. Lovely to listen new register of such tunes preferred, can not recommend enough.
5 / 5
CD add my dad took it he as well as his music. It was pre orderly and is coming the same day was was.
4 / 5
I add cd of Catherine Jenkins. I have bought he partorisca the present.
4 / 5
Excellent box of Jenkins. In this chance , bear with the interpretation of soundtracks, with the virtue that any one turns lyricism artificioso, if any that adapts his voice partorisca do some versions of sensibilities and big beauty, very very fijamente and ademas in some having mates very good. He short and remains one with winner of May, partorisca continue listening the big east mezzosoprano
4 / 5
box Very good to initiate listen he of music of singer soprano, Katherine Jenkins has a sweet and wonderful voice that luce in the interpretation of these songs of some of the films of Hollywood, he maintaining crown Jenkins is good-looking, woman very pleasant that help a lot in the available boxes and diffusion of his music.
5 / 5
Cinema Paradise is the album adds with 3 clues of prize. The clients would owe that order other albums for Katherine Jenkins to the equal that can enjoy a lot of hours of heartwarming music.
5 / 5
The majority of enjoyable, but the pocola too much repetition with Cinema Paradise
5 / 5
I amour anything Katherine Jenkins done! Such one incredible voice.
5 / 5
Another cd extraordinary of Katherine wonderful Jenkins. Partorisca Listen one and again

Top Customer Reviews: Wagner: Tristan und ...

Rating: 4 out of 5 with 45 ratings
5 / 5
Well repeat a delicious history roughly Carlos Kleiber and this work by means of some eyes of Sviatoslav Richter has registered in the private notebooks of Richter. It informs to a 1976 Bayreuth action but here have a same wonderful manager. ' I dread that while I live I will not listen never Tristan like this one. This was a real thing . Carlos Kleiber has spent a music partorisca boil point and maintained it there during a whole is to good sure is a manager More adds them of our day.' Richter says that it has been backstage partorisca see Kleiber: ' I have said that have thought and he suddenly jumped to an air with joy, like the girl: 'Also, wirklich, gut?' [How it was really good?].' A modesty and simplicity of true magnitude - and appreciate to the goodness has this music still.
4 / 5
This now will be my primary 'gone to' register of Tristan & Isolde. Wonderfully Dramatic and ardent and (partorisca me in all the chance) perfectly paced for Kleiber. And regarding Kleiber, once again shows (to the equal that does in his another utmost register) that for real was the manager the one who could esee' a whole wide sweep of the piece and then majestically dipped the advance partorisca an auditor like the entirely that satisfies, integrated, whole - and ossia any easy task partorisca any of Wagner along and intricate masterpieces. A register is not without (light) critical - just occasionally felt that some voices have not gone far quite first so as to be easily distinguished of an orchestra, but this arrives in such few occasions that the does not cause me to lessen a five star that estimativas that they are more than happy to give this register. Highly recommended for any lover of Wagner and certainly would owe that be estimated highly and part of any serious collection of another T & is there.
4 / 5
Well, exaggerates. Slightly. Certainly, it is Tristan so only where has loved to listen to a Liebestod on and on again, all day. Some people a lot like this version because some voices have been electronically there is enhanced. “Reason is fake ...” But everything is fake here. A music is not coming yours of King Marke Cornwall: it is coming yours of the studio to somewhere in Europe. And we are not listening to Isolde, but to Margaret Estimativa. Besides, Wagner has used each one his available trick the entrance his audience, and if the electronic there was available state his would have taken him with both hands. In any case, it was his failure that external of a studio a part of Isolde could very generally be sung by the ideal of singer for a part, and has required the singer the one who looked and touched more like his mother. In this version, the really done prize his like this the young princess, and a Liebestod – like this operated quell'whole - is transcendental.

To the equal that has been said first, some singers viriles is generally far of ideals. But then he probably always be impossible to dip near the perfect mould for this work - probably more than any another. Has like this also state said, a register is a lot well. The , this in spite of, has a flu; any only against east; but also against of the most modern register. Ossia That a dynamic row is very utmost. This can be impressive, and well live in the far, detached house. This in spite of, if it calms no, and especially if your neighbours do not share your musical flavours, can be the question . Calm find you that it rushes to go down a volume in strong passages, so only to have to that the turn behind on moments later when some falls of music behind and calm hardly can listen the thing.

One wins to Wagner colossal character. Sad, Green. You were a lot add, but does not think you never is gone in this joins.
5 / 5
Margaret Estimativa and Kidney Kollo begins the very well has launched. Carlos Kleiber directing an of one has registered more actions of this work. DG Excellent register.
4 / 5
Thinks that to avert taking bogged down debate on to to the singers likes him to him Margaret Of Estimativas have any business that sings the act which they no - and in fact, in his chance never - try on phase, this register is seen more like the product of a recording studio more than a tentativa to retorted the alive action, and devised for enshrine a conception of the manager adds that he a better of some his available resources. Undoubtedly a DG engineers' the adjustments are enabling lighter voiced artists to be listened but some same could be said of a coverage of hole in Bayreuth and to this true day Wagner singers those who can be listened properly in an orchestra is like this scarce like the teeth of the hen.

Ossia Undoubtedly fantastically touched and has directed; Kleiber sensibility and lyricism infuse each bar but he also packs to attack in a climactic conclusions of Laws 1 and 2. When being it devotee of an alive 1966 register in Bayreuth directed for Böhm, lose the sure propulsion in of to the passages the gustanuno 'Or tank hernieder' duet and too much often his singers are almost crooning any only reasons are missing of vowels heft but reasons he Lieder-as the restriction and the delicacy are clearly the one who a manager has demanded they. This can pay dividends: ossia clearly a more minutely prepared of the registers with each nuance textuelle and musical has thought by means of still maximum impact; at all it is skimped or blandly has treated.

Fischer-Dieskau croons And notes of fakes because for this phase of his career - a together has been registered among August 1980 and April 1982 - a juice is exited of his voice and he no longer has some resources but creates the risk, credible Kurwenal. Kollo The voice is always an odd setting of incongruities: there is little legacy and quickly can lose tonal polish, any yelling or almost marking, but he seldom defaults to a guttural emphasis or has pronounced to bleat which sometimes marred his flange and sounds suitably youthful, ridding some words with exemplary expression. His ravings is not painful in a way roughly Tristans can be. Vinay, Heppner, Treptow, Vickers Or - less than all - Melchior is not - but is this in spite of better that passable. Fassbaender Maintains his width vibrated under control and increases to a fierce tessitura, sustained of the act which often there was mentido like this big like Brangaene mistress; door the master Lieder recitalist acuity to his text. Some smaller part of one Young Marin and Melot is taken by mediocre singers, some forwards glottal and some last to do little impact in his tiny but crucial interventions.

Some glories of this together, this in spite of, averts of Kleiber concept and one touching of a Dresdeners, is Kurt Moll predictably is moving and sonorous Marke and Margaret Estimativas is shining Isolde. His voice has the qualities resembled those of Gundula Janowitz, whose predominately lyrical and fluting soprano has had sufficient pushed can, stamina and bequeathed to undertake 'lighter' Wagnerian functions on phase. It can be artificially augmented but a result is thrilling; I do not have enjoyed the escéntimo' (comparatively, in of the terms of the history registered) Isolde so much of then Pleasant Esther Grey registers exceptional for Goodall - and could pulls was to maintain the base of phase, also. I estimate German and thrilling cup flawless, honed in Strauss operates celebrated, in combination with the register it serviceable low plus and the delivery of the actora real combines to enable him to rid an action registered of the lifetime, to all the cost of his practical limitations. There is at all matronly (Flagstad?) Or chromium-plated (Nilsson?) In his vulnerable, ardent, wild and almost girlish Isolde; it is terrific.

His failures notwithstanding, when being now available in his glorious in the prize of @@subject on three disks with the plenaries, trilingual libretto, these neighbours would owe that be in a collection of any devotee of this more adds works.
4 / 5
A version for real adds of this the majority of deep work. The prize is the end Isolde and Kollo Tristan heroic. I need to be careful this in spite of. DG, For some incredibly idiotic reason, originally has released this on 4-CONJOINT CD, with the pauses annoy in some means of laws. Have rereleased Here in his wise presentation. I have bought in fact one 4-CD version, then one 3-CD version been due to this annoyance. It is the for real excellent register . Only Karajan is with Vickers and Dernesche supercedes this, in my opinion.
5 / 5
A stunning action thanks to Master Kleiber and his beautiful only Prize on disk.Some other interpreters no in east joins but the one who could be
5 / 5
A 'curate is egg' - the parts of him am wonderful. It is informed that two managers have died looking for partorisca present this work; the wag a Financial Time speculated those that the people have died listening his.
4 / 5
A together wonderful - and a subject exceptional. Upper contenders in this work would be some versions of Furtwängler and Böhm. A sound registered of this @@subject only - is fantastically spacious with perfect balance among singers and orchestra - dips it way at the head of an old Furtwängler, which in any case has in Flagstad a Isolde the one who touch far too matronly. A taken details more orchestral that in a Böhm version partorisca Kleiber is the master in spending out of tiny details of woodwind colouring, how is immediately apparent in a Prelude. Margaret estimativa and René Kollo so much touch it convincingly young. The prize is one that touches lovely Isolde has not listened never, also one the majority of ecstatic: any one would know had not sung a function onstage. Kurt Moll gives full attention to the each word and is the scarce example of Rey Marke the one who is not has resisted the. In fact, there is not the alone passage during a work the one who tugs, thanks to Kleiber is inspired direction. A work also can be bought like this splits of 12-CONJOINT CD, a subject absolute but a remastering tin very equal a sound in this version.
5 / 5
A whole is more adds that one orders parts in this register of 'Tristan und Isolde,' and that ossia a chance is foreseen mainly to a glorious direction of Carlos Kleiber. In all three of these long laws, finds the way to maintain a wrist that goes and find the musical narrative this sustains and enriches a narrative this is enacted and sung. A DGG the sound is beautiful, and a Dresden games of orchestra superbly throughout. A control of dynamics and phrasing always looks for living being and expressive, so that still in some places where some voices are low estréses, and the time there is overwhelmed, a does not feel never that a work is not moving advances. It is easy to forget, in a longitude comprises of a piece, that each law has his differential sound-world-wide, this in spite of himself concealed has not been a chance, an ear surely goes. It concealed it is not never the question here.

