Trend Philippe Jaroussky Opera & Vocal Music


Top Customer Reviews: Passion ...

Rating: 4 out of 5 with 2 ratings
4 / 5
Simply a better three disks of any countertenor in a phase. That the present! Sound the must buys - particularly have so only one of his albums - ossia the selection of a start of his career of register. Simply matchless. It goes partorisca he, calm will not be disappointed. They are the defender and have all his albums. Ossia Like this useful to have he in a car such the glorious selection. Going partorisca buy he partorisca some friends. Transmission on and adoration that voice!!! - His calms like this good could eat it... Wonderful material.
4 / 5
Without being an expert, is always state transfixed for a contadora-voice of tenor and has been captivated for the register of Jaroussky which have found on Youtube: filiae maestae Jerusalem, for Vivaldi. This the mine headed to that buys this CD, and has looked for to be the wonderful addition my collection of music. Jaroussky The voice is a lot pure and smooth, and this can any partorisca be all the flavours; sometimes it seats the and/the yen partorisca to the to any one likes him James Bowman, whose voice has spent probably his best but wonderful in transmitting an emotional flange the one who PJ perhaps break to arrive to this point.

Top Customer Reviews: Handel: Opera ...

Rating: 4 out of 5 with 11 ratings
5 / 5
A joyous, spellbinding laws of musicality sublimate , sincere of Jaroussky and Artaserse and the tribute to Handel character and compassion.

Is the ravishing selection - my standouts is 'expensive Shadow', estille has wanted to', 'Like nave smaritta', esussurrate, wave vezzose', and 'Thought the serbami, or expensive' - but some first bars of inaugural air and potesserio the sospir mine' conjoint out of one self-evident: tune in, believes in beauty, life of amour.

Music like this blazes like the beacon of hope in the melancholic and cynical world. Alive Jaroussky. Alive Artaserse. And alive Handel, adds it Londoner and the true philanthropist.
5 / 5
Philippe Jaroussky does not fail never partorisca rid. Another disk of pure joy. To a layman there is at all the failure this disk on at all. Highly recommended
5 / 5
Beautiful and exhilarating likes has been expecting the Jaroussky and Near Artaserse.
5 / 5
It has done the sound the lovely plus does not come from/comes from never the human throat? I can not think so. A quality of a sound is surprising and a technician of voice is incredible. It looks partorisca be able to do anything with this lovely voice. It is an absolute master-class.
Can not taking touching this disk. Also I owe that comprise the enormous commendation of a dipped that accompanies, is expert touching sustaining the wonderful soloist - which more can some partorisca of desire?
5 / 5
Although the lover of Handel Music partorisca more than two decades, I often struggled partorisca listen to some counter-sings of tenor. Philippe Jaroussky has changed that totally; it is the singer I a lot add , and has has wanted to all have listened of him. This disk is the real property , and permanently will remain one of some signals underlined of the mine ridiculous Handel collection. Remarkable that this register also underlines some of a less very known arias in planting to concentrate in a quite known some.
5 / 5
Handel Music with Philippe Jaroussky countertenor, singing Handel work arias, the one who could ask more. Absolutely wonderful.
5 / 5
Calm here take the good-looking music of the singer adds and orchestra. One of my favourite records. Highly recomended.
5 / 5
Jaroussky Is the splendid singer and ossia the good-looking selection of Handel arias
5 / 5
The sound the lovely plus does not come from/comes from never the human throat? I can not think so. A quality of a sound is surprising and a technician of voice is incredible. It looks partorisca be able to do anything with this lovely voice. It is an absolute master-class.
Can not taking touching this disk. Also I owe that comprise the enormous commendation of a dipped that accompanies, is expert touching sustaining the wonderful soloist - which more can some partorisca of desire?
5 / 5
Philippe Jaroussky does not fail never to rid. Another disk of pure joy. To a layman there is at all the failure this disk on at all. Highly recommended
4 / 5
Here take the good-looking music of the singer adds and orchestra. One of my favourite records. Highly recomended.

Top Customer Reviews: Ombra mai fu - ...

