Trend Nicolai, Otto Opera & Vocal Music


Top Customer Reviews: Perfect Vocal ...

Rating: 4 out of 5 with 4 ratings
5 / 5
Perfect vocal art,nicolai gadda,perfect service. patrick fay
5 / 5
Wie immer Cube ich has dipped gebrauchten CDs nicht enttäuscht worden, wie auch has given nun schon historischen Aufnahmen. Für einen Musikliebhaber ist Is Alternative of data für weniger Geld auch 'zoom Ziel' zu kommen. Schnelle Lieferung und sehr Gut erhalten, danke, dass Is sowas gibt.
4 / 5
このCDと良さは、なんといっても28歳からの若き日のニコライ・ゲッタの録音が聞けるというところ。彼が来日した時の素晴らしい歌唱のルーツがここにあり、感動しました。マリオデル・モナコ、エンリコ・カルーソーそしてこのニコライ・ゲッタの3人が不滅のテノールだと思わせられました。
5 / 5
für mich istv Quotes qualität like this wie is drauf ist 59 jahre leider ich ahbe mir gives etwas besseres vorgestellt like wie any lp zoom beispiel

Top Customer Reviews: Bach: Mass in B ...

Rating: 4 out of 5 with 5 ratings
5 / 5
This register is simply a better.
Voice and glorious music.
The interpretation is Klemperer in his better .
A must has in any collection
5 / 5
Welsch eine Aufnahmequalität. Ist besser als Quotes heutigen Digitalen. Auch Quotes Interpretationen sind hervorragend. Eight Klemperer War eben etwas besonderes.
5 / 5
Is ardent Pair Jean Sébastien Bach. Then……..
4 / 5
Ossia EMI curent remastering Of Klemperer classical B the smallest mass of 1967. Together with Klemperer St. Matthew Passione, this register was a summit that could do it in Bach. Some the vocal soloists are wonderful, especially some women have directed for Janet Bakers. Retrospectively These were some better Bach singers in Europe, and one some listen in actions of period of Gardiner and Herrenweghe, among another, is inferior for comparison. On and on maintaining take the vocal technicians have fulfilled without spiritual implication in Bach ardent Protestantism (the blessed exceptions when being Lorraine Caccia Lieberson and Thomas Quasthoff).

A Philharmonia Corazón, coached by a legendary Wilhelm Pitz (the one who has directed also a Bayreuth heart of Festival) this time was probably a better in a world. Klemperer The times are stately but full of life in his inward way, and a global experience fill one with Bach felt of joyful adoration.

P.D. 2011 -- For any the one who is of an age or inclination to enjoy such antiquated magnitude and reverence in Bach, has two another stereo versions of a B the smallest mass that it is pendants to the east a. A prime minister, under Karajan, date of a same period of mid-Sixties and is clearly more polished -- roughly could say too polished -- with equally of singers of prominent work like soloists. There is drawbacks to a sound in both a Klemperer and Karajan, some big hearts that is particularly misty, like this there has pocolos to choose among them. For the sound of enormous cathedral coupled with glorious musicality, has the alive account under Giulini, taped for a BBC in 1972 (in Legends of BBC). It is sweeter that any of his rival, and although alive, an action is of quality of studio. A glitch can be a vast space of St. The cathedral of Paul, where a time of reverberation is several seconds more than any room jointly, but some engineers have done the good work that bosses that.
5 / 5
To These rows likes them one of some more utmost registers in a history of our time. A heart of BBC is exceptional and some soloists sing with feeling and incredible force. This neighbour has to that be in the shelf in the each alone house, in the each house, for all the time .

Top Customer Reviews: Bach: St.Matthew ...

Rating: 4 out of 5 with 19 ratings
5 / 5
In the 1967 Eight Klemperer has alleged to bear he 'Bach' Mass in B the smallest is a more utmost music and more so only never written'. To good sure considers a St Matthew Passione is next mate . Such transcendental music requires partorisca his realisation any one the technician but the musician. Here the true authenticity is not partorisca look for retorted the one who Bach (unfortunately!) It has listened with his ears but partorisca look for to reproduce the one who Bach has listened in his boss during some moments of composition. Partorisca Some of us Klemperer taking more after almost any another. Ossia Sublime and deep music that does.
5 / 5
Has on grown with this register, still remembers my father that touches he on elepé in of the Good Fridays (although a family of atheist, the commentary done of commission!) And signalling out of some differences among a soprano and of the registers of big to the four- or boy of five years me. Of course, it has had of other versions of diving with some orchestras plus very small and the hearts and the fastest time have dictated of a soyusic of period' exact (a forward reviewer' commentaries in his when being a politically correct musical police of us the days have me certainly does to smile!). To my alcohol a revelation has not been like this Gardiner but a Harnoncourt rendition, where a heart a small plus is like this agile and some centrical interpreters (Bernarda Fink coming like this near of Ludwig how is possible to expect; Matthias Goerne was-Fischer-Dieskaus Fischer-Dieskau; and Christophe Prégardien directs an unthinkable in equalling Pears) is almost faultless. This in spite of when I touched it to mine (for now septuagenarian) father, complain rhythms, finds a heart soyuffled' and is finally be 'beats of person outdo Klemperer!'...