If one wants to isolate accione vocal individual of a global musical advance, one can find things to critique. One the majority of obvious of these is Kollo is Tristan -- his is not the particularly beautiful sound here, in 1982. In a Karajan 1970 soyeistersinger' and when I have listened alive in 1969 Give ' Lied von gives Erde' Edinburgh, has had more sweetness with a tin -- although it is not never state heldentenor has beaten. But it sings with the attention adds to a text, and a phrasing and the dynamics receives his foreseen also (his flange is not a undifferentiated bellow), although a tone is not always sweet and if some looks of voice approaches his limit. It sings a lot of expressively in Law 3. Although it could be in his better in a confrontation with Marke late in Law 2, where his looks of voice in his fresher. Fischer-Dieskau Is shows of voices some wear, but is the perfectly effective Kurwenal, and Anton Dermota, in 72, touches marvelously fresh and undertaken like Herdsman. Kurt Moll (Marke) and Brigitte Fassbaender (Brangane) sings superbly for all leave of the really distinguished actions, thinks, and Margaret Prices totally vindicates Kleiber is election of his like this Isolde. If or it could not have sung a function in the look of phase beside a point -- sings with your lovely and the expression adds throughout -- always womanly, if in anger or tenderness, and in a Liebestod and a duet of Law Two is glorious. But one goes back to Kleiber -- sustains these singers and does not look never to be compromising a passion, beauty, and coherence of a music. And there is not any question -- he like this had in his 'Freischutz -- of his singers' the voices that is too closely miked. Everything is salda adds. Simply material adds!!
4 / 5
Some thirty or like this done of the years, in that has spent Eve of the new year in Parigi, returned in Londra by train and ferry of Canal of the cross ... It could see the waves that clash in a wall of port Callaba (a port of ferry in a French side of an English Canal)...On taking joint of the member of crew has bought the caffè and the pair of bounced of miniature of brandy and wedged I on covered to a backside of a ship, and once a ship the port left has begun to listen to this register in east of cold past mine, darkness and windy but was a more memorable musical occasion of my life and while it listens it now (on CD and he in the earth hastens to add) agree racked it likes the ship arrived in Having to (a port of ferry in an English side of a Canal) a register has drawn to the prójimo. I possess three other registers of TRISTAN but this one for me is sublimate, the interpretation of Margaret glorious Estimate.
5 / 5
In that listened that to a whole of this register in the state of almost hypnosis, is easy to see reason Tristan has been ready to depart this life. Margaret estimativa is to die stops. His lightness and flexibilty is remained with exceptional and emotional musicality can it this one of some available register more final that a function of Isolde. Prize, this in spite of, has wide the vocal power when required. It combines this with Carlos Kleiber is visionary that directs and a ravishing his of series of a Dresden Staatskapelle and the ones of the special ingredients in fact. A liebestod is to culmination sublimate where the prize achieves something extraordinary and will leave you daunted of this singer adds. Even Kidney Kollo likes Tristan touches more youthful and lighter that in other registers. If shabby so only one registering of this work, has to be is one .
5 / 5
I havn't has listened a whole register still - but totally be in accordance with a person the one who has compared Prize with Janowitz. I have listened a Liebestod in Radio Three (has Estadas 'Private Passions'?) And it was bowled on for his glorious voice. It can not expect take a together.
4 / 5
Estimativas Like Isolde is in shape well. His Isolde is lighter that any divas in this function but this in spite of refinado a challenge. Kollo Likes Tristan is run enough of a strawberry and a lot could be said of Fischer-Dieskau (the one who understandably no where fulfil his magnificence, like the young man, as listened in 1952 Furtwangler dipped). This in spite of, a whole action is not never less than appealing. A beauty of an orchestral sound is considerable. This action is easier in an ear that any another more histrionic together (Eg: Karajans dipped with the shrill Isolde has touched for Dernesh and the 'hysterical' orchestral interpretation).

Ossia The action that rids beauty and subtlty. Whilst My first election always will be Furtwanglers 1952 place this among as he refreshing alternative rendering, with Bohm is and solti is).
5 / 5
Has two reasons to buy this record: A estimativa of Margaret this , another east Brigitte Fassbaender.
Margaret Estimativas is one more Isolde has. Sad Birgit, Kirsten sad, but is. It is an only Isolde the one who gives an impression to be the 'wilde, minnige maid' - another touches more likes battletanks.
Brigitte Fassbaender also sings the blind plus - no in some stairs of Action of Prize that shatters earth, but is a lot up there with Christa Ludwig in a Bohm has dipped.
A down the side is some men : Dietrich Fischer Dieskau is well but the sounds have spent his best, really fights to be listened in of the places. Kidney Kollo is a lot of shouty, although improvement (thanks God) in Law III. I give Windgassen any day now.
Kurt Moll sings the very satisfactory Marke.
An Orchestra is well, a Heart perhaps the little down can but at all to concern roughly really. Some the calm passages are touched very calm and some strong passages very strong, these looks to be more the question in Law I that anywhere more.
My personal view is that a client will struggle to choose among this together and a Bohm. The prize is The Isolde, Windgassen Tristan. That spent never dipped will leave you yearning perfection, which, perhaps, in a context, is appropriate totally.
4 / 5
I have been spent up in a Furtwangler/Flagstad version. I have then discovered Karajan/Dernesch 35 years ago. Adapted the little idiosyncratic, but that version bowled me on, and Dernesch the a lot appealed voice mine. I have been faithful never of then.

Up to now. Fickle Creature that are, am enamoured now with a Kleiber/Prize blend of magic. Yes, Isolde is perhaps the little lighter that an usual plus Wagnerians but possibly ossia that it marks like this exceptional. So only think of Gundula Janowitz like Gutrune in Karajan Coverage, and have a same class of magic.

The wait will go to mine grave faithful to Kleiber/Prize and this stunning version.
5 / 5
Does not like Me the registers where the singers look that absolutely it could not sing his work on phase. An example is Turandot in Decca, with Joan Sutherland - the coloratura soprano like icy princess. I have experienced partorisca Give me Joan maintains the base of several occasions and I know has had the wonderful and very big sound all a way up in a strasosphere, but reason think this ready lady has not sung never Turandot in a phase? Reason has known that possibly it could have break his main notes. Partorisca A same reason never took on Abigaille in Nabucco. Here, like Isolde, has one the majority of good-looking voice of Margaret estimativa, but surely, could any never has sung a function of Isolde on phase, beeing the Mozart wonderful, Green and Strauss same singer. It is not mediated Never in the action staged, certainly that knows that it could have lost his voice after a first dramatic law, so that Helga Dernesch , in action real. Dernesch Also losed his cup remarks all too collected in his career. Partorisca Longitude, Carlos Kleiber has tried to take a Swedish Wagnerian soprano Catarina Ligendza like his Isolde, but has denied, meant - with which his experiences with a register of a DG Meistersinger - that some registers of the way today is facts, in of the small pieces of the tape dipped near without any feeling of continuity in a doing, was like this unnatural that could never more be the part of registers of studio. Kollo Is acceptable likes Tristan, no more. Kleiber Directed wonderfully and a sound is cleaned, an in shape upper orchestra. But because of some singers in some main parts, this does not have to that never be first yours election of Tristan register. It could, this in spite of, access in as the beautiful second or third election, perhaps after Nilsson (and Flagstad)...
5 / 5
Some singers are feeble compared to that is there, but in no way unsuitable. One directing is that it is like this interesting on Tristan this in spite of, is a lot idiosyncratic. Highly recommended.
5 / 5
Ossia The typical DGG together where some engineers am taken on of an action and fiddled around with a sound so much that the virtually has destroyed a work. The averages a time (when a music is calm) some singers are in your advance of room and an orchestra is in a next street but when a music takes strong some poor soloists have be the questions has listened. Ossia One 'Tristan' to ideal like him to him yours work dipped in the giant barn so that has a lot of little intimacy in a sound. Some singers are glorious and although Dieskau barks the little, is still effective. Prize and Kollo is a lot matched and there are some embroiders to stun of both. Kurt Moll Marke absolutely is that it absorbs and never dull. They are not Carlos Kleiber defender and, chair to say, his in leader of this piece does not change my alcohol - still that resists to import that some engineers have the place was the sabotage an action. This neighbour is for defenders of some soloists and a manager - but some stops of poor engineering he to be the register adds.
4 / 5
He And in That say that it is Tristan of all his time. I prefer to say That it is Tristan of Furtwängler. « I dread that so much time to the equal that will live will not feel never Tristan like this », has written lucido pianista Sviatoslav Richter to the continuazione gives representations of Bayreuth in 1976. « This was Tristan true . Carlos Kleiber the spent the music ready of edges of ebullición and the and the saved to the long of the night. »
5 / 5
The better register of Tristán und Isolde in studio. With Isolda unusual the load of Margaret Estimativas, that has not interpreted never the paper in scene but that under the hand of Carlos Kleiber turn one of the best Isoldes has registered. Has a lot of register of this work and for me the doubt Sinned is my preferred
4 / 5
gives orchester erzeugt einen kalten rausch.
Prize, moll, sind toll. fassbaender überzeugend.
Gives späte fischer dieskau reizt mich allerdings schon ein wenig Zoom lachen. bei wagner immer Quotes gefahr, gives the data looks umschlagen.
One gives bell von kollo kann und kann ich mich nicht gewöhnen. als sängerschauspieler bestimmt Súper, sehr intelligent gezeichnete looks. bei Gives meisten aufnahmen bleibt er mir ein degrees.

ich bleibe Are ende bei furtwaengler. Patina to die und die ein wenig überreifen stimmen seiner hauptprotagonisten versetzen give stück in eine andere zeit, was dem stoff guttut.

trotzdem hörenswerte aufnahme. nicht langweilig, Was, ganz offen, sonst ein echtes tristan und parsifalproblem ist
5 / 5
does not have any idea because it has expected like this long to purchase this register. Value he for Prize and one directing so only. I reward it it can be my preferred Isolde. For any with a plus of one registering of T&I in his shelf, could do to worse plot that adding this to your repertoire to listen. All the world will have his own sprains in orchestras and of the individual singers, but for me, a felicities of this production far outway any quibbles can have in the details done more my satisfaction in other registers.
5 / 5
A purchase consigliatissimo Still dye that they pretend he maximum in everything. He recording, interpret him, he direction of orchestra the that music dream that has better data here can expect. He price is not 'will read mine close the eyes has seen will feel transported in the room gives concert during one'execution indimenticabile.
Good listen!
5 / 5
And the one who traducton!
Glorious.
Confesses That in the work of Wagner ,in the edges that writes, the orchestra joins plant such that in pode no it régaler to listen he of this sonptuosité audible that offered this lacking version to hail his engineers of the able edges closings of apresamiento of edges merveileuses, able of effects that has joins main importance this work, especially when these effects are yes sobrios and magic.
Then yes, although, side interprêtes, will turn to other versions , that here contributes roughly ' is his true reason to exist. One possesses, touches lucido like that perduráis with lucido never result poussié class.
4 / 5
Ossia The beautiful, if Tristan registers eccentric. Kidney Kollo is occasionally nasal, but effective. Margaret costs a 'Rewarded of admission, this in spite of. Also, Kleiber has the particularly only vision here. Very sensitive to some demands dipped in some singers for Wagner inhuman orchestration.
No a better, but in a cup 5.
5 / 5
The audible amplitude of this register is such that his pianissimos is inaudible and his fortissimos tonitruants, that question gives incessant manual corrections ! It is a lot the harm transports the interpretation is excellent !
5 / 5
Sehr gute Aufnahme und durch und durch eine gelungene tiefe Atmosphäre dieser Oper. Wagner In Reinkultur und ein muss für to the Opernfans
5 / 5
To the tenor of the vocal distribution could doubt of the tarpaulin of this register. Error, Lucido boss the totally transfiguré all his singers. It is genial !
5 / 5
Aufnahme sehr empfehlenswert.
Musikalisch sowohl von Gives Seite Gives Dirigates als auch gives Sänger!
Ein sehr lyrischer und 'fliessender 'Tristan!
4 / 5
Is a mythical and no only register touches his musical qualities.
Kleiber Has demanded An Extravagant name of repetitions touches finally claquer the door of the first studio of the fin of the register and no more never and go back. And this has been sure enough Last official disk of Carlos Kleiber.
Felizmente His technicians of DGG had left to turn his micro Pendant his repetitions that permission of atascar his holes, extracted that have fulfilled a lot habilement the car concealed does not feel at all.
I plans of the sud musical, this production launches a challenge : record of commentary Tristan und Isolde when in any neither Tristan neither Isolde to his humour.
Transports René Kollo and Margaret Estimativa is a bit Tamino and Pamina extraviados in Cornualles.
Of these Prices of Margaret of difficult equation goes extremely well, magic of the studios a lot of the sud but no only, benefits grandement give options stylistiques of Kleiber, alive time, transparency of the orchestra. Well to the sud would not have been able to sing lucida function scene of the sud, this that she any one access never of another side, but lucido the miracle operates , and, although it finds it sometimes good to yard unexpectedly (especially the he in the Nilsson in the ear) is very difficult to resist to the splendeur of bell of edges and to perfection of his diction.
Him the The same miracle does not operate with Kollo, but well, and had- any one touches to sing lucida function to this period ? The response is Any one a lot to the sud, then takes the one who Kollo gives and in in happy.
Embezzles of the Distribution is excellent, better, genial regarding Fassbaender, Brangäne of legend. Fischer-Dieskau agacera his detractores, Touches my part finds exceptional in Kurwenal to the to the equal that gives joins correct magnitude aristocratique. Kurt Moll is equal to him-still in Marke (function that has sung already the Bayreuth with Kleiber) ossia perfect.
Says That Kleiber is transcendant creates of the evidence, submerges in truth of a loin of human work of all extase metaphysical. Of Lucido the start imposes joins extreme tension, lucido advance of musical tongue with clarity and precision, the balance and the transparency of the orchestra is exceptional (Dresde !!!) ; Interior of a frame rythmique very Rigid, Kleiber to quote joins liberty of respite that gives all expressiveness of edges to the musical sentence so only a true boss of theatre to the equal that has known to do.
Then The perfect Version ? Any car precisely, is lucido theatre, his breakings, urgency of edges that is missing here, this disk is a lujoso product of studio hyper sophistiqué to that the natural lack cruellement.
Has to that-Complain that the married was too good-looking ?
Any one a lot to the sud, then although in first election saves my preference the Böhm with a trio Nilsson-Windgassen-Ludwig inégalé, in second election (games to deepen so it says) this version is indispensable.
4 / 5
Mousse Of Amparo pourrie and that fallen in poussiere. Turn the repayment of games of immediate piece
4 / 5
Eine gives spannendsten AufnahmenFür has given Aufnahme spricht besonders C. Kleibers fesselnde The interpretation gives Partitur, die er auch durch know Sänger verwirklichen lässt, like the gut is denn geht. They are besten vermitteln dies Margaret estimativa (Isolde), Brigitte Fassbänder (Brangäne) und Kurt Moll (Marke). René Kollo als Tristan ist sehr bemüht a Dynamikwechsel und a data sinnvolle Gestaltung von Phrasen, allerdings fehlen inzwischen quotes stimmlichen Mittel. Obi Is zur Zeit gives Aufnahme einen besseren Tristandarsteller gab, ist schwer zu sagen (a bit Spa Wenkoff beispielsweise machte given Plattenindustrie einen Row). Anzumerken ist noch Quotes widersprüchliche Tatsache, dass Margaret Estimativa ihre lyrische Isolde gerade deshalb gelingt, weil sie auf gives Bühne keine Wagnerpartien interpretierte, während Kollo wohl gerade durch know Festlegung auf Wagnerrollen know Stimme hard beeinträchtigt hat.
Fanatikern Knows Given von Margaret Estimate gesungene Variant in Isoldes Klage im III. Akt ('Ganz ohne Huld meiner Leidens-Schuld?') Years Herz gelegt, Die ich like this in keiner andere Aufnahme gehört habe.
Fischer-Dieskau (Kurwenal) klingt (auch altersbedingt) recht überfordert - Vermutlich hätte er sich dipped einer kleineren Rolle bescheiden sollen wie Anton Dermota, gives als Hirt noch zu überzeugen weiß. It gives Given Gesamtkonzeption zählt, gerät die Aufnahme durchaus eindringlicher als beispielsweise Karajans (trotz Jon Vickers' überzeugenderem Tristan). Die gelungenste Aufnahme ist meines Erachtens quotes unter Karl Böhm (Bayreuth, 1966, Nilsson, Windgassen).
5 / 5
einfach ein genuß ! It has given aufnahme kommt auf jeden Fallen dips auf die insel. It is mag eventuell bessere einzelleistungen In anderen einspielungen geben, aber gives gesamtpaket bleibt unerreicht dank dem dirigat !
5 / 5
Endlich ist Quotes einzige Digitalaufnahme unter gives großen Tristan-Aufnahmen in bezahlbarer und technisch noch einmal überarbeiteter Form neu erschienen. Und wie In jeder seiner - leider viel zu wenigen - Aufnahmen macht Carlos Kleiber are Pult give entscheidenden Unterschied aus:

Kein anderer Directed hielt sich like this genau a data dynamischen Anweisungen gives Komponisten, trotzdem wirkt keine seiner Aufnahmen akademisch. Sena Time sind immer flott, aber denies überhetzt, sondern leidenschaftlich. Yesterday wird Wagner auch endlich einmal nicht durchgehend laut gespielt. Und gerade durch Has given leisere, unglaublich farbige Grundauffassung wirken quotes dramatischen Ausbrüche one like brutaler, heftiger. Nach dem Anhören dieser Einspielung wirkt jede andere oberflächlich, unsensibel.

Leider hatte Kleiber Gives Pech, dass er im Vergleich zu früheren Aufnahmen zwar erheblich bessere technische Voraussetzungen zur Verfügung hatte, aber nur noch bedingt quotes hierfür geeigneten Sänger:

Während Herbert von Karajan zehn Jahre vorher noch Jon Vickers als Tristan zur Verfügung gehabt hatte, musste Kleiber has dipped einem Kidney Kollo Vorlieb nehmen, gives are besten Jahre hörbar auch schon hinter sich hatte: Hatte er in jungen Jahren (Meistersinger unter Karajan) noch über eine recht brake, in giving Höhe sogar leuchtende Stimme verfügt, klingt er yesterday oberhalb give Mittellage nasal, eng, blechern. Hohe Töne werden - auch und gerade Gives lyrischen Passagen - dipped Kraft hochgequetscht, klingen hart und flach. Zu Gunsten Kollos muss Man sagen, dass er zoom einen give tieferen, leisen Passagen gives Text sehr plastisch ausdeutet und v. One. im dritten Akt sehr überzeugend leidet - Data allerdings nicht dipped musikalischen Mitteln, sondern durch hörbare Überschreitung seiner stimmlichen Grenzen.

War of Prize of Margaret alles andere als eine typische Isolde, sondern eine lyrische Sopranistin und Mozart-Spezialistin, given of data Isolde denies auf give Bühne gesungen hat. Ihre Verpflichtung War ein umstrittenes Experience - und wurde eine Feeling! Sie ist Given mädchenhafteste, zarteste gone Isolden, macht aber trotzdem denies to give Eindruck, stimmlich überfordert zu heart. Die erfahrene Liedinterpretin lotet die Nuancen gives Rolle voll aus und macht dadurch vor allem gives ersten Akt - zusammen dipped gives kongenialen Brigitte Fassbaender - zu einem Psychokrimi. Nach Gives jungen Kirsten Flagstad (wegen gives doch noch größeren stimmlichen Reservations) und neben gives glühend dramatischen Birgit Nilsson vielleicht quotes rundum überzeugendste Isolde überhaupt.

Geradezu tragisch Quotes Leistung von Dietrich Fischer-Dieskau: Dass er einmal ein großartiger Kurwenal gewesen war, trotz seiner dafür eigentlich zu leichten, hellen Stimme, hatte er unter Furtwängler bewiesen - leider schon 30 Jahre früher! Er hätte sich Quotes Neuauflage und damit Kommentare wie 'dünn, jammernd, abgesungen' ersparen sollen. Warum Kleiber nicht Gives damals noch erheblich frischeren Walter Berry oder gleich einen jüngeren Sänger verpflichtet hat, verstehe ich bis heute nicht.

Großartig dagegen Herb of data-energische Brangäne von Brigitte Fassbaender - fast noch intensiver als, wenn auch stimmlich nicht likes souverän wie Christa Ludwig. Überragend auch Kurt Molls väterlicher Marke has dipped seiner schwarzsamtenen Stimme. Ein König vom Kaliber eines Kipnis, Weber, Talvela. Auch Quotes Nebenrollen sind mehr als nur gut besetzt (besonders beeindruckend: it gives 72jährige Anton Dermota als 'junger Hirt').

Hätte Kleiber einen besseren Kurwenal und einen Tristan von gives Klasse eines Vickers, Suthaus oder Melchior zur Verfügung gehabt - er hätte Given Furtwängler-Aufnahme von 1953 als beste Studio-Aufnahme ablösen können und wir müssten auch nicht mehr alive-Aufnahmen von 1936 hinterhertrauern. As aber bleibt auch bei dieser kostbaren Aufnahme ein unerfüllter has embezzled.
4 / 5
.., Kleiber also in the Work, world for me quite unknown, in this version musicata of the most good-looking history of amour that exist perhaps gives better has given yes, have felt other versions, my this is pure poetry, perhaps the singers does not dream all'height, mine a lot of dubito, has given other a lot of, mine tug gives Kleiber with the orchestra in an ideal limit Can felt first.
Also A No his at all has given Tristano and Isotta, seats the one who something has given poetico in this version of the operated
5 / 5
 全然どうでもよいことですが、英独仏3か国語ブックレット(全120頁)の扉が2018年10年31日発売予定のカルロス・クライバー/DG録音全集(12CD+ブルーレイ・オーディオ)の箱写真と同じようです(陰影と角度を調整)。
 元々は扉裏のWager近影(19世紀当時)に似せたポートレイトだったような・・・(頭の角度とおでこ生え際から勝手に推測)。よくみると昔のブックレット写真のほうが頭の角度を不自然に左へ傾けている感じですね。
5 / 5
Kleiber fantastic with a direction gives brivido. Tristano Interpreted With the owed sensibility and drammaticità . Surprising! Advised The the one who, coming me, adores Wagner.
4 / 5
いろいろな指揮者によるCDを持っていますが、カルロス・クライバーによる このCDが 一番 気に入っています。おすすめします。
5 / 5
Premettendo That Any sleep an expert, have adored research'work of the start was a lot. Full has given passion, overwhelming, a true triumph. He libretto With the translation In English and in French is a lot of gain for the one who, coming me, no his he German. Purchase advised To 100
5 / 5
has given Aufnahme unter Carlos Kleiber ist QUOTES Referenzaufnahme von Wagners Tristan schlechthin - und wird is wohl auch noch lange bleiben. Auch, wenn gives Directs dipped dem Ergebnis bekannterweise unzufrieden war, ist dieser Tristan doch als fulminant zu werden.
5 / 5
これは、現在CD化されている『トリスタン』のなかでも、初心者から通まで、存分に唸らせることのできる稀有なセットである。カルロスの解釈は、必ずしもスコアに忠実ではないが、劇的な場面では、鮮烈な稲妻を思わせる鋭い弦を奏でさせ、他方、叙情的な場面では弱音で滑らかな、また輝くような艶のある音をひきだす。この強弱のコントラストに加え、レガートとスタカート、またアゴーギク(より早く、より遅く)、低音と高音との対比を自在に駆使して、この大曲を寸分も飽きさせずに聞かせぬく。ドレスデンのオーケストラも、いぶし銀のように、ピッチはやや低めだが、暖かく、艶やかな高弦、また安定感ある低弦がピシパシと要所を締め、木管の音色も柔らか、かつ伸びやか。魔術的な音色の海に戯れることができよう。録音は、このオリジナル・イメージ・ビット・プロセッシング盤よりも、4枚組のもののほうが原盤なので優れている。この音楽は、その誕生当初、「未来の音楽」と呼ばれ、従来の和声法からみても、また歌劇の作法からみても、全く新しい境地を開いたと看做された作品だが、そのような斬新さをいまなお感じさせる演奏ー録音といえよう。
4 / 5
Quotes Studioaufnahme aus dem Jahr 1982 umfasst drei CDs place einem kompletten Libretto als Beiheft. Kleine technische Besonderheit ist, dass z.T. sehr lange Trackdauern gewählt worden sind, Was give Ansteuern einzelner Stellen ein bisschen erschwert.

Klanglich ist Gut of CD quotes gemacht. It is gefällt auch, dass die Stimmen nur selten vom Orchester zugedeckt werden. Kleibers Dirigat ist von Gives Grundstimmung eher dunkel, unheilvoll und tragisch angelegt. It is konzentriert sich auf has given Aspekt, akzentuiert ihn schnittig und scharfkantig, blendet andere Aspekt eher aus und ist dadurch weniger transparent, aber in giving Grundstimmung eindrucksvoll.

Margaret Estimativa als Isolde kann überzeugen. Als eher Mezzosopran verfügt sie nicht über Quotes hohen, strahlenden Töne, aber sie setzt ihre Stimme richtig ein und versucht quotes Töne gar nicht, die ihr nicht zur Verfügung stehen. Ihre Stärken liegen v.un. im , wo sie wirklich verliebt wirkt, romantisch, lyrisch, empfindsam.

Kidney Kollo als Tristan verfügt auch nicht über quotes kräftige Heldenstimme, sondern hat einen eher schlanken Tenor. It gives setzt er sehr Intelligent place viel Sinn für the details of data give Partitur ein. Of the klingt schön und ist In seiner Schlankheit berührend. Ironischerweise fand ich ihn trotzdem Gives eher dramatischen Augenblicken etwas überzeugender. Er versucht Yesterday nicht dipped einer nicht vorhandenen Kraft zu singen und arbeitet dadurch Quotes empfindamen Aspekt kraftvoller Momente heraus, was berühren kann. Of the ruhigen Phasen fehlt ihm ein wenig gives stimmliche Fundament, a data Empfindsamkeit has dipped soviel Kraft anzureichern, dass sie im Hörer wuchtiger wirken kann. Er versucht im Quotes Fiebrigkeit Tristans darzustellen und macht gives für are Stimme sehr gut, kann aber absolut gesehen nicht hundertprozentig überzeugen.