Rating: 4 out of 5 with 15 ratings
5 / 5
Formed: Audio CD This register has confirmed my suspicion that Horses the works have been unjustly has neglected. Jaroussky The selection is extremely persuasive and some actions for singers and orchestra of fourth is glorious. Strongly I recommend it to all the lovers of Format of baroque operatic
5 / 5
music: Audio CD Enormous artist and wonderful music . Formed of fantastic
4 / 5
presentation: CD of Audio Sadly any until Jarousky Formed
5 / 5
of levels: CD of Audio Philippe Jaroussky has the totally done voice of light and his flange enlightens so to the equal that lights our alcohols. And one first clue of Xerse gives that yours of light end luminous happiness. A second clue of Statira, Princessa has Persia of data is forceful and is the call the arms in the war that is beginning immediately but in this powerful and courageous asks the honour and the defensive action there is from time to time some sadness as if the peace is lost already, peace and a satisfaction of desires. But the heroic war is a call of a moment, and of a brave.

Then move to Erismena and immediately know is dramatic. Idraspe Is taken out of a person Idraspe amour and this already the sad moment is followed with the remorse of longitude, he lament for , with tears and moaning voices. A luminous voice then darkens and poignant, together with a music, in full phase with a music. We are to spend down the pure deprivation, rejection, amputation of amour and Idraspe is' the heart is suffering a pangs of his emotional loss. There is like this little the life left when your amour is negated and eradicated, or when you are uprooted out of a way and out of your amour. And it has to that arrived with the call to die reason the death is an only solace Idraspe can find, can have, can resupply.

With Callisto, taking to the different type of deprivation. In the first place, has a moaning and complain sad of Linfea. Marie Noelle Lemieux gives a painful image of the woman the one who has lost that it wants to, the one who can not satisfy his desires and finds some vigour, this in spite of slightly ambiguous when it sings a need of the man, “a good thing that spends only delight, that comforts a soul,” and guess a lot so only a soul. But the and/the Young satyr comes up and Philippe Jaroussky offers one that conquest and powerful flange of this satyr that Linfea any exactly wants to accept in his bed, as said, But a satyr does a lot of convincing. But Linfea is not the woman boba and refuses a shot. But a satyr defends and tries to convince Linfea is of noble descent and that his youth can explain his skill limited and his short row but in increasing. But this in spite of Linfea has said a lot with energy.

With Elena, expects tragic work with Menelaus and Helen. But with which he Symphony of Eliogabalo. Philippe Jaroussky is Menelaus and Emoke Barath is Helen. One contrasts among a countertenor and a soprano is adapted perfectly and a duet of enclosed is a test can intertwine his notes this in spite of being like this clearly one and another that I near is likes gold embedded in some money or vice versa. And these results of duet dulcemente full of sadness and ache, and know reason of course. A prójimo symphony of Ercole Lover is full of languor but restores some class of mindful calms in our souls. And we are ready to go to Eliogabalo and fulfil with Alexander, and Alexander miserable in that, reason was attracted of some beauty and he have think that the beauty was to be faithful. A fool, a woman the one who owes beauty any, of course, waste he on so only a lover. Faithfulness Is always was yes the beauty is another side of a person loves. The beauty is the very expensive sakes in this world-wide and has to that be used while hard. And I comprise the loyalty “of word of Alexander” that meaning faithfulness, but is the most militaristic term and Alexander is the general after all.

Of Ormindo, take the danceful and joyful music and song. Poor Nerillo is surprised by some habits, customs and ways of behaving of some people in a city where is. It does not like his cheerfulness, his friendliness, his empathy because it is all the failure partorisca of him because it does not see reason take all this attention and cure. A danceful the results of music then to the satire of an urban life is faced to and to the satire is, full and caustic.

The amours Of Apollo and has given Dafne I proposes Apollo this is to deprive of Dafne this is to be change to the laurel. This first moment is the surprise , accident, and powerlessness in front of this chance. But then it takes to the complain long in his plot. It is one the majority of goddess of entity or like this this in spite of like this is unable to enjoy his amour and Dafne has been taken was. But it have preferred his departing in his own to this situation where goes to adore the shrub in the garden, waters a shrub with his own tears and he will not be never able to live and satisfy his amour. A powerlessness of the god in a voice of cryings of Philippe Jaroussky, an oxymoron of light and night, of fire and watery the tears is perfect. A Joyous Symphony of Orione is then give the reception to here to do recapturad ours composure.

Eritrea comes afterwards with the duet of Laodicea and Theramene, Emoke Barath and Philippe Jaroussky. A pleasure here is one contrasts among some two voices that is like this near this in spite of like this clearly different and his alliance, his coming near resupplying with a pleasure of some class the tear averts a cloth of our concentration that is attracted a way or another without any when never being able to choose.