Very Any, can. But this does not have to that never mean that this majestic, expansionary, deeply the emotional register would owe that be forgotten or denigrated. I have read to somewhere recently that Eight K. It was 'a manager adds in spite of his unforgivable Bach' - well, aesthetic patricide is probably of rigeur in everything of some arts, but surely one could take the breathe deep and first pause to say that a definite 'Erbarme dich' as sung here for Christa Ludwig, and so that Klemperer and his heavy time-the byline surely has to that be given some credit also, is 'unforgivable'! It say one same for one concludes and, especially, an inaugural Choral, where again totally could comprise young (well, no like this young anymore...) Turks Thinking 'traces with him, already!' But where a relaxing of a time and a swell and aprisa of a heart according to infinite of looks projects the majesty, the deep humanity that often takes lost in thin albeit fastidious registers of period of instrument. Compraventa - And then buy Harnoncourt or Gardiner or a same register newer also. It is probably (with an exception of a B-concentrate smaller perhaps?) A choral music more orders never to be sung on earth, as having multiple versions, and finding good further of one approaches, so only could be seen like the good thing. He no calm no your parents still...
4 / 5
His the glorious piece of music. It is 3 CDs long - some parts are slow and/or sad.
4 / 5
This register of fifty years has like this to admire and so which exasperates. His qualities sometimes toe on to be his defects. Judge he here, am not interested in bolt until some ideals of modern 'historically informed' actions. I am interested in judging it music like this effective-doing in his own legislation, and presents a work and emotion of Bach glorious tarpaulin in the way that is interesting and convincing.

Klemperer Has done this first register of a to of the modern tendency of the increasing speeds headed to the mania for dashing that too much often trivialises and undermines a music. Trivialising A music is precisely the one who Klemperer no . His slow speeds leave a music to breathe, and leave all this is in a music to be developed. It takes a whole thing extremely seriously, and ossia the virtue , reason a St Matthew Passione is the deeply serious work , any something to be skipped and danced by means of. Sometimes, this in spite of, this virtue is taking too far, and whilst in general Klemperer maintains, included in of the slow speeds, advance him for the moment to move definite, there is sure things in an action that is impossibly heavy. Weights no been due to slowness, but because of the failure for now, or because of stodgy hinge. Especially painful is a sleepy grave continuous and plodding harpsichord. A final heart of Part 1 has to that it has declared the bad day, reason all the world-wide looks to be strongly sedated, directionless, uncertain: he sags terribly.

Where The things are not weighed totally, Klemperer is glorious. Some finals and the inaugural hearts have all a magnitude and the intrinsic seriousness in a music, there is fully @@give. More arias start extremely a lot - slow, yes, but whenever it goes to somewhere, always purposeful.

Some singers are not everything to my flavour, but the flavour in singers is the subject very individual, and perhaps like them to you everything. Any like him To Him Peter Pears strangulated evangelist, but admire his thin art. Fischer-Dieskau had said once for Klemperer ' give also' and has has admitted years later to any that never has comprised that Klemperer had meant. Here he often 'give also' - I finds his flange horribly overwrought. They are everything for an operatic fashion in this work, but the art adds does not embrace a class of exaggerations of the yours and expression that Fischer-Dieskau indulges in here. I have been seldom loved for Schwarzkopf is trilling vibrated, which take enough to plot of here. Also 'give also'. A simpler fashion would adapt a better music - but any blankly expressionless the fashion favoured for a lot of modern singers in this part. A half course is required. A a really intolerably the contributo terrible here is Gedda is. His yelping, pulling way and his imprecise thick approximation to the yours exact is simply excruciating. This is not , thinks, simply the subject of my flavour, but of bad flange. It is the harm adds reason in other registers sings exquisitely. Something has not been well with him during these sessions. Christa Ludwig Sings gloriously like this always ('Erbarme dich' is the point underlined), as Walter Berry. Some hearts are satisfactory but would have preferred crisper hinge. This probably has not been available in 1962: we have had still to expect for John Eliot Gardiner to come to the long of and hearts to mark harm his best.

Of the point of seen technician, a register is in decent stereo, typical of his time, with wise creation of some complex forces, and the odd and pleasing aural-visual illusion the one who looks to situate some triple any big plus in spatial that some other interpreters. A scrolling of CD has developed some really horrible tape modification, more often to some finals of any evangelists narration, when his final words 'und sprach:' or 'und sprachen:' it is jointed crassly to a rest. A small point, but a lot distracts it and nettling.