Dietrich Fischer-Dieskau als Kurwenal scheint mir einen schlechten Labels erwischt zu haben und bleibt deutlich hinter seiner beindruckenden Leistung in giving Furtwängler-Aufnahme zurück. Sena Stimme scheint mir etwas flattrig, Die rythmischen Momente werden mir etwas zu rythmisch.

Brigitte Fassbaender als Brangäne ergänzt Estimate dipped ebenfalls dunkler Stimme kongenial. Sie harmonieren Gut und Fassbaender versucht sich richtigerweise auch nicht One gives ganz hohen Tönen.

Kurt Moll als Mönig Marke bleibt ein wenig blass, was nicht zu gives Erwartung passt, man of data ob seines eigentlich sehr beeindruckenden Low von ihm gehabt hätte. Aufs zweite Hinhören passt Is aber ins Konzept, weil are Zurückhaltung dips give eher weniger dramatisch und lyrisch angelegteren Grundkonzeption harmoniert. Er ist als König nicht wirklich leidender enttäuschter Liebender und nicht wirklich würdiger König, sondern versucht eine Kombination.

Fazit: Für Freunde eines zurückhaltenderen, eher romantischen und tiefer gestimmten Zugangs zoom Tristan eine nicht hundertprozentige, aber durchaus gelungene Aufnahme. Knappe fünf Sterne.
4 / 5
That says has given Kleiber.. An excellent interpretation, coming of the rest all the one who here there is left.
He Tristan&Isolde A purchase that advise animadamente!
4 / 5
Has given CD ist einfach ein muß für Klassische Musik Liebhaber. Würde ich mir immer wieder kaufen. Denn über Geschmack läßt sich bekannter weise nicht streiten.

Top Customer Reviews: River Of Dreams - ...

Rating: 4 out of 5 with 30 ratings
5 / 5
Here we have the soprano with the wonderfully pure voice and with such the rich diverse collection that comprises 17 clues there is something partorisca all the world. Included a popular work air 'Or My Babino Expensive' is treated with adds aplomb with the a lot a star of work would be contained . In fact a purity of his voice is such that at least one of his versions( in the sound has in the first place released CD) there is not founding never equalled never the alcohol has surpassed. Other gems the look was partorisca he here is a Bach/Gounod 'Bird Maria, soyay the be', 'Danny Chico,' 'A Water is wide' and like this on. Especially, I so only out of a 'Bird Maria' reason this requires the precise voice controls that a lot it find the intimidating challenge but Hayley.
4 / 5
This album is a typical better album of Hayley in United Kingdom.
Has some better albums in Giappone, also, but is possible to enjoy this album sufficiently like the only better joint is.
17 pieces of interest of music of a selection of one 16 year-old beginning to almost 21 years are obtained.
Was a fact of sounds to prefer to classical crossover is to result in this way when increasing music with several types.
Is rich in a variety, a capacity of flange, also, is quite and he no the fact be tired really.
Of then sale of a better joint in Giappone in 2014, an album is not sold this in spite of.
Loves for this album any to result a last better joint.
Wants to take out of the new album for everything means.
5 / 5
Am coming round to Hayley Westenra has seen the very dark street. One of a saturday the supplements of paper have had the 'that never spent to ...' Characteristic and this week was Neil Reid the one who there has been the swipe in a prompt 70s with soyotro of Mina'. I have verified Youtube and sure enough was there but has listed also was another version for the singer has called Hayley Westenra. To say has been attacked has gone by the version of Hayley would be a understatement (incidently his version is in an album of Flight of Japanese songs 2 I think - cost the fortune!).
Am spent an evening that the careers by means of Hayley is several actions and requests to the equal that have lost such the good singer. Regarding a CD is the lovely collection exhibiting so much his classical credentials and the beautiful lilting voice in of the songs as 'Danny Chico' and eshenandoah'
A esleeve note' characteristic several photos of Hayley famous present meeting and his enthusiatic and the charming commentaries adapt you so only the one who young is.
One a black mark in this CD is the mix up with some clues. In a version has taken a coverage impresa and a party of clues, this in spite of burst this to your PC and a player of means comunicacionales will say the different history, some clues of number 5 from now on have some wrong titles like this he rasgar a CD to your device of portable music will owe that rename the majority of some clues. I think this mix-on can be be cause of the different clues that is used in a compilation in of the different countries. I am assuming that this error has been chosen on now and the future versions will be well. In all the chance will not mark a CD down for the technicality when some songs is like this fantastically there is rid.
4 / 5
Ossia The really good introduction to Hayley so that they have not listened his work before and the collection adds partorisca to the defenders of term along likes him. This CD really the talent of exposures Hayley, has the wide row of ways incuding folk songs like henandoah' and 'A Water is Wide' and an immortal 'Pokarekare Ana'. Also it comprises spent of songs to pop as 'Both Sides Now' and an amazing duet with Andrea Bocelli 'Of the Amour a lot if his'. Hayley really can do a lot of way she the all really well and this CD really tip the one who versatile really is. There is the little new some on here ongbird' is the coverage of Cassidy of Eva adds, I amour how is fixed, maintained a lot simple with just the piano. Also it has 'Po Atarau/Now Is An Hour' that is half maori and half english, again ossia the simple, but fijamente impressive and I amour to listen Hayley sings in maori.
5 / 5
An election of clues for the 'plus of' the album is joined to be a bit subjective and has been tried to give this only four stars because some of mine favourite are not comprised. This in spite of, there is the good selection of the three leading United Kingdom of Hayley the albums and I likes him everything. Also some three new songs are spellbindingly good-looking. (I there was no @to @give that Now it is an Hour was the Maori tune.) As I will not be dipping was album of Hayley of the mine, but has been listening to this one in a car. This presents two questions: a prime minister (relatively smaller) is that some clues do not follow on in an order that am coming to expect; a second is that meeting while in a car when I achieve my fate to listen the 'so only a plus follows' (or two, or....). Not to have me he late for anything still, but there is the real danger!
4 / 5
JACKIE has wanted this cd are really adds I amour each moment of him there is the beautiful addiction of an angel would recommend any to buy this cd are to add yours to add I calm amour of david
5 / 5
really has the voice adds, but I a lot like this enough like a PURE album does. This in spite of, still the good listens.
4 / 5
The voice of Hayley is like this clear and wonderful to listen my woman and I have loved this cd and would recommend it
4 / 5
has not gone really enthusiastic on taking this album at the beginning, of then has possessed already other albums that has contained many of some songs is one, but after receiving an album, was like this happy I had decided to buy the!

Some of some songs are real extracted, likes Eva Cassidy Songbird, which Hayley covers more fantastically, or Bird Maria (Bach/Gounod), which is surprising too much. Previously, I have listened the only sound sings Bird Maria (Caccini) of an Odyssey of album, and Bird Maria (Bach/Gounod) alive English in the tone the low plus, in the concert in 2004 (Any, has not gone quite lucky to be there; I looked it on Youtube). Songs as Or My Babbino Expensive and Now Is An Hour was orders also. Attentive, that are I saying ?? A WHOLE album is surprising; I fully reccomend he for defenders and for people a lot still familiar with Hayley Westenra music equally.

Is the very good album to give like the present, IMHO, is trying present the music of Hayley to any one. My only lament is that this like this-has called soymena that' the album does not comprise Dark Waltz (expósito in a Pure album). If you have not listened Dark Waltz, the failures was on something awesome. Please go to listen his on Youtube/of Youtube or something.
5 / 5
Ossia For real one much more of Hayley Westenra! Good-looking music, adds sellection of songs! Ossia The double cd, import of New Zealand, with clues of prizes. Highly you recommend! Considering the this was posted of another side of a world, arrives in excellent time.
4 / 5
Has bought this CD because it looks a lot of my favourite songs . The joy that listens his but there is the few clues (roughly 3) that I skip. Also it finds that the voice of Hayley results the tiny has bitten partorisca nettle after the that nettles the moment is perhaps too strong the word but calm take my drift and is so only the personal opinion after all.
5 / 5
The incredible voice of Hayley is not roughly all the volume and control; it is magic, clear like the highland cradle, with the feel concealed can spend tears to your eyes - and a prevail - can listen you each word sings. And some numbers in this CD enhance his magic. Simply divine.

Barry
4 / 5
Good-looking voice - has bought this partorisca one the particular clue but his voice is like this of the lovely I think will like me all has joined other clues also.
5 / 5
HARLEY WESTERA
SONGS ALWAYS A [LIKE to the CHAIR BEHIND RELAX And ENJOY
5 / 5
Hayley Westenra has the voice that would have to be used like the vocal level reason a lot a esupporters populate' would have to that be short. It suggest that a lot they would fail to fulfil a quality of his voice and an election of his repertoire. Joy his music and would want to see him on DVD.
5 / 5
The voice of Hayley is so only and beautiful, and a CD has arrived quickly and was perfectly packaged.
4 / 5
Perhaps one of a clear plus, the perfect tone, the voice has has not listened never. A delicious mix of songs, traditional, maori, and titles more recent, of the young voice that has to that have years of advance of presentation. An occasion partorisca relax and drift to another world. I recommend this like the soyust has' buy.
4 / 5
Hayley Westenra Is still young but his music improves each products of albums, that New Zealand of export has!

Unfortunately has to that be in accordance with leading commentaries that a version of the import with some extras is better, if it calms that can achieve, otherwise validate each penny!
4 / 5
The good music sweat yours the class of gender will enjoy it.
5 / 5
Hayley HAS the lovely voice, good election of songs. Easy to listen the house or in a car.
5 / 5
Has purchased like the present partorisca any the one who had not listened of this singer, is wanted.
4 / 5
Bought like the present and is has wanted, although you take a CD has sent your allocution and also one downloads
5 / 5
One this is to be announce in television to the equal that has thought partorisca like listen everything of him. We find it to us the abonos easy listening CD. Like this always an ad has has touched bit of all some better songs he so that will have the little concealed could not be by all the world is flavour .
4 / 5
Rids very punctual, a lot of packaged. Good product, good prize, any question, first vendor of class, certainly would use again.
4 / 5
The wonderful singer the like partorisca listen to touch sing a lot clear
5 / 5
Oh as lovely has wanted to calm good-looking voice in cd .Hayley westenra The river of Sleeps is lovely .Helped give me endure estaca opp ache .
4 / 5
To have music in a background like a lot of intrude.
5 / 5
So only a word, in amazing! A good-looking voice and the good selection of clues partorisca restful listening and stress free behaviour.
4 / 5
Has in the first place seen his in Kenwood prompt nineties, has no,St transmissions, really good.
5 / 5
His good-looking voice interprets each song in such the only way. A lot relaxing and enjoyable.

Top Customer Reviews: Ralph Vaughan ...