With Giasone, Philippe Jaroussky is to express his @@@tiredness or boredom with a pleasure of his satisfied amour, a full satisfaction and an absence of any tension, danger, lack of anything. This feeling to be too happy and having any peril or the danger the expensive is quite common in the life when has all want to and needs to be happy but the real happiness comes so only from time to time has some breaking in this cloth, has the sad and cruel chance that adapted that the happiness is not never for ever. And Jason is motivated more to say this simple .

Callisto gives Endymion with which he symphony of Dericlea. Endymion Sings a beauty of a moon and sacks of a sun and welcome to a moon. To the Any moon to change here likes in Shakespeare, a inconstant of moon of Juliet. Here a moon is all the beauty , fair, soft and sweet light in a night of course. There is this in spite of the slightly nostalgic yours, as something has been missing, some can and energy that can not be found here but a moon is supreme solace and is able to pacify all the hearts and alcohols, all the lovers those who can enjoy his amour in a peace of a moon in a night.

In the virtu of' strali of Amour, the shepherd, Clarindo only presents with the forceful forceful and dance of gay in some class of half natural, some forest, any pasture.

But this joy any last along and with Pompeo Big, grieves some first notes are touched and the movement sung then to the dramatic atmosphere, in the Sextus is trying to dissolve in a darkness, in a night, to disappear and be hid, to hide his amour in the way for a unnamed person.

And can go back to Xerse and Eumene sings a beauty of the beautiful face and a fact that this beauty is the fleeting quality that disappears with ageing like this quickly so that the days and the nights are spending an after another. And strangely enough, this piece does not contain any remorse or sadness. It is said as it was natural, and this natural ; as be the piece consulting, and the piece consulting is to that can think that that this beauty is for ever. It touches to the to the little bit likes him Shakespeare sonnets, and really is of a same thing, although Shakespeare has spoken to the young man. The beauty is for all the world-wide and has a same fleeting quality, a fugacity of a life of the trace.

And go back to the virtu of' strali of Amour. Here Erino defends a possible reality odder that says is justified and natural. The women want to be loved in the forceful way, and to be attacked and taken by force is also the promise to like in this a lot of law. A music and singing sounds in the ambiguous way, oxymoronic as if a singer has looked for to express a cruelty of such amour, an immorality of such amour, a vanity of such pleasure of amour that the million women have suffered. And we are to say is not a “privilege” of women so only.

Any to finalise in this Cupid of note comes from/comes from a same work and he sings, of the point of view of the man, a way is enslaved, in shackles because of his amour for a paralización of fall of good-looking woman and that the beauty is like the prison especially if this amour is constant, meaning loyal and faithful. The beauty of a woman is like him straitjacket for his lover the one who is not taken by force but the one who is unable fact to want to more, any one @subjects that. This faithfulness is a very human character of the enamoured man. And a flange, a tone of Philippe Jaroussky in the skin of the cupid is included poignant. So much, you can rest all the prejudices he long with this contradiction among a woman that wants to be taken by force and a man the one who can not exit of a beauty loves.

Really, the life is no longer which uses to be yes at least has not gone never different in a past.

Dr. Jacques COULARDEAU
5 / 5
Formed: Vinyl Ossia the collection of arias and scenas of some works of Francesco Cavalli, Monteverdi the majority of brilliant pupil and distinguished successor in a development of Italian baroque work. It is sung for countertenor Philippe Jaroussky, accompanied by an excellent period-together instrument Artaserse. Jaroussky Has joined also in three duets for soprano Emöke Baráth and contralto Marie-Nicole Lemieux respectively. One elected arias and the duets show a versatile row of emotions and expression that distinguishes Horses operates. Some elements are organised, with the little notarises them sinfonias interspersed, so as to resupply variety of way and time, often that follows closely one to another so as to offer one involving musical sequence.

Jaroussky Is the form adds throughout, doing one the majority of a lot of fine occasions partorisca show his powers of expression and vocal agility. A dozen or like this members of some together uses the wide row of the instruments that comprises serious, cornetti, recorders and continuous, and resupply a lot of alert and stylish accompaniment throughout. Among some a lot of delights in a disk are a first element, 'Shadow May was' of Horses is eserse', any perhaps comparable with Handel' equivalent magic melody but the graceful air this in spite of. It is gone on down a warlike 'All'arms, my core' of'tatira', . Of 'Erismena' comes the lovelorn lament (one of Horses specialities), ' Exit me of the colour, lagrime has wanted to' (clues 4). A scene of 'Callisto' (5-6) presents a beautiful and expressive contralto voice of Marie-Nicole Lemieux. 'Elena' resupply a heartfelt the duet soyio diletto, mine sighed (8) with a wonderful Emöke Baráth. Of 'Eliogabalo' comes another beautiful lament, soyisero, like this go' (10), clue for the complete transmission of way with a pageboy Nerillo breathlessly comic and skittish 'That city' of 'Ormindo' (11), a ritornelli entertainingly no in tower among serious, cornetti and recorders.