There is not founding still the entirely, uniformly satisfactory and enjoyable register of a St Matthew Passione. Strongly it recommends this register, in spite of my a lot of reservations and of the flus, reasons Klemperer gives to a lot of account of the a lot of work; reason averts of Gedda yowling contributo a flange is generally a lot well; and reason require the antidote massively to one increasingly sure trivialisation of a feeling and work behind some notes. With Klemperer soyassive' is precisely which takings. I love it.
5 / 5
Klemperers Version of St. Matthew is like this beautifull. It is a register an old plus , but is all value he. So only I can recommend this version.
4 / 5
Was lucky in being present in a Room of Real Festival when Eight Klemperer has directed a complete Passion in the evening of Sunday and late in a prompt 60 east. It was after a register had been done, which was Klemperer habit. A an absentee soloist of a concert was Fischer -Dieskau, his place taken for Franz Crass. In a morning of September 25th 2012 BBC irradiates 4 broadcast programs it in a St Matthew in that the Musician of New York, Arnold Shulman has given a accout of the his miraculous recovery of the attack of massive heart. It looks he was in the door of the death whewn his woman the one who there has been a Ipod and has known his amour of a Bach, dipped a earpiece his ear and has touched an inaugural heart. Interior 30 according to his monitor of heart has begun to quicken and finally do the complete recovery. It has been Klemperer register? It likes to think so!
5 / 5
Ossia Like a St Matthew Passione has used to be fact, with the slow speeds that is deceived for reverence. A speed in the Klemperer takes an inaugural heart - is Saraband agree - is totally slow. Elsewhere it have it trudge by means of a work with utmost soloists and the deep sense of reverence. But ossia at all that Bach would have imagined it.
5 / 5
Have known this registers in fact a lot of years and listening his again recently causes this description. It is the part of my life and for me is resulted further critical. Some speeds are dulcemente, sometimes a lot of lens, but always my ear for savour, gets obsessed with and feel in the deep way an extraordinary music that this piece represents. Glorious singers, the only and uniquely talented the manager felizmente registered just in time and a lot fantastically in stereo. Highly recommended.
5 / 5
This register of fifty years has like this to admire and so which exasperates. His qualities sometimes toe on to be his defects. Judge he here, am not interested in bolt until some ideals of modern 'historically informed' actions. I am interested in judging it music like this effective-doing in his own legislation, and presents a work and emotion of Bach glorious tarpaulin in the way that is interesting and convincing.

Klemperer Has done this first register of a to of the modern tendency of the increasing speeds headed to the mania for dashing that too much often trivialises and undermines a music. Trivialising A music is precisely the one who Klemperer no . His slow speeds leave a music to breathe, and leave all this is in a music to be developed. It takes a whole thing extremely seriously, and ossia the virtue , reason a St Matthew Passione is the deeply serious work , any something to be skipped and danced by means of. Sometimes, this in spite of, this virtue is taking too far, and whilst in general Klemperer maintains, included in of the slow speeds, advance him for the moment to move definite, there is sure things in an action that is impossibly heavy. Weights no been due to slowness, but because of the failure for now, or because of stodgy hinge. Especially painful is a sleepy grave continuous and plodding harpsichord. A final heart of Part 1 has to that it has declared the bad day, reason all the world-wide looks to be strongly sedated, directionless, uncertain: he sags terribly.

Where The things are not weighed totally, Klemperer is glorious. Some finals and the inaugural hearts have all a magnitude and the intrinsic seriousness in a music, there is fully @@give. More arias start extremely a lot - slow, yes, but whenever it goes to somewhere, always purposeful.

Some singers are not everything to my flavour, but the flavour in singers is the subject very individual, and perhaps like them to you everything. Any like him To Him Peter Pears strangulated evangelist, but admire his thin art. Fischer-Dieskau had said once for Klemperer ' give also' and has has admitted years later to any that never has comprised the one who Klemperer had meant. Here he often 'give also' - I finds his flange horribly overwrought. They are everything for an operatic fashion in this work, but the art adds does not embrace a class of exaggerations of the yours and expression that Fischer-Dieskau indulges in here. I have been seldom loved for Schwarzkopf is trilling vibrated, which take enough to plot of here. Also 'give also'. A simpler fashion would adapt a better music - but any blankly expressionless the fashion favoured for a lot of modern singers in this part. A half course is required. A a really intolerably the contributo terrible here is Gedda is. His yelping, pulling way and his imprecise thick approximation to the yours exact is simply excruciating. This is not , thinks, simply the subject of my flavour, but of bad flange. It is the harm adds reason in other registers sings exquisitely. Something has not been well with him during these sessions. Christa Ludwig Sings gloriously like this always ('Erbarme dich' is the point underlined), as Walter Berry. Some hearts are satisfactory but would have preferred crisper hinge. This probably has not been available in 1962: we have had still to expect for John Eliot Gardiner to come to the long of and hearts to mark harm his best.

Of the point of seen technician, a register is in decent stereo, typical of his time, with wise creation of some complex forces, and the odd and pleasing aural-visual illusion the one who looks to situate some triple any big plus in spatial that some other interpreters. A scrolling of CD has developed some really horrible tape modification, more often to some finals of any evangelists narration, when his final words 'und sprach:' or 'und sprachen:' it is it has jointed crassly to a rest. A small point, but a lot distracts it and nettling.