Rating: 4 out of 5 with 2 ratings
5 / 5
Vaughan Williams is a lot of-known partorisca his commitment to an English folksong movement of a twentieth prompt century ( is reputed to having collected some eight hundred individual elements in small more than the decade), and partorisca fix a lot of of these he and his mates (Cecil Acute, George Butterworth, and another) has collected. Some of these has been recorded in of the numerous occasions, but has tended partorisca be some preferred old - hrubs & Briars', 'Rolling in Rocío', esome Seeds of Want to', 'Ca' a Yowes', and some elements that comprises a Five English Folksongs for the heart is among some strong perennials. This in spite of, RVW published some eighty arrangements of folksongs, any only of Big Bretagna, but of France, and included Newfoundland, compared with that a repertoire has registered to the date is a bit state has restricted.
Now this in spite of, thanks to a thrilling new project engineered for Albion, an arm of register of Ralph Vaughan Williams Society, all this is for transmission. A disk down revises here is a prime minister of the series projected of four disks in that is expected to register, in a next pair to years, all some have published RVW folksong arrangements; and if this initial offering is anything to spend of longitude, is in to treat it.
Volume 1 comprises fourteen 'Folksongs of Sussex' (1912) (a favourite stomping earth partorisca Vaughan Williams), a esix English Folksongs' (1935), and esea Songs of a Motherland', flight. 4 (1919). Obviously, some of some preferred old are still there, but some a lot of novelties, the majority of them registering premieres, is the revelation. A precise so only listen to 'Goodbye, Boys' (clues 8), or 'A Servant of Islington' (clues 12) for chance.
One extracted well of thought has been given to an arrangement of a program to do one the majority of his diversity. There is the happy mix of soprano, tenor and soloist of baritone (Mary Drink, Nicky Spence and Roderick Williams respectively), and pianist William Vann is joined in an or two elements for violinist Jack Liebeck. A small heart also contributes to some pieces. Like this, any sense to leave-seen is minimised (an or two elements have looked in forwards Albion emissions, but no a lot of).
Some interpreters are excellent throughout, a soprano, especially, spending the finely-to the tenderness has judged to some songs of amour. We are to come to expect detailed and professionally-researched liner notes of Albion, and a present chance is any exception . All the one who are interested in a work of Vaughan Williams or more generally in English folksong to good sure will be anxious to add this disk his collection. Personally, I can hardly attended for some subsequent volumes in a series, which surely stand like definite account of RVW folksong arrangements in fact a lot of years to come.
4 / 5
The majority of people knows that RVW was influenced strongly for folk song, and the a lot of people am a lot familiar his folk has based work like An English Folk Continuazione of Song and a Fantasy in Greensleeves, among a lot of another.

These songs, for one the majority of part, is up to now unrecorded-- or more with accuracy, these arrangements are unrecorded. His partsongs in these folk the melodies are quite very known. This album, and a three to follow, is his original arrangements, has produced any like this long with which had collected some songs in an English field.

So only can recommend this album highly. This was a class of music that drew to a soundworld of RVW, almost done 60 years. But I have to that say that this album is different and in one the majority of spectacular way. A More listens them his-- is touching now included-- a More appreciates them a character of Vaughan Williams-- as if this was in fact possible. A bit those that of them, notably ome Seeds of Master' is like this beautiful likes Anything has not written never. It is not so only one dips him ready, but a way has taken something of his essence. It is hard to explain.

But can say this a lot. If it love his music, will fall enamoured with him throughout again. The to the equal that looks forward to a prójimo three album.

Top Customer Reviews: Mahler: Symphony ...

Rating: 4 out of 5 with 22 ratings
5 / 5
A glorious register of Mahler 2nd symphony. All some quality that marks this symphony like this special is taking here in this excellent alive register (thats like the the listen in all the chance!). A world-wide class LPO and his of heart 1st tax and listening to this cd is magic and uplifting. It does not doubt partorisca buy this cd like the , the pleasure does not have any prize like the compraventa, listens, listens, feels and enjoy a master ossia Mahler - decide buy this the the calm hope of the like this like of audio to the equal that has to that me. Recommended
5 / 5
Boxy His and the action that skates (hurriedly) in a surface.
In no way the party partorisca Tennstedt the extraordinary account in one focuses same neither like the action or like this sound.
5 / 5
Jurowski Mahler As it is a lot of - but no among a Mahler better 2.os registers. You would owe that go for Eight Klemperer, Bruno Walther, Kubelik, Simon Rattle, Zubin Mehta and does not forget Gary Bertini. These are current a Mahler better According to register and will please calm for the lifetime.
4 / 5
One of some better register of this problematic work. Calm neither amour Mahler or hate and personally can not take enough of this rich music. A Phil the work adds here to take a last ounce out of this work.
4 / 5
Ossia The glorious action of a symphony of Resurrection, one of some better actions that has listened in of the recent years. It is the alive register and am sure that it was quite lucky to be in a Room of Real Festival that late there has been an unforgettable musical experience. The times are just right, phrasing further reproach, some soloist and an excellent heart, an orchestral touching glorious. Vladimir Jurowski has done some excellent register with Londra Philharmonic and this rendition of Mahler 2 probably tops a cast. Well, it is a better available register ? Probably the no. There is some another utmost register of this monumental work in a catalogue that is like this well, if any one better. Taken for chance Abbado register with an Orchestra of Festival of the Lucerne or Klaus Tennstedt record legendary with Londra Philharmonic or the prize of Ivan Fischer registers to win with an Orchestra of Festival of Budapest. Although has these registers this in spite of, does not doubt to add Jurowski version your collection. Calm will not be disappointed.
5 / 5
Has not listened never a lot to the works of Mahler in his believer to be along winded and boring.
This in spite of, has been aimed to buy this album after listening an end in Radio 3 a morning.
Is the most emotional piece of music and, my untrained ear, treaty excellently.
The cost and the place averts the pair of hours to lose calm in an action.
4 / 5
If you havent taken an alive LPO Tennstedt register, taking that in the first place, how is extraordinary in his intensity. Then it takes this, which is extraordinary in his musicality and qualified to do the one who can be the bit of the sprawl to the really coherent whole. A two near is like this well likes to take for this symphony, which is saying something.
4 / 5
I have listened to this register in his entirety two times (Speakers and Auricular). Several sections are returned partorisca verify speed and modifying. Like the register is not like this as well as it could have expected. A refurbished RFH researches it having reduced a 'boxiness' once attacks he in this venue, has failed this in spite of partorisca impress. Especially an end has been missing of a spirituality like this of entity in this work. A magazine of Gramophone attributed it the 'rave inform' partorisca me this was another example of bloated hype of the magazine once adds now the shadow of his leading self!
Was a bit puzzled for one a lot of peed changes', particualrly in some external movements. Some soloists have treated well and the heart and the orchestra have sung and has touched his hearts were! But it has had something that loses of this action and again has to that conclude that it has been missing he of the spiritual dimension. They are sure a manager dipped extracted adds of thought and look for of his interpretation. Perhaps I am daunted of an alive Tennstedt and this has presented sprain my global impression of a Jurowski interpretation? This in spite of that listens again to a Tennstedt the pair of days with which has confirmed my faith that a Tennstedt is a Mahler 2 this will be difficult to surpass in all his a lot of facets.
Recently in that listened that to a archived register with Klaus Tennstedt on 'Disks of Island of the Desert' (Ref: Disks of Island of the Desert. I irradiate of LIMA of the BBC) enabled me partorisca comprise more reason was one of one Mahler adds managers.
Partorisca Conclude: left your own ears and the feelings are a judge of this register, and there is still partorisca listen a Tennstedt does not doubt. In spite of an interpretation and endeavour for Jurowski and has Sawed a Tennstedt wins on registering, peformance, spirituality and is more defnitely 'the Mahlerian' experience.
5 / 5
Ossia The fine action and interpretation, although hardly definite. Jurowski Likes things of attractive roughly enough bit it rhymically, although to any deeply effects spiritually. But all the world would owe that be warned: a signal has been equalised, so that all some very soft passages am half-strong and all some fortísimos half passages-strong also, although intensely so much. A sound will be WELL for the half-crew of quality but really fails in the very big-system of the his of the quality -- the so only does not take never strong in some climaxes. And a boxy Soiled of the acoustic Real festival rob all a offstage passages of the sense of celestial distance, which is that Mahler has loved. They touch muted, as they are coming from some changing rooms, which was ( was in a RFH concert, duquel ossia a register ).

Bruno Walter is was concurrido, how is Klemperer, for them both have listened Mahler directs a work and he has helped to direct a offstage band. For the register it modern plus, Chailly and a Concertgebouw has a better celestial offstage sound, which is quite something. But the one who loves 'definite'? There is no such thing, and in all the chance each action would owe that be the revelation, any tentativa to improve to his predecessors.
4 / 5
All the Gentleman Allsopp says is absolutely something on. The fantastic action and he have to that for any Mahlerian. This in spite of, does not purchase of Amazon, the one who on until his usual pathetic tricks, touching (at the same time to write) £ - gone headed to a LPO the web of place and take for £ (the FREE inc. P&P)... Which is a Prize that the details Recommended .
4 / 5
R. Millington Is something on. Ossia Of the costs of mine here in Spagna also. Early Classical is also more economic that a prize of download of mp3 of Amazon.
Update (13/07/11) - The one who the surprised - today the prize is less than half a leading prize!
5 / 5
Some two soloists and the heart are very poor in fact.

Will maintain to go back to Bruno Walter for mine Mahler definite 2 experience.
5 / 5
Ossia One of one Mahler the second was better. Has has wanted a work of then listened it in the first place he almost done forty years. It is easy to snicker in Mahler ambitiousness, but the action adds one forgets so only that ridiculous a work is in theory. Of a start Jurowski grabs you and does not leave never goes. It is very different of Bernstein, Tennstedt (alas, his alive register with a LPO is the action adds left down for his poor), Walter, Klemperer, and Rattle -- my tentativa fast in the representative diverse approximation to a second -- but in his way is like this convincing like this any of them, and a sound is excellent with both clarity and atmosphere. An after bambalinas the effects are @to @give amiably, if no like this ethereal likes some, and the wide dynamic row amena out of some contrast among strong and soft. A calm entrance of a heart in a last movement is sincerely calm. Regarding interpretative subjects, Jurowski the times are in of the general terms in accordance with agreement. His first movement is quell'has bitten swifter that the majority, underlining a 'allegro' marking, but is still soyaestoso'. A second is quell'has bitten slower, a third and rest quite typical. He a start of a last flow of movement fantastically, as it thinks that that it has to. He elsewhere ameno out of some modernist elements more strongly that habituáis -- that prefers -- but without falling to a class of dispassionate dissection that sometimes Leaves Sinopoli Mahler. Some separates last of a prime minister and third movement like the whole looks very resembled a world of some seventh and ninth symphonies. In general it looks more to expressionism that romanticism of estaca. But a same time, Jurowski finds a beauty in a bookmark and is has had to that to apply sweet rubatos more than just scorching by means of liking Klemperer or Solti. When An end comes, is for real ecstatic, exhilarating,and exhausting, and does not touch never simply bombastic. Frankly I do not comprise some critics that has fulfilled this register. I can recommend this that it prime minister Mahler 2, or further of any others register could have. It is that special.
5 / 5
Lucido Boss of orchestra Vladimir Jurowski, been born in 1972, the already has achieved an exploit : in a musical landscape londinense of the amazing wealth has joined, he the permission in Londra Philharmonic orchestra (of the that he the summer has appointed main boss in May 2006) to distinguish , while he to the symphony of Londra is directed pair Valery Gergiev and that he Philharmonia the one of now touches manager This-Pekka Salonen.

His reasons of this interest have renewed is, to listen he of this symphonie Resurrection captée in audience in September 2009 to the Soiled of Real Festival (residence of the orchestra), quite easy to identifier. Jurowski Is An at the same time precise boss (his attacks give offices of ropes) and galvanisant. It can reproach diverse things to this mark : a Urlicht quite cold (in spite of his qualities of Christianne Stotijn), gives small maniérismes of boss that concentrates sometimes the attention to the sud lucido (this passage, has seen as I directed it ?) First of that of the sud operates it. But it Touches it embezzles, Jurowski his qualities that is désespérément absentee in good of the his confrères today : tension fiévreuse of the tongue, construction in bylines gives long secuencie musical (the art of any never lose lucido edge), there is qualified to transmit roughly has chosen, to dip the auditor in ebullición. It has felt seldom, recently, His members of an orchestra have so much envy to touch. As with Tennstedt true joursSymphonie N°6, says that he and it beau besides elsewhere (in colour, rondeur, finesse), but that this is not to the fond he of entity that concealed, and that play Mahler demands also (and in the first place) other virtues.

Is final that leave a bit less enthusiastic. Lucido Mahler of Jurowski is ensured more than restless and tends to think that joins left of the content is not dipped in value. That counts here Mahler, to the for elder, is that the impossible results in possible final ; or yes lucido the boss is too sure of him, this travesía of the abyss with locating concluded to the light is not more than joins walk of health a bit charlatana (and with a lot of branches indigestes). In it does not bore sure enough any with a boss to the also brilliant donations that Jurowski, but the questions of work in his last moments even more. In the salt would be me to him to good sure has created touches to applaud ; in yes in him the well, all surrendering homage to a boss of of the east drenches, and the publication joined in disk that is not useless, to think the others versions, gives classical and recently lucida turn of the genial concert of W. SteinbergSymphonie N°2 essurrection'.