Soyisero Apollo' door another graceful lament (13), clue for a prendiendo and attractively marked Symphony of 'Orione'. An interweaving of Jaroussky is and Baráth voice in a duet 'Or good-looking lights' of 'Eritrea' is especially beautiful (15). A short but attractive Symphony of 'Doriclea' is graced for stylish decorations of a band (17), and this is to follow for 'Lucidissima expensive', the homage partorisca captivate to a moon dipped to one of Horses the majority of enticing melodies (18). Returning to eserse', Jaroussky tip his sum of vocal agility a fast time of 'The beauty is a fleeting gentleman' (21), and some finals of disk with him wistful song in the earth, 'That think, my core?', delicately rendered For singer and of the players equally, spending a program to the graceful conclusion,.

Has registered the sound is realistic and perfectly balanced, and take the finely has illustrated hardback booklet with an extremely informative test for Jean-François Lattarico. The documentation of support is also flawless, and the texts and the translations are has comprised of course. Ossia The lovely Horses the full program of tunes is, well singing and instrumental work, offering a lot so only an exceptional demonstration of some melodic and expressive qualities that diverse width of Horses act but also the thoroughly enjoyable vehicle for some musical and dramatic talents of the utmost countertenor.
4 / 5
Formed: Audio CD This new Jaroussky CD is presented fantastically with copious historical notes. The majority of a music was new mine and there is enjoyed a lot. Jaroussky Is in glorious voice and accompanied for Artaserse with the wonderful near of instruments of period. Thus spent on on Raymond Leppard is Glyndebourne Horses, this CD that comes to good sure like the accident, but is not postponed - ossia a real shot . Jaroussky Has joined also of 2 female mates, equally in the voice adds for some scenes of duet. Altogether The disk adds with like this to be enjoyed.
4 / 5
This register has confirmed my suspicion that Horses the works have been unjustly has neglected. Jaroussky The selection is extremely persuasive and some actions for singers and orchestra of fourth is glorious. Strongly I recommend it to all the lovers of baroque operatic music
4 / 5
Enormous artist and wonderful music . Fantastic presentation
5 / 5
Ossia the collection of arias and scenas of some works of Francesco Cavalli, Monteverdi the majority of brilliant pupil and distinguished successor in a development of Italian baroque work. It is sung for countertenor Philippe Jaroussky, accompanied by an excellent period-together instrument Artaserse. Jaroussky Has joined also in three duets for soprano Emöke Baráth and contralto Marie-Nicole Lemieux respectively. One elected arias and the duets show a versatile row of emotions and expression that distinguishes Horses operates. Some elements are organised, with the little notarises them sinfonias interspersed, so as to resupply variety of way and time, often that follows closely one to another so as to offer one involving musical sequence.

Jaroussky Is the form adds throughout, doing one the majority of a lot of fine occasions partorisca show his powers of expression and vocal agility. A dozen or like this members of some together uses the wide row of the instruments that comprises serious, cornetti, recorders and continuous, and resupply a lot of alert and stylish accompaniment throughout. Among some a lot of delights in a disk are a first element, 'Shadow May was' of Horses is eserse', any perhaps comparable with Handel' equivalent magic melody but the graceful air this in spite of. It is gone on down a warlike 'All'arms, my core' of'tatira', . Of 'Erismena' comes the lovelorn lament (one of Horses specialities), ' Exit me of the colour, lagrime has wanted to' (clues 4). A scene of 'Callisto' (5-6) presents a beautiful and expressive contralto voice of Marie-Nicole Lemieux. 'Elena' resupplies a heartfelt the duet soyio diletto, mine sighed (8) with a wonderful Emöke Baráth. Of 'Eliogabalo' comes another beautiful lament, soyisero, like this go' (10), clue for the complete transmission of way with a pageboy Nerillo breathlessly comic and skittish 'That city' of 'Ormindo' (11), a ritornelli entertainingly no in tower among serious, cornetti and recorders.