There is not founding still the entirely, uniformly satisfactory and enjoyable register of a St Matthew Passione. Strongly it recommends this register, in spite of my a lot of reservations and of the flus, reasons Klemperer gives to a lot of account of the a lot of work; reason averts of Gedda yowling contributo a flange is generally a lot well; and reason require the antidote massively to one increasingly sure trivialisation of a feeling and work behind some notes. With Klemperer soyassive' is precisely which takings. I love it.
4 / 5
Ossia Like a St Matthew Passione has used to be fact, with the slow speeds that is deceived for reverence. A speed in the Klemperer takes an inaugural heart - is Saraband agree - is totally slow. Elsewhere it have it trudge by means of a work with utmost soloists and the deep sense of reverence. But ossia at all like Bach would have imagined it.
5 / 5
Has known this register in fact a lot of years and listening his again recently causes this description. It is the part of my life and for me is resulted further critical. Some speeds are dulcemente, sometimes a lot of lens, but always my ear for savour, gets obsessed with and feel in the deep way an extraordinary music that this piece represents. Glorious singers, the only and uniquely talented the manager felizmente registered just in time and a lot fantastically in stereo. Highly recommended.
4 / 5
I have been attracted to this register for a star studded mussel but failed partorisca take on joint that Eight Klemperer time neccesitated any two, but three disks partorisca the total of 223 minutes that time of touch. This has said, could does not be missing some soloists or the heart and is the useful tool partorisca test of house.
5 / 5
Echoes some commentaries of an on reviewer - this registering comes directly of a heart - without worry partorisca 'authenticity' or gimmick, Peter Pears (Evangelist) was in a height of his courage and these resplandores by means of - no only partorisca he but partorisca some other artists around lucido.
One 'feeling' of a crucifixion comes by means of clearly is, an excellent that record to the equal that has very transferred well is certainly value of the money and will resist some partorisca much more years
4 / 5
A historical action group of pressure (the version of the classical music of politician correctness) would like me the brainwash auditors partorisca think that Bach so only can be treated for the period of small forces has alleged in instruments of modern production. The deep his faith are am not sure as there is still partorisca listen of a volunteering partorisca result the castrated. If a bed Bach papers two common complaints abound. A quality of some instruments was poor and wants to more interpreters. If anything this Klemperer the action is to maintain more with the Bach has wanted that a regressive the historical action want to.
In Klemperer hands a Passion of Matthew of the Saint is not an academic exercise but the deeply felt human work. His orchestra and hearts (concentrated for one of some masters of choral managers of a 20th century Wilhelm Pitz)is simply glorious. Some chorals that reads like the class of Greek Heart during a work is not measures it to him returns everything. Like the tragedy deepens some results of tone edgier and more sorrowful adding the touch the far plus of humanity to an action. A lot of register, often for economic reasons, double or triple some singers in of the parts but EMI opens a stock exchange and I gives the together end to spend to the long of. Many were in his summits or so only taking there. That door is the personality and an individuality to his parts and an auditor can feel an emotional annex has created. It is something far a short these days and EMI is a lot very 1960 hovered of register he for us.
4 / 5
Gentleman Klemperer is treating an of a plus (A A, would say) exceptional version of St. Matthew Passione. It is the reference for versions more modern, and for this this title is necessary in any Barroque collection of music.
Enjoyed!
4 / 5
In that admired quell'some of klemperer registers (his fidelio is stellar!) It has Been tried by this st matthew passion, but after listening it look - at least in my opinion - that of the 'old days abonos' has not gone always like this good. On some last 30 years our ears have been retrained the practices of period for this class of music, and klemperer approximation so only any one . This is not bach but is brahms and wagner disguised like bach ...

The times are like this slow that the found the partly annoying (for chance the drawn was soydolor dich mein herze reigns', not even walter bay' sweet the flange can save a day like the orchestra so only tugs on and on and on). It has not seen any spirituality in him and he did not move me. A heart is enormous and bombastic the one who renders some chorals unbearably has weighed. Obviously an orchestra touches a lot well but no in the pertinent fashion to a music - at least any to my ears...

I singers are the mixed plot also - elisabeth schwarzkopf was in way of late career, which means that all was art but little was pure flange , sometimes looks as if it is meowing his way by means of a music (does not take me bad, possesses the glorious voice and until a mid 50 is his registers are often utmost but after this point she overdid an art and result too mannered). bach Require heartfelt simplicity and no artistic overkill. christa ludwig Is glorious but can be included better state in the best surrounding. Ditto walter Bay. fischer-diskau Is fischer-diskau but his jesus is definately the man of statue...

Adds he up ... This st matthew the passion is an experience , but certainly a the does not want to experience again. For me bach need to be crisp like this to convery the spiritual mission, but klemperer is 'vision' is too sticky for my flavour. It knows that the probably will divide the opinion is, but after all this is my view . They are not that it says that this version is bad, is so only any one the version would recommend them listen of more than a swipe...
5 / 5
Like this already love this action, this description will not be partorisca interest yours. A purpose of my commentaries is partorisca inform any that tries to choose the library 'gone there version of this deep, moving, and highly musical personnel masterpiece.

Of a principle, one the majority of immediate feeling a trace partorisca listen to one opening of Klemperer the monolithic action is a painfully slow shapeless meandering of one that dips scene. When I have listened to a vinyl there is boxed place in a prompt 70s, long first of modern period-academy the actions have taken control, I then found the almost unbearably unable to take to a point. Now, after the listen again after a lot of years, am impacted even more and disappointed for one the fault of this version partorisca give any significant sense of a flow of chance, neither variac. Sufficient in way or passion. A wonderful transition that follows Jesus' rezitativ 'in dieser nacht ...' The famous coral 'Erkenne a lot, mein Hüter...' Torres to the funereal dirge the one who sags and behind further finally miserable where a soporific the orchestra is trying to close in an indeterminate final lack of unit with a manager. Included a fabulous embroiders for Dietrich Fischer-Diskau can not spend advance-movement to a coral.