But he we this to less than forty years, then to the pair of age has achieved Stokowski...
4 / 5
To condition joined imposes to touch discover this boss of orchestra talentueux love the second symphonie of Mahler and in this chance, will not be décu. All And is, the beauty gives voice, the audible beauty, the precision and the balance of the orchestra. To good sure Joins of the versions of month have preferred.
4 / 5
This gripping version of Gustav Mahler 2nd Symphony breathes vitality and emotion of his premiers second all a way to some minutes of closes almost an hour and the half later.

I a lot of passages in this register are incredible. I will list the little. A recap of a subject inaugural mid-way by means of an inaugural “Feierlichem” movement (start in 10'50” in a first clue) gradually builds of the misty partial presentation, obtaining intensity until he thudding to the cadence arrives four minutes later. Jurowski And Londra Philharmonic touch this long paragraph of music with an absolutely-gripping felt of continuity. To an end of a same “Feierlichem”, Jurowski builds a final dread-has fill growing of the soft pianissimo (roughly 18' in) with the combination of restriction and emotion. Everything of a fierce “Feierlichem” is notably excellent.

An action any paste besides late in any one. I have found a reflective half section of a Prank (roughly 5' to this clue) he strikingly calm and serenáis rendition, which really underlined in spite of familiarity of mine with this symphony. A soloist in a “Urlicht”, half Christianne Stotijn, has the rich and velvety his, and is very musical also. A way she and a paste of orchestra was in some last few moments of a “Urlicht” was wonderful and striking, a music that directs directly to an End. Another wonderful moment in a “Urlicht” (that that can be translated like “Primeval light”) is a turn presented for an oboe of only in 2'50”.

Give some more the time and I will be able to take other especially good-looking moments, reasons has like this of them. A 2nd Symphony is absolutely alive and low fresco Jurowski direction. The passages familiarised obtain new impact like the commitment of some interpreters comes by means of strong and clear.

A Exc the technician of some interpreters thinks is also remarkable. Londra Philharmonic Touches this difficult bookmark with complete technical guarantee. Some leaves of mandate so much the emotion of a music as well as some of some details subtiles of Mahler masterful fixed to come by means of. I have mentioned Stotijn does on but a heart and soprano Adriana Kucerova is also a lot strong in a final “of big” Resurrection.

Thinks that ossia he downright the action adds of 2nd. An only qualifier will do is that a sound is so only well, no really on half for the modern digital register. His sound is not until a work of the spectacular engineering found in another recent version of one 2nd of Paavo Jarvi and Frankfurt Radio Symphony, but a Jarvi the action is not generally in a same class how is a Jurowski version. Still for the sound-to to obsessed auditor like him, of any smaller defects in a quality of his no detract of a commitment, the passion and the technician expósita in this 2nd. Strongly recommended.
5 / 5
Londra Philharmonic Is always be my preferred for any-Beethoven repertoire. With east register some stands preferably. A delivery is like this smooth likes befitting a musical represantatives of a nation that has produced some Circles Royce.
The second of Mahler is arguably his best, although no like this breaking of earth (for a day) like adage that yerra of 10th neither megalomaniac like one 8th. Be supported by a German romantic tradition, this glorious concert comprises heroism of épico, pastoral and soft delight-hearted sentimentalism, rid for the very glorious near. While to symphony, a work of words and symphonic dips come to the chairs of piece well with Hochschwannstein castles, bavarian forests and pastoral fields. It can be borderline pathetic for today of cynical sensibilities, but still Value one roughly 90 chair of minutes in.
Gentleman Vladimir Jurowski blew was. He no an orchestra in the slow, well judged and deliberate way, is able of explosions of energy to match it Taiko near and can paste some brakes without producing the sobresalto. A dynamic is emotional and intense, likes request in such the romantic piece. No the difference of a late add Karajan and the party to Solti or Kubelik. With which decades to reissue and digital remastering of the actions add the past can be big time to leave a grandees of one 60 east and 70 rest.
A toneless plus (or less Strong) link in these neighbours would be Half Christianne Stotjin. A bell of his voice is lovely, but power of lacks and technical. This is not enough to dent this awesome register. Soprano Adriana Kucerova is wonderful.
A register is flawless, although a technically jaded auditor in me craves for the DTS register. One was-orchestra-trumpets of faces no quite achieve some microphones. Otherwise, A no @to give ossia the alive register - like this opposed to a variety of studio- until a rumbling ovation in an end.
In this age to decline interest in a classics is the pleasure to learn that the accione adds still spend.
5 / 5
Partorisca me A bit the high points of this action were a second and of the last movements. A course of funerals is strongly expressive, and Jurowski marks the extra points for that comment one breathes dramatic-the pauses in some have repeated down-surging passages so only before a recapitulation. Mahler is soyinuet' is quell'has bitten slow but totally alive and a lot detailed; a beauty and the dynamic row of a music is exploded to a plenary. A prank is quell'has bitten too slow and neutral in tone. Jurowski Also adds extra beaten in a passage, which interrupts a flow of a music. (Oddly, Michael Tilson Thomas also blotted his copybook in this movement.) Urlicht Has done amiably, with the vibrant orchestral part. While it would have preferred more organ and bit it less soprano, an end is perfectly paced and arrive with the fantastically cut end. Some singers of only is a lot well, if it bit it weighed, and a heart is excellent.

A sound registered has taken here is very natural and warm. There is so only quite his of room that a contrapuntal the emergent lines with clarity. Besides, a offstage the effects are glorious. A sonic image resists together all a way to a triumphant final. If we can expect more subject of this quality, I Gentleman of hope Jurowski is doing in the Mahler complete cycle with a LPO.

In general this action is not quite an equal of Abbado/Chicago in DG. They are also fond of Mehta/Vienna, especially coupled with Schmidt Quarta good-looking Symphony. Besides, a Haitink/Concertgebouw the action boasts a lovely voice of Elly Ameling and a noble flange of Aafye Heynis, which have not listened never bettered in Urlicht. If the spectacular sound is your ideal , could enjoy Slatkin/St. Louis, which is also available in SACD.
4 / 5
Beautiful register, except an incredibly strong cough in a third movement. A does not look slower of a time of register, which is odd, and no the compliment. A sound-mix-of the level of instruments is quirky; any déficient, so only different. In general, if you are the Mahler defender , ossia a lot the value that adds to a collection for colour, but ossia in no way the benchmark register - no a place to start with listens the M2. If it love an alive register estupefaciente of the symphony of Londra, beginning with Eight Klemperer 1962 version. For something of a same quota soyodernist' Mahler school like Jurowski, but better fact, Bernard Haitink 2008, or 1968, thus subject.
5 / 5
Does not have any reservation here; this is exciting Mahler, a lot paced, fantastically registered, and he warrants the place on any one is Mahler CD shelf. I require not spending a lot the time that elaborates. This action is riveting to begin to finalise, and there is little if any remorses in an interpretation, something can not say roughly the majority of Mahler 2nd. It downloads it; it buys it, anything.
But listen it. Jurowski Is to line to inherit one agreeing nods of auditors the one who are poured in Kubelik, Solti, Abbado, Bernstein, Levine, Rattle, Sinopoli and another Mahler of managers of entities. Appearance a LPO on some the coming years register all 10 Mahler Sinfonie. I will be to line to buy each a.
5 / 5
Several descriptions before mine raved in this Mahler new 2. One same suggested Jurowski is a better manager of his generation. Ossia The end M2 but am not sure valey of such praise until alive with him for the moment and see like him passages with has repeated to listen.

These looks of symphony to fall to two types of action; fast and dramatic or slow and majestic. Jurowski Fallen to some forwards. In general ossia a thrilling action with a LPO touching inspired. The English orchestras have been often critiqued to be bit it too reserved, but here alerts of sound and the music. Some series is incisive and really undermine to his parts amiably and resupply abundance of weight. One touching of some bonds in me is very good. Some brasses are mostly very good but touch the bit timid in the pocolos put - some trumpets are almost inaudible in II in 5:42. But then again, ossia the alive register and does not expect absolute perfection. A woodwinds game with character and yours and a percussion, often aim it lean in of the English orchestras, the fine work. Ossia The alive action and an audience is mostly calm but can listen the little cough in some calm moments, which is not enough to be the question.

Jurowski Underlines some contrast in this work and he the good work pacing a work and that manages a wide row of emotions, but have the little quibbles. A first movement is very urgent, to the to the equal that likes, but there is to plot of of the train that the transmissions and the transmissions of time how is well is done effectively. For one the majority of part is, and I like an urgency. In an Andante find a main time is the little slow so that it is basically a intermezzo but otherwise is done fantastically. Some sections to contrast are characterised a lot amiably. In III a main time is the rigid touch but otherwise this movement is a lot well, with Jurowski spending out of strangeness of this music a lot well. A 'cry of desesperanza' the climax aptly is terrifying.

In a Urlicht movement, a Half Soprano the good work in transmitting a solemn way (the flange is always the point for to stick me in this work), and felizmente Jurowski maintains it simple and directed and does not try to milk it. All duquel goodness to a final section. A LPO games superbly and an after bambalinas the effects are done convincingly - in a distance but clearly audible. One eardrums and the percussion is touched to a hilt. In 33 minutes a final is faster that more registers, as Jurowski maintains it emotional, particularly in some strong and violent sections. There is also to plot of transmissions of time but is managed well. A heart is very good but am less happy with some soloists. A Half Soprano, the one who has touched well in a Urlicht movement, here touches the little unsteady. A Soprano is quell'has bitten too heavy and strong, and when some two ladies sing his duet sings with too vibrated for my flavour. It prefers a flange in other registers like Mehta/VPO, Fischer, Tilson Thomas and Nott. Also it has the little cough as well as some rustling noises when a music takes soft - I listened with headphones. Felizmente When finalising is done fantastically with bells and percussion to wrap on the good action, but bit it more the organ would have been done a better same end. An audience erupted with acclaiming too quickly after a final note is touched spoils it a moment bit it. It is too punctual and he any one leaves for the take everything in.

So much, where does this end M2 row among some another? Jurowski Is competitive with my preferred, Mehta/VPO, Fischer, Tilson Thomas, Slatkin and Nott, but the time will say goes to an upper or no. Each one which so one has is low and big points. Fischer And Nott has quality of his add that it adds to an entertainment. A bit those that reviewers has mentioned Jarvi and Tennstedt but meeting Jarvi Mahler to be operates it in progress, and has not listened an alive Tennstedt register. Ossia Mine two cents .
5 / 5
Is not my intention to offer the musicalogical informs to do an observation in a sound has registered. They are in accordance with the forward reviewer the one who has commented in the a lot of some sounds of Room of Real Festival in this register, and the desire has known more roughly reason ossia. It has touched of look of impressive way in Abbado Mahler 3 with a BPO (DG), which was registered also there. Ossia The room that was notoriously dry of a principle, notwithstanding is another (visual) architectural merits (now considered estro' and a lot fashionable). It was quite lucky to visit he in 1972 like an architectural student in a process to write the end-year disseration in acoustic of room of the concert. I have while known a volume of a room was insufficient to create pertinent reverberation, something concealed easily could be be win has had a ceiling and the ceiling be main. A black art of acoustics was still to a large extent comprised bad at the same time a room has been drawn in a prompt 50 east, and in of the latest years have listened that electonic the methods have had the habit to enhance to reverberation of a room (a terrible has thought!). In spite of, Mahler still touched well there in spite of this drought . A question now is like this the latest improvement has been possible? Any one knows? Reason was, a ceiling has not been domestic, like this which more could one question has been solved? I suppose that my doubt to persist is that it has had it really any improvement, and that some engineers of register have achieved he in a studio. It would like to think they are bad, but some rests of suspicion!
Now to my main point. I have been blown has gone by one registering some first time listened it, but mainly because of an originality, freshness and sheer does of an interpretation. They are not the musical scholar, but know that it has listened to something very special, and quite different of any one another Mahler 2 has listened previously. It has been true to a bookmark and the intention of a composer?....It does not know , it did not love it so only! So that it is my flu ? It boils Down to a simple of dynamic row. Some the big moments so only do not have an impact they was prójimos! Before this register has looked, had solved in the register of Fischer likes better still. 'Before-impression' the comparisons are interesting here. A LPO the register is immediately more involving and prendiendo in some inaugural pages, but a Canal classics the engineers are way more achieved when it comes to build some climaxes, which are for real staggering! For me, some climaxes in the Mahler symphony Owe that be staggering, as you consider this seriously lack. How it is like this often a chance, one has combined the merits of some two subjects would have produced a Mahler better 2 has taken still.
Would want to know more in an acoustics in a refurbished RFH if any one knows roughly that.