Soyisero Apollo' door another graceful lament (13), clue for a prendiendo and attractively marked Symphony of 'Orione'. An interweaving of Jaroussky is and Baráth voice in a duet 'Or good-looking lights' of 'Eritrea' is especially beautiful (15). A short but attractive Symphony of 'Doriclea' is graced for stylish decorations of a band (17), and this is to follow for 'Lucidissima expensive', the homage partorisca captivate to a moon dipped to one of Horses the majority of enticing melodies (18). Returning the eserse', Jaroussky tip his sum of vocal agility a fast time of 'The beauty is a fleeting gentleman' (21), and some finals of disk with the wistful song in the earth, 'That think, my core?', delicately rendered For singer and of the players equally, spending a program to the graceful conclusion,.

Has registered the sound is realistic and perfectly balanced, and take the finely has illustrated hardback booklet with an extremely informative test for Jean-François Lattarico. The documentation of support is also flawless, and the texts and the translations are has comprised of course. Ossia The lovely Horses the full program of tunes is, well singing and instrumental work, offering a lot so only an exceptional demonstration of some melodic and expressive qualities that diverse width of Horses act but also the thoroughly enjoyable vehicle for some musical and dramatic talents of the utmost countertenor.
4 / 5
Philippe Jaroussky has the totally done voice of light and his flange enlightens so to the equal that lights our alcohols. And one first clue of Xerse gives that yours of light end luminous happiness. A second clue of Statira, Princessa has Persia of data is forceful and is the call the arms in the war that is beginning immediately but in this powerful and courageous asks the honour and the defensive action there is from time to time some sadness as if the peace is lost already, peace and a satisfaction of desires. But the heroic war is a call of a moment, and of a brave.

Then move to Erismena and immediately know is dramatic. Idraspe Is taken out of a person Idraspe amour and this already the sad moment is followed with the remorse of longitude, he lament for , with tears and moaning voices. A luminous voice then darkens and poignant, together with a music, in full phase with a music. We are to spend down the pure deprivation, rejection, amputation of amour and Idraspe is' the heart is suffering a pangs of his emotional loss. There is like this little the life left when your amour is negated and eradicated, or when you are uprooted out of a way and out of your amour. And it has to that arrived with the call to die reason the death is an only solace Idraspe can find, can have, can resupply.

With Callisto, taking to the different type of deprivation. In the first place, has a moaning and complain sad of Linfea. Marie Noelle Lemieux gives a painful image of the woman the one who has lost that loves, the one who can not satisfy his desires and finds some vigour, this in spite of slightly ambiguous when it sings a need of the man, “a good thing that spends only delight, that comforts a soul,” and guess a lot so only a soul. But the and/the Young satyr comes up and Philippe Jaroussky offers one that conquest and powerful flange of this satyr that Linfea a lot exactly wants to accept in his bed, as said, But a satyr does a lot of convincing. But Linfea is not the woman boba and refuses a shot. But a satyr defends and tries to convince Linfea is of noble descent and that his youth can explain his skill limited and his short row but in increasing. But still Linfea said a lot with energy.

With Elena, expects tragic work with Menelaus and Helen. But with which he Symphony of Eliogabalo. Philippe Jaroussky is Menelaus and Emoke Barath is Helen. One contrasts among a countertenor and a soprano is adapted perfectly and a duet of enclosed is a test can intertwine his notes this in spite of being like this clearly one and another that I near is likes gold embedded in some money or vice versa. And these results of duet dulcemente full of sadness and ache, and know reason of course. An after symphony of Ercole Lover is full of languor but restores some class of mindful calms in our souls. And we are ready to go to Eliogabalo and fulfil with Alexander, and Alexander miserable in that, reason has been attracted of some beauty and he have think that the beauty was to be faithful. A fool, a woman the one who owes beauty any, of course, waste he on so only a lover. Faithfulness Is always was yes the beauty is another side of a person loves. The beauty is the very expensive sakes in this world-wide and has to that be used while hard. And I comprise the loyalty “of word of Alexander” that meaning faithfulness, but is the most militaristic term and Alexander is the general after all.

Of Ormindo, take the danceful and joyful music and song. Poor Nerillo is surprised by some habits, customs and ways of behaving of some people in a city where is. It does not like his cheerfulness, his friendliness, his empathy because it is all the failure partorisca of him because it does not see reason take all this attention and cure. A danceful the results of music then to the satire of an urban life is faced to and to the satire is, full and caustic.

The amours Of Apollo and has given Dafne I proposes Apollo this is to deprive of Dafne this is to be change to the laurel. This first moment is the surprise , accident, and powerlessness in front of this chance. But then it takes to the complain long in his plot. It is one the majority of goddess of entity or like this this in spite of like this is unable to enjoy his amour and