Continuing on, to some looks of whole action likes them one of of these sleeps where one is trying a hard plus partorisca run but any @subject likes last a test, some only movements in terrifyingly slow motion.

The affectations of Ludwig in some points, especially painting very excessive, and some very odd elections of glissando, is painfully out of place, that gives an impression that is slightly miscast.

Peter Pears is imposed before and in fact takes the few occasions partorisca move on, but always a moment is lost for a manager immediately with which.

This reading was resisted always like slow and persisting, when seen favourably. This in spite of, given an available competing touched that breathes movement, flow, anguish, passion and intensity far more effectively, now resists this Klemperer to version likes stagnant studio in self-indulgence, condemned to the extinction has been no partorisca some names of some soloists gracing an action.

Has to that emphasise that this is not feigned partorisca aim the lack of respect that loves this version, simply partorisca dip the view that Bach and St Matthew Passione can be comprised and there is enjoyed extremely favourably in another, actions more dynamic. First to buy this version strongly would recommend to listen samples of John Eliot Gardiner action, and also a together with John Butt and a Dunedin consort available in hybrid SACD. Partorisca The historical action for real fantastic, originally on 78s, taken slower of modern readings, but perfectly crisp and full of motion and poetry, Jacques version sung in English with Elsie Suddaby & Kathleen Ferrier, Eric Greene (agrees??) Like Evangelist, and a Bach Corazón, if I can find it.

Chooses wisely partorisca fulfil your personal desires.
4 / 5
Some people one has to that any disorder with in life, has left so only in dead person.

Now Father Melchizedek PROFESSIONAL WORKER, a Big Priest of Practice of Period, has had each reason partorisca feel happy with him. A visitación of an Inquisition to Schruns, the village in Vorarlberg (Austria) had gone extremely well. As focused, his citizenry had promised his fealty to HIP whilst copies to launch of Klemperer Matthew Passione to the pyre that had been lit in a centrical place. One spends the-investigation of the door there has been also flushed was some copies of a Karajan and Richter actions of a same work: they are trace also in smoke. Die Melchizedek dogmatic insistence in a Voice for Part, same copies of a Jeggy had been confiscated, an aim that is partorisca use them like this landfill. Recusants Had been rounded on partorisca king classes of education. All was a lot of - the purity was gone in last to Schruns.

Is almost half night for a time a Dutch youngster cleric daintily has slipped his cold bed. Partorisca Avert temptation, spends the dress of hair and the underpants done of sandpaper. It contrasts, a villa that had been seconded partorisca his use was magnitude he; obviously once it belong it to the German soprano the one who had died before it can be hauled first of a Yard of HIP of Clipped Justice. After saying the ninth to a St Leonhardt a Stern, Father Melchizedek has closed his eyes and has gone to derives was to slumber.

Later that prejudices, so that Emma Kirkby has been for has treated one Bundle of Seven Goes in his alcohol, a cleric has received the quite brutal poke. Groggily, Is exited you of his bed and has taken his pectoral cross. After the stumble around in a darkness, transmission in a next bed-light. Behold - When being in another side of a bed was a Ghost of Elisabeth Schwarzkopf. That the view was! Dress like the Valkyrie, look in his mid-thirties. In a delivery, control the cat or' nine rows. His pale cerulean the eyes were afire with anger.

'For a power invested in me for Bird will read, evasions of me - show you of a Hell of Big Romanticism!'To HIP Inquisitor screeched in his falsetto voice. Churn to his cross around likes them the vixen. With relish, a German soprano rushed on to a spindly ecclesiastic and launched to an earth. One has fallen very aimed with his jack-to the boot was quite to subjugate lucido entirely. Beset For terror, Father Melchizedek there is sotterrato his boss in his hands while his backsides-finalise signalled until a ceiling.

'Calm little twerp!' You fulminated. ' It is which has been that creates to! It is at all he runs vandalic - cultural vandalism! My husband has considered to to Matthew Passione likes of of his life. Imagine a temerity of the man - and such the little man . . . .' Leave fly again with the jackboot, ' . . . The one who dare partorisca incinerate gives support of him like being some class of contaminates! This has been the classical of a prime minister elepé has been pressed. I do not go partorisca speak on some singers, a bit that the has not surpassed never his endeavours in this particular action. Reason? It is in fact erroneous to consider Master Klemperer account of Matthew Passione like this simply when being the stellar version go in a legion in a phase. No, no, no! Like this a lot as 'A Master and Margarita', this action transports a backside in timing to this backwater of the province some two years some thousands done where he saturnine the official has been tugged to the sordid little subject and now all the world is expecting partorisca the order was. Although a whole Passion of St Matthew has been missing entirely like an end of the gospel of Mark, Bach is a lot of work - like this treated here - would be risarcimento spare. So only the fool would direct a slow time of some chorals and some so that Master Klemperer present in an end of each line and have any looks to a wider tarpaulin here. There is not any example More adds them on discography of 'Bach like me Alcohol' - and this was a composer ' intention all these years done. Now, it calms little grub, is time partorisca resitution!'

With his teeth chattering together like the typewriter, Father Melchizedek hazarded the gaze up: a cat or' nine rows looked for precariously in his hip. Yes in fact: it goes partorisca be the night of hard day.
4 / 5
This version epitomises all this was bad in Bach practical of action of a past. If you can take by means of a dirge which is an inaugural movement usually wonderful , could direct listen to a whole thing.

Unfortunately some times here is ridiculously slow . A stellar mould can are not fearful mark on partorisca a ego ossia Klemperer. Ossia Any diatribe against a man adds in the enjoyed that his Ein Deutsches Requiem - a first movement was fast (and perfect) partorisca his time and he in general is the register adds.

This hard register partorisca just on 3hr45. It compares this to a raft of registers of a @@@1980s which in a whole take among the 2h40 and 2hr45.

Has to that firmly disagree with a member the one who posted previously that Klemperer the time gives a time of music partorisca breathe. There it is breathing and then has Klemperer vision - slow, stodgy and, as the one who am concerned far take out of the desires of a composer.

This registering in my opinion remains the curium of the time when big scale the choral works were strong, proud and a lot of lens.

Any people want to say roughly 'HIP', maintaining can listen the works have treated with clarity more than thick washes of sound.


Top Customer Reviews: Gottlob Frick: King ...

Rating: 4 out of 5 with 1 ratings
4 / 5
A full row of this súper black-voiced begin it and the tarpaulins of the bass are in shows here. It have known lucido so only like the star Wagner interpreter (Hunding, Fafner, Hagen etc), but an enormous work can spend to a Green fleshy plus the parts are aimed also a lot his advantage, although sometimes it touches more like Wagner that Green, especially like a lot of of an Italian excepts is sung in German. But his enormous sense of humour comes by means of, also (Falstaff in Lustige Weiber, Osmin). In general, the glorious lovely container.

Top Customer Reviews: Ludwig: Her First ...

Rating: 4 out of 5 with 5 ratings
5 / 5
Basics. There is no scratchy 78 or scrollings of elepé here and a lot was tape to air recorder works interested. All touch like this comes from /comes from good master tapes. Many of some registers of studio comes from/to come from precursors of EMI and there is also material of Decca. Many of some alive register are or has been in to the such focus likes him Orpheus and Of Legends of BBC.
Less than the crux the CD ossia the subject real . This in spite of want to study it more comprehensible that his EMI lieder the registers also will require 'His Introuvables of Christa Ludwig' that duplicated a lot of elements found here. This comprises an indispensable record of 13 Schubert songs with Geoffrey Parsons originally the Columbia the SAX labels which have bought like the new emission!
Ludwig has done a contributo stunning to registers of the work and another vocal and calm music are likely to find have some complete register that many of these excerpts is taken. Another reviewer there is helpfully the listings of clue have distributed so much can verify. But included leaving for the duplications are sure calm will find quite material new here to justify a very modest cost. But calm then will be tried to explore was.
4 / 5
Christa Ludwig Was undoubtedly one of one the majority of distinguished half-sopranos of his time. This slightly the mixed group collects together register until 1960. In a side besides, this house of period in a voice in a flower of full plus of youth and early maturity (to age 32); in another hand, a quality of a sound is dated while often when being well for this age. Some operatic excerpts @@@sparkle – I there is enjoyed particularly a Rosenkavalier disk – while inevitably some suffer to be listened out of context. Several disks comprise contributi refinados of Gerald Moore in a piano, with those read to wonderful effect. I owe that be so only and mention that p. p.ej. One Mahler disk has his scooping in the pre-50s way that some will find the eye of has bitten-in brilliant. But there are so many pertinent touches that are easily swung to share my pleasure in this compilation. I doubt any the one who has not listened never the sound sings Brangäne with Windgassen, Nilsson, Talvela and Wächter down Karl Böhm in an immortal 1966 Bayreuth the version will doubt. A richness of a voice, a power, a control that harnessed a power, a colour, an only wonderful … row.
5 / 5
Diez CDs, a lot imitates him. They are of @1950s. Mahler,R Strauss,Brahms,Mozart etc. Glorious Value. Registering the quality is quite acceptable.
4 / 5
Another singer adds, a lot of lovely clues to while it was an evening .
4 / 5
A box of strong map is an usual measure for 10 CDs. Some sleeves are the a lot of ashes read with some words Christa Ludwig in deep ultramarine blue, with a number of CD. In a behind is some Composers, work or songs to be sung, Orchestra and manager, or pianist. But a lot especially it is some numbers of clue. Three of some bosses have numbers of clue and arias in a front. A CDs has a number of CD in a cup, then works to be touched, or composers; a last two CDs, music to be touched. It ADDS. Ape Or Stereo. Any translation, neither CD rom, neither the booklet. I will write one.

Christa Ludwig Is been born in Berlino in 1928. His father was the tenor and the administrator of work, his mother the half soprano, the one who sung in a Aachen acts during Von Karajan to to period likes him the manager. His professor of prime minister was his mother . Do his start in Frankfurt in 1946 and finally take went in a prompt 1990 east. She now teaches masterclasses. Like the voice of Ludwig has matured, develop his repertoire of lyric and pushed half works the dramatic functions. Regularly It Gives recitals of lieder.

BELLINI: ( 1960 ) NORMA- Adalgisa. Ludwig. The orchestra of the Theatre was Stairs has given Milano/ Tullio Serafin. Corelli & Calla. Some three main duets sung by Norma and Adalgisa. ROSSINI : (1959) ALIVE. He CENERENTOLA - Like this Cinderella-Ludwig. Vienna Staatopera Orch cond Alberto Erede. War einmal ein konig. Kmentt. , verzeiht mir. Kmentt And Donch. Nimmer fliesen Given heisen tranen.

MOZART:( 1955 ) COSI PARTIDÁRIO ALL.- Dorabella Ludwig. Vienna Staatsoper cond Bohm. Ah It saves sister. Lisa of Marie. I seat oddio, that this foot. Lisa of Marie, Anton Dermota, Erich Kunz, Paul Schoffler. Ah That all Inner a moment/ Retard , if, if delay/ Eccovil he medical, good-looking ladies. Lisa of Marie. Anton Dermota. Erich Kunz. Paul Schoffler. Emmy Free. Prendero quell brunettino. Lisa of the marry. He the core has seen gift. Erich Kunz. Blessed I double conjugi. Lisa of the marry. Anton Dermota. Erich kunz. My gentlemen, everything And fact/ Richiamati give regal controdine. Schoffler. Lisa of the marry. Dermota And Kunz.. ( 1957) ALIVE. HE WEDDING has GIVEN FIGARO -Querubín Ludwig. Vienna Philharmonic cond Bohm. Valley A, old pedantic/No like this piu sew edges, what do. Irmgard Seefried. You, that know. Pian, pianin, He andro piu presso. Schwarzkopf. Fischer-Dieskau. Seefried. Kunz.

: (1956) it GIVE ROSENKAVALIER- Octavian Ludwig. Philharmonia Orchestra cond Von Karajan.. Stich-Randall. Eight Edelmann. Wachter.unla Presentation of a Rose and Law three, final. Estimated a More adds them registers of work for Penguin 1996.

MOZART: (1955). DIE ZAUBERFLOTE -2 give Ludwig. Vienna Philharmonic cond Bohm. Zu Hilfe! Zu Hilfe/ Stirb, Ungeheuer, durch unsere Macht. Simoneau, Hellwig, Hilde Rossl-Majdan. (1958) ALIVE. Salzburg. COSI PARTIDÁRIO ALL-Like this Dorabella Ludwig. Vienna Phil cond Bohm . Sister,cosi say?/Prendero quell brunettino. Schwarzkopf. (1959) ALIVE. Salzburg. Passegiamo Also we/ Paint has seen gift. Panerai. : (1957-58) - Ludwig. Philharmonia Orch Sawallisch. Wachter. Fischer-Dieskau. Hotter. Schwarzkopf. Gedda. Excerpts. Has no equals. A mould has launched. (1955) ALIVE. Salzburg. ARIADNE AUF NAXOS- Like this Komponist. Of the allmachtiger Gott! Or of the mein zitterndes Herz. Schock. Berry. Guden. Zadek. Schoffler. Klein. Of the sprichst, Was ich fuhle/ Musik eine heilige kunst. Guden. Schoffler. Zadek. LIEBERMANN: (1957) ALIVE. Salzburg. DIE SCHULE GIVE FRAUEN. . Berry. Bohme. Rothenberger. Gedda. Vienna Phil cond Szell. GIORDANO: ANDRE CHENIER. Symphonies The orchestras give Hessischen cond Zillig. Blutige Tranen weinet Frankreich./ Ich Given of tall cube Madelon. Karl Kronenberg.(1953) FEDORA- Dimitri Ludwig. Sinfonieorchestra Give Hessischen cond Schroder. A welche zeit verlies give Herr Give Restaurant. Von Mill. Hast Of the jenen Mann nochmals geseh'n, Dimitri? JOHANN STRAUSS: (1950) GIVEN FLEDERMAUS -Orlofsky Ludwig. Ich lade gern mir Spend ein. Sinfonieorchestra Give Hessischen cond Schroder.

WAGNER:(1958) LOHENGRIN. Ortrud. Philharmonia Orch cond Wallberg. Duet among Ortrud and Elsa -Schwarzkopf. RIENZI. (1960) ALIVE . Adriano- Ludwig . Vienna Phil cond Krips. Excerpts. Berry. Schoffler. Sleeve Svanholm. LORTZING: (1951) UNDINE. Excerpts. Ferdinand Franz. Trude Eipperle. SinfonieOrchestra Give Hessischen cond Hafner.

MAHLER: (1957) ALIVE. Lieder Eines Fahrenden Gesellen. Philharmonia Orch/ Andre Cluytens. One 1957 register takes a richness of a voice animadamente, with changing the emotions have transmitted clearly. (1957) Lieder Of Ruckert. Ich atmet einen Linden Duft. Liebst Of the Schonheit. A Mitternacht. Ich The cube gives welt abhanden gekommen. Piano Gerald Moore. (1958) Kindertotenlieder. Philharmonia Orch cond Andre Vandernoot. The flange of Ludwig is intensely poetic. His voice is in his prompt prime and equally rich. A freshness of a flange gives a lot of pleasure.

WOLF: (1959) Gesang Weylas: Of the bist Orpid, mein earth. Auf einer Wanderung. R. STRAUSS: Die Nacht. Allerseelen. MAHLER: Ich ging the lust dipped durch einen grunen wald. Hans und Grethe. Fruhlingsmorgen. A schlimme More bondadoso artig zu machen. SCHUBERT: Die Allmacht. Fischerweiser. SCHUMANN: Frauenliebe und leben. Piano Gerald Moore.

BRAHMS:(1958) RHAPSODIE: Peel eine Altstimme, Mannerchor und Orchester op 53. Nach einen Fragmente aus 'Goethe ' Harzreise im Winter' Philharmonia Orch cond Eight Klemperer.(1957) Sapphische hear. Liebestreu. It gives Schmied. Piano of Moore of the data. (1957) Zigeunerlieder. op 103 1-11. Piano Gerald Moore. MAHLER: of the Knaben Wunderhorn. Moore- Piano.

MOZART: (1952) Requiem KV 626. Sinfonieorchester Give Hessischen Rundfunks cond Eight Matzerath. Anny Schlemm. Frank Fehringer. Aage Poulsen. (1956) Vesperae solennes Of confessore KV 339. Kolner Rundfunk Sinfonieorchester cond Keilberth.

GREEN : (1958) Alive . Dipped Gives Requiem. Leonie Rysanek. Giuseppe Zampieri. You cease Fences. Vienna Phil cond Von Karajan. BACH: (1960)St Matthew passion excerpts. Philharmonia Corazón and Orchestra cond Eight Klemperer. BEETHOVEN: (1958) it Concentrates Solemnis. Benedictus, that venit Appoint Commands. Angus Has given. Schwarzkopf. Gedda. Zaccaria. Philharmonia Orchestra cond Von Karajan.

These captures of spouse Ludwig in a summit of his powers, until an age of 32. It is bolt of goring and in a studio, work, singing Lieder and Religious music. One the fine portrait of the singer adds.

Top Customer Reviews: Beethoven: Missa ...

Rating: 4 out of 5 with 2 ratings
5 / 5
Well abordable reissue of the classical action of a Beethoven with an addition of the number of elements of solos that looks Elisabeth Schwarzkopf partorisca fill on a second CD. There is another reissues of a Beethoven, notably Warner recent remastering (only available likes part of the neighbour boxed of the choral works has directed for Karajan) and a an on , but partorisca sheer value partorisca money this one without accidents can be recommended to all except audio-technical buffs, the one who can prefer one of a remastered versions.
4 / 5
Some soloists are some better never. Karajan Is like this always adds. A classical action of the masterpiece

Top Customer Reviews: Lotte Lehmann in ...

Rating: 5 out of 5 with 1 ratings
5 / 5
Fights Lehmann Was a lyric of prime minister-dramatic soprano of his age. It does not sing some the Wagnerian functions heavier, doing so only one registering of a Liebestod and leaving Brünnhilde and Isolde to a plus of dramatic entity soprano Frida Leider, his compatriot and exact coeval - both are been born in 1888, enjoying long careers and long bolt, Lehamnn dying in 1975 and Leider the year later. Lehmann excelled Quite like this Sieglinde, Eva, Elsa and Elisabeth, everything duquel the functions are represented in this disk. Although it sings until 1951, these registers are years earlier and find his besides fresh, more youthful and flexible voice. Probably his the majority of famous register is Laws An and Two of 'Given Walküre' does mostly in Vienna in 1935 and completed to Berlino in 1938 with Lauritz Melchior like Siegmund and Bruno Walter that directs; I call any Wagnerian unfamiliar with that the majority of thrilling of accounts to purchase them immediately. They are in considerably of his better , electronic that some primitive acoustic registers here and give a better same idea of a splendour of Lehmann voice.

The stops has to that be said that wonderful although this prompt register is, has to be the voice -more elegant tolerant of a quality of his poor here, typical of the his was. It is a lot cleaned up for Nimbus and presented in his customary fashion with some space around a voice and an orchestra that remain quite far. A last is pair for a course and does not critique it; there is so only so much which can be facts to touch some originals in a crew so that it has been drawn and resupplying some extra heat deriving of an acoustic of a room - and some accompaniments are like this clear likes one could reasonably hope.

But that voice! Of a depth of a register a low plus to a ringing hoards C, is the fantastically smooth and integrated of the yours and differentiation of the character sometimes is that it loves, but a security of Lehmann to the vocalisation is the marvel . It is extraordinarily versatile, retains it a necessary delicacy for Mozart in that is ably partnered for an elegant Schlusnus. Any one imports that it is singing, maintains exceptional steadiness and purity of line, his voice often taking on an almost disembodied, instrumental quality like this common the singers of the his was and enough in odds with ideas more modern of vocal production.

Of course, everything here is sung in German to the equal that was a fact to commission then, as some elements of Mignon and a Mozart has operated taken the bit to take used to, while listening to Wagner arias is like coming house the ideal realisation. Some fleeting intonations and scarce periods in a start of 'Know-yours has paid?' Try that Lehmann is mortal. One follows a more along here is a result to combine two Polydor matrices to give a long duet among Eva and the Sachs sung for Michael Bohnen the one who gives the relaxed, genial, smoothly vocalised portrayed of a cobbler, complete with avuncular chuckles. One especially complains a remoteness of an orchestra here, but some emergent voice cleanly.

While the vivid characterisation can a lot always be Lehmann force, creates to touch the and youthful Tatyana in a clue to conclude, doing use to say of portamento and that trenchant the registers contrasts lower to a bell-like remarces upper.