Top Customer Reviews: Ralph Vaughan ...

Rating: 4 out of 5 with 1 ratings
4 / 5
It was Lambert Costante (I thinks!) The one who opined that an only thing one could do with the folksong, once sung, was partorisca the sing again - but stronger! Albion Is serious that continues in of Vaughan Williams folksong arrangements, which has has achieved now his second volume (out of four), gives a lie to this pronouncement. There is so much that has been already - and will continue to be - learnt of Albion enterprising project.

1) In the first place, an excellent liner the present notes to some nomination that really @@subject - some original singers and some intrepid collectors of his songs, comprising Vaughan Williams and another of the his ilk, like Cecil Acute, Lucy Broadwood, Maud Karpeles, Sabine Baring-Gould, and a Hammond brothers. Folksong The collecting was an art in him, and has been thank you partorisca win all the classes of difficulties, any less a bashfulness of some singers (an introduction for a local vicar was often invaluable). Another question was memory . Some the old singers generally could agree some tunes, but was sometimes mistier on some words.

2) After, learns that a product polished of one fijamente - in this chance RVW - is at all like a material believed would have listened is gone in a field of operations - a unaccompanied outpourings (all the instrumentation was generally eschewed) of some men and women in some houses of wash, parco, cottages, pubs (especially), and included - alas - a workhouses. A collector would note down a tune directly of some thick uncertain voices of some singers (although it has had some fine some, also, with reputations to uphold). One treats of a estámultado' the composer was then partorisca transform them ('elevate' would be a wrong word) the timeless gems that has considered can be works of art in his own legislation.

3) This door to the third point: Those some products of composer depends a lot in his accompaniments notarises them. These really determine a character of a song, and of here of an experience partorisca listen. Britten Is arrangements very known (Hyperion CDD 22042) is not by all the world is flavour . They have been written with him and Peter Pears in view, and his society the same feeds to a (on) elaborates accompaniments of piano. In a chance of Vaughan Williams and George after friends Butterworth (Naxos ), this in spite of, is more the chance of atmosphere. A piano does not overwhelm never a vocal line, and is used often simply partorisca suggest ways or sure nuances in a narrative. Some ghosts of some old singers never are-present.

4) Can learn, also, that some individual folksongs is joined to the wide genealogy. This was unavoidable, quotes an oral tradition by means of those some songs have been transmitted on some generations. For example, a text received of a hilarious Song of Farmyard in a present CD (clues 19) resists a unmistakable alike familiarised the Copland are ' has bought me it cat' (Old American Songs, Teldec, 9031-77310-2). (Incidentally, Mary Drink the noises of farmyard are more persuasive that those of Thomas Hampson - at least in mine dress!). Again, it is instructive partorisca compare a melody of RVW is eseventeen the Sunday Comes' in an English Folksong Continuazione with a tune and time of Butterworth alternative (Naxos ) or Percy Grainger rendering (Chandos CHAN 9499).

5) Finally, would have to recognise that once a composer had dipped a text in bookmark, produced partorisca an auditor the snapshot (or auditory experience) in time. An evolution of a song in a field could continue or (more likely) dies era. An aim of collector and composer was partorisca preserve the lovely tradition - although some can compare a process partorisca maintain alive the scarce species of animal in a zoo partorisca prevent his total extinction.

A together prime minister of the songs in a present register is 'New Folk Songs of one Of the sud Appalachian Mountains. These have been collected among 1916-18 for Cecil Acute and Maud Karpeles, and places for RVW some time during a @@@1930s. At the beginning they can redden look an odd election partorisca the composer that oozed all the English things, but on listening them, is surprising so only that touch English, and some clearly have his origins here. Like this, to to the songs like 'John Randolph' (Gentleman Randal), 'Barbara Ellen' (or Allan) and 'A Carpenter of House' (A Daemon Lover, or the ghost of the lover) all have his English counterparts. A Englishness of this neighbour is had to probably to a fact that these songs were a hovered of an American community in the far part of some the USA which was remained to a large extent free of developments in some more populous zones. As they are, included could represent an earlier version of some songs that these that has continued to evolve in Big Bretagna.

A Two English Folk Songs partorisca Violin & of Voice (c. 1913) it Gives a pianist the pause and the fresh experience partorisca an auditor. A second of some songs, 'A Lawyer', is available in diverse cook for RVW and another, like Butterworth.

A final offering in this disk is 'Collected Folk Songs, Volume 1' (1917). Here, one can wish compare some actions of 'A Ploughed Painful' and soyy Chico Billy' in this CD with those for a legendary countertenor Alfred Deller in Vanguard Classics 08 5073 71.

A program in this Albion CD has been obviously has thought was with the priest adds partorisca maintain the interest of an auditor throughout. Some songs are divided in roughly of measure the same go in soprano (Mary Drink), tenor (Nicky Spence) and baritone (Roderick Williams), included when they belong to the together only, and there are duets where the particular texts leave. A pianist is William Vann and a violinist is Thomas Gould. Some levels of both interpreters and the register are flawless. A purist can say that, transfer folksongs of the his traditional rustic setting to a half of a cultured professional, something of his earthy presence is lost. This in spite of, the registers exist of the little of some original singers in action, and there is abundance more than his imitators. That can be said, this in spite of, is that, in a hand of the master musician like Vaughan Williams, such songs can be transformed the timeless gems partorisca be enjoyed both maintaining and in a future.

Top Customer Reviews: Concerto: One Night ...

Rating: 4 out of 5 with 12 ratings
4 / 5
It was quickly and easy to download a complete album in format of Mp3, and very reasonably priced. It has had seventeen clues more an extra prize the no joined clue launched in.
A quality of a sound was perfectly acceptable partorisca me.
5 / 5
Fab dvd Of course Bocelli can do a lot the sister said roughly this concert but I looked was partorisca years how has been pleased when I saw it on AMAZON. Utmost pound of has liked them he with original sleeve. But I knew it it has been missing that when I bought it,
5 / 5
the album Adds of Andrea, also have a dvd with a same name... A night has had terrible time in Parco Centrical, but Andrea Bocelli savedcyge prejudices with the brilliant action... Like this usual!
5 / 5
Andrea so only Bocelli calm album never need. Everything is covered. Shining.
4 / 5
Extraordinary Alive give New York with guests of exception. Interesting also He the repertoire has proposed, that spazia of the lirico to the pop. The joint!!
5 / 5
CD has given good quality that is a true pleasure listen with a suitable installation that valorizzi the voice has given Andrea Bocelli.
5 / 5
Partorisca The lovers of Bocelli, is a box very good alive.
4 / 5
Some small reviews L his career with more than work that pop of games. It likes more than his Pop of slope. In all the very corrected chance.
4 / 5
Although Any sea a defender of the music clasica, the variety of the repertoire of of the one of the east this CD is very interesting.
Clasica, Italian, music of peliculas and something of pop.
5 / 5
A condition of a disk was how was new, in fact would not know a difference if he
had been represented 'AS NEW' .
The mine fulfilled or surpasses all some necessary qualities to spend for behind warm and happy memories
of my pasts and for this reason the only desire there was the sixth ( 6 ) the category of star could give it.
If you have not been never enamoured and a lot thoroughly enjoy the majority of these songs with this orchestra
would be very surprised .
4 / 5
A CD is defective halfway by means of like this
He skips and is bad
Any acceptable
4 / 5
I add concer, DVD. Marcos the present adds partorisca some holidays.

Top Customer Reviews: Verdi: Un Ballo in ...

Rating: 4 out of 5 with 12 ratings
4 / 5
Oscar of Kathleen Battles is incredible, perfect in the each way. Pavarotti Ricardo is equally good- possibly his better access in any function of a Duke in Rigoletto. Margaret estimativa is perhaps very quite up there with them but is on forms here. Solti Ameno Out of a better in them everything.
4 / 5
An excellent register of a work that takes less attention that deserves. All the numbers are treated brilliantly. Margaret estimativa likes Amelia sings superbly with of the creamy tone, which so only results hard down pressure in the pocolos put - an I has listened more officially. Kathleen Battles sings a part of a page with characteristic fashion (both arias and especially a together "Ah! Has since glow" in a final law is glorious) and Christa Ludwig is dark-toned and threatening likes witch Ulrica, the small but memorable contributo. Among some men, Pavarotti can be quite strong and brash in of the places but less so many that in other registers and test that can sing sensitively. (A duet of amour in Law II is one of Green the majority of ardent and is sung convincingly for both principals). Renato Bruson Sings his arias well and is a lot convincing in a last law but a voice tends to take lost in a together big-pieces. All some the small functions are very sung and the heart and the orchestra contribute brilliantly under a control of Solti - that comes from his skill in meso-Green. I discover-heartedly recommends this in any lover of passion of work, sorcery, jealousies and murder; a perfect combination. It would owe that be part of the each collection. Commanded he maintaining!
4 / 5
Some unfairly refuse A Dance likes one of some Green minors works. But it is the fine work that deserves far more attention and respect, and this lavish register it ameno out of a beauty of this work.
An only another Dance that record that equals ossia von Karajan is to take with Placido Sunday and Sumí Jo. Both offerings are utmost and offer glorious clear scrollings. This in spite of, Solti resupplies the slow plus, flowed, the More still spends that von Karajan, and a mould is in general slightly better that a von Karajan register. This in spite of, Placido Sunday in a von Karajan the register touches more adapted to a function that Pavorotti done here, and Sumí Jo is more ideally launched likes Oscar under von Karajan that Kathleen Battles is here under Solti. Still, really it touches to lose consider flavour and neither registering will disappoint.
5 / 5
Decca Looks for having had some question some early digital days that takes some voices in of the registers of work to the good report with some microphones. One felt this in a lot of a soyefistofele' register with Of Fabriitis, and is some again here. When Voice of a quality of Pavarotti, Margaret Estimativas, Renato Bruson, and Christa Ludwig is robbed of his flower, knows that some placings of the microphone is not ideal. A register here hardens some voices and expose and exaggerates a naturalidad vibrated. Leinsdorf Register with Bergonzi and Leontyne the prize is still a must-has record of this work, and wants to listen Margaret estimativa in his digital well, his 'Otello' register with Cossutta was has balanced better. The flange of the prize here is well, can take spent some questions with a sound, although really it is not enough in a Leontyne bows of Prize in this music, where a voice is adapted perfectly to half-Green period. Pavarotti Is not bad, but fault of a grace, elegance, and talent that Bergonzi (and before the, Gigli) ameno to a music. Bruson Is the plus refined singer that Merrill is for Leinsdorf, but Merrill, in the voice adds, has given the action adds like Renato, although has the pair of clumsy moments, and Bruson is less intense for comparison. Christa Ludwig Sings well like this Ulrica, but really need the big plus, more Italianate voice to scare some trousers was calm in this function. Kathleen Battles is the pert Oscar. More importantly, this in spite of, and chair to say it, Solti is disappointing. It is atmospheric in some starts of a Ulrica scene and legislation before 'This is he orrido field,' but failure to form some insiemi big and a duet of amour, so that they do not look to flow like this of course to the equal that do with Leinsdorf (and Dumb and Abbado, thus @@subject). Like this -- go for Leinsdorf in RCA. Bergonzi HAS a perfect voice for Riccardo, and a duet of the amour with Prize is one of some utmost moments of operatic music have registered. Bergonzi Scene of the death also is so only perfectly fact.

NOTE: A DG DVD of the 1991 action in a PRAISE with Pavarotti and Millo does justice to some voices. For that time, Pavarotti was 55, but touches lovely. Abril Millo The voice is better adapted to this music that Margaret Estimativas is, and also is very taken for a register (and sings well, also). Levine Is in his game, and some movements of what whole and breathes in the way that Solti is no quite to the left. If I have had to guess, it would say that Levine knows this music for inside and for out, and that Solti, the manager of fine work of Wagner and Mozart, so only has not been all this familiar with 'Dance.'
5 / 5
The one who has said that Pavarotti has had so only the good-looking voice? In these aims to register that can do he with a voice. In 'And prank...' Lame geese -swipes because I can listen his ambivalence.
The prize is acceptable. Bruson A lot fully acceptable of his voice is being missing of in agility. The battle is the pure joy to listen . Ludwig Is the surprisingly a lot of Ulrica.
Solti - The character. One directing is electrical!
4 / 5
To good sure The better version of studio of this first acts of Puccini.
5 / 5
歌劇「仮面舞踏会」ショルティ指揮、ナショナル・フィルハーモニー管弦楽団。1982〜83年収録。
キャスト:リッカルド/パヴァロッティ(T)、アメリア/M・プライス(S)、レナート/ブルゾン(Br)、ウルリカ/ルートヴィヒ(CROWN)、オスカル/バトル(S)。

パヴァロッティは、12年前のスタジオ録音に比べると、良くも悪くも歌い慣れてきたという感じがします。M・プライスは好不調の波がある人のようですが、ここでは好調。ブルゾンはじめ他の共演者もそれぞれの持ち味を十分に出していて好演です。バトルのオスカルも聴きもの。ショルティの2度目の録音になりますが、こちらの方が音は良いし、歌手のでこぼこもなく安心して聴けます。英語対訳付。
5 / 5
Green is very known A Dance in Mask is treated of one all star launched of Luciano Pavarotti, Kathleen Battles and Margaret Estimativa (and Christa Ludwig). After listening to his actions, with excites will look for other actions peels each member of this mould. A National Philharmonic is in his better, going in with the light accompaniment and that does of clashes in some perfect moments.

Law 1 point has underlined: ''That you churn cosi?' For Christa Ludwig. Amelia Recognition a fortune teller, Ulrica, and profesas his amour for a king, Riccardo. Ulrica Has said Amelia to gather a herb with magic powers later that the next night a gallows

Law 2 point has underlined: soyun of the arid stelo divulsa' for Margaret Estimativa. Amelia Is near a gallows to choose a herb duquel Ulrica has said. It is surprised for Riccardo, a king, the one who is coming to fulfil, and a two declares his amour for each another.

Law 3 point has underlined: ' soyorrò, my first in grace' for Margaret Prices Ossia when Amelia is begging his husband, Renato, to see his edges a last time before it believes is a lot before that Renato calms his stops to infidelity have imagined. Heartwrenching Treatment of this song for Margaret Estimativa.

Law of prize 3 point has underlined: it is it is pure' for Luciano Pavarotti. Here a king is stabbed for Renato but likes Riccardo is in decline, says Renato that Amelia is innocent, calm then forgives all involved in his death. A yard sings his praises in a uplifting and tear-jerking final.
4 / 5
Ossia The blistering action for the glorious lineup. A dance In mask is, like another reviewers the point was, go in Green the majority of tuneful works, although it thinks a lot of fight to do this melodramatic plot really work. Well, Solti has the solution, of classes. So only it forces a whole thing to the tight dramatic arch musically, he pressing sometimes like this last that a moment of some looks of music to cover on dramatic cracks in a history and action. This has said, certainly does not spend for big an elegance, sparkling talent and romance – although his approximation is quell'has bitten more analytical that some another – but looks that anything spends concealed storywise is bent to a service of his musical vision more than vice versa. Yes, the chance certainly could be fact that Solti presses things too many hard, but I I is happy to listen A dance laws like the transcendental work at least in a musical level. A National Philharmonic the responses of orchestra superbly.

And so that some singers. Ossia The very a lot of (if no a More adds them of) Pavarotti actions – his King (well, Account – can know you a background history) is marvelously noble and multifaceted, and a flange is generally in the first place-estimate although he (so only occasionally) reverts partorisca bellow. Margaret estimativa is excellent; splendid characterisation coupled with technically virtually flawless and resourceful flange. One same easily can be said partorisca Bruson – flange of the baritone does not come more beautiful and opulent that this. In functions Christa Kathleen and Ludwig smaller Battle also require the mentioned with praise. And importantly, any of them looks for to be postponed for Solti intensity – one would expect that when the manager presses his own ideas in a work like this Solti does here some singers and his capacity to resupply the vivid portraits of his characters suffer, but no like this here, which is the tribute so much to some soloists and a manager. In short, ossia the together glorious , and a sound is in general a lot very also. A lot strongly recommended.
4 / 5
Solti Has registered Dance two times in his career: a prime minister with Birgit Nilsson, Carlos Bergonzi, Giulietta Simionato and Cornell Mac'Neill, and this second register with the mould the interesting plus that comprises Luciano Pavarotti, Give me Margaret estimativa, Renato Bruson, and Christa Ludwig. In both of form, so only some tenors, Simionato and a baritone in Solti the second there is esal' Green voice, but in the each chance a mould remains role to a text and creates one of a more obliging together work in Greens in of the records. Different Wagner and Strauss, does not have any one a lot in this work that for real has described an orchestral tapestry in some stairs of some Teutonic works is, but Solti the analytical fashion this in spite of search to be the perfect party thus bookmark to the equal that develops several details and of the transparencies notarises them that Italians usually muddle in an orchestral yard. Rhythmically, Little other masters take a step of this work like this of course like this Solti does here, some only Italians desquels can come to this be of distinction Riccardo Muti and Claudio Abbado. Solti Is also able to paint each sentence how was the symphony , cushioning some singers and like this a work in the coverage that looks to underline a lot a histrionic elements in a bookmark. Point of chance: a together in Law 1 when Riccardo, Renato, Oscar, and a rest of some boys joins in for a jovial heart, Ulrica chilling scene, and Amelia and Riccardo rapturous duet of amour.

Solti The mould is like this apt for a same work if they do not possess instruments more saying of a Green tradition. I give Margaret estimativa is no soprano in a fashion of Tebaldi, Antonietta Estrella, Zinka Milanov, or still Leontyne Prize, but ameno his only instrument to a part and sings sensitively, underlining his lines with the Lieder sensibility coupled to the naturalidad feel for a tongue. His is probably one the majority of Amelia feminine in of the records. Renato Bruson Is a lot of Bastianini, but is an intelligent singer and does a part of his sound of namesake absolutely villainous without touching like an absolute caricature. His Were yours east one of a plus fantastically vocalized and has interpreted.

Kathleen Battles is Oscar thrilling , lovely of voice and flowed of coloratura. She like this little another does a course bolt with spice and vibrance. Luciano Pavarotti Is the launched and touching Riccardo. It is not instrumented with to to the the dark tenor likes of the Sunday or the honeyed, bronzen a pleasure Bergonzi, but his lyric voice is the natural access for a part and done a plus fantastically vocalized renditions of a character in of the registers. Although it is not like this probing likes Sunday, his identification with a character and his fluidity in some leaves of tongue some words to basically of jump of his mouth. Ossia Riccardo as no another singer would have sung or would not sing never again. Ah, And the one who spent better he of the mould of all the stars that to have a queen of mezzos Christa Ludwig sings a characterful and sinister Ulrica?

While this Dance is not the classical in a line besides Italianate Ballos, is an absolutely that it interest and absolutely convincing that it reads that it would have to that be part of the collection of the each lover of work. Partorisca Solti Detail-driven and lyrical that directs and the mould of true distinction, this is to recommend highly.
5 / 5
Has been blessed to have sung in Chicago with three of these principals (Battle, Bruson, and Pavarotti) in 1979-80 seasons, how is wonderful to listen them everything in his prime in this fabulous register.
4 / 5
Hard to choose among this register and a one with Leontyne Prize, Bergonzi, and Merrill, but would give this one the light flange. Pavarotti In voice a lot well and ossia the better function of Margaret Estimativa. The only disappointment is Christa Luswig likes Ulrica. Well but it does not add . Shirley Verrett In a register with Leontyne the prize sings the very better, darker Ulrica. To Kathleen Battles likes them Oscar is wonderful.

Top Customer Reviews: Fauré: Piano ...

Rating: 4 out of 5 with 3 ratings
4 / 5
Formed: CD of Audio Jean-Philippe Collard has to that it has very consecrated his life of adult partorisca study of this composer, of looks on all but an orchestral CDs. His devotion to a music of piano of Fauré resplandores by means of. There is a lot of little music known here, and is all value partorisca take to know. In a prize, the subject.
4 / 5
Formed: CD of Audio Ossia the collection adds of music for Fauré.
5 / 5
Jean-Philippe Collard has to that it has very consecrated his life of adult partorisca study of this composer, of looks on all but an orchestral CDs. His devotion to a music of piano of Fauré resplandores by means of. There is a lot of little music known here, and is all value partorisca take to know. In a prize, the subject.

Top Customer Reviews: Rachmaninov: ...

Rating: 4 out of 5 with 16 ratings
5 / 5
The better register of this atmospheric work has listened partorisca date.
4 / 5
Has bought this partorisca just a movement - a 6th - which is simply beautiful.
4 / 5
Has bought like the present, and is gone down a lot well! A full album of gorgeous music, and works perfectly
4 / 5
Such brilliant flange of this iconic piece, so only want it!
4 / 5
Has bought also a Sveshnikov version. I prefer that the action but rests down for a quality of register. Ossia The good alternative .
5 / 5
Ossia A true action of something all think that that we know well.
4 / 5
Ossia The wonderful CD , adds to listen to. Sadly A plastic chance has suffered harm, felizmente there is not broken a CD
4 / 5
A very good version of this lovely work. Absolutely I adore it. Some voices are celestial.
4 / 5
This music is experience and new mine partorisca help with action of heart
5 / 5
More registering of this atmospheric work has listened partorisca date.
4 / 5
Ossia The wonderful CD , adds to listen to. Sadly A plastic chance has suffered harm, felizmente had not broken a CD
4 / 5
A sonorous and emotional action of the seminal Rachmaninov
5 / 5
This description is of: Rachmaninoff: All-the Prejudice Vigil, Op. 37 (Audio CD)
This work for Sergei Rachmaninoff offers the totally surprising and the different view of this character adds. The majority of us knows by means of his works of glorious piano, as well as his concerts of piano with orchestra. More enlightening regarding his pieces of piano, have Rachmaninoff treating his street of own works a Ampico recreos of piano of the Player. In his pianism finds that it has had it the subtlety partorisca touch and qualified partorisca touch slightly and wistfully. When The power has been required could spend concealed to a piano also, but is not never be in the hard militant piano that strikes manor.
In this choral work sees a thin the spiritual/appearance musical/saint of Rachmaninoff. Included a random musical observer can find that it was a lot of versed in some liturgical hymns and canticles of a church, so much so that musical material of the his own is not never out of place, but totally natural in his context. A richness of Rachmaninoff the harmonic creativity in a choral writing is a decoration to some texts, and simply places, so only belonging. This 'another worldly' aesthetic is not meaning partorisca entertain an auditor, but partorisca touch a soul with a spiritual content of a scriptural messages. I found it more interesting in a 'CD' accompanying booklet that Rachmaninoff was explicit to ask that the, 'Ladies Now Lettest Thou,' song of Simeon, be sung in his funerals. This adds hanged to the that those imports this music was partorisca he
How has been expressed in other descriptions, a choral sound is splendid, and everything of a finesse in of the dynamics and balancing of the agreements have managed perfectly. Some soloists add another dimension to a success of this album, so that done a flange of some men of a heart. A quantity adds of thin blending in a low voice the parts so only have surprised. Any one any unaccompanied the choral flange would owe that do the point partorisca purchase this only collection. A collaboration of some hearts and his individual managers deserve big praise partorisca such the work of amour.

Talks Galetar - email:
4 / 5
the laws of Wonderful romantic heart has treated excellently and musically although my Russian is quell'has bitten feeble. Assumed has tried to sing in Latins. Marcos full to the Decca register
4 / 5
Von has given Choraufnahmen cube ich sehr beeindruckt, und die Klänge eröffneten mir eine neue Welt. Gerne würde ich sowas In Wirklichkeit erleben.
4 / 5
A good register of a Vespers, but has listened beter. Happy closing to have this version this in spite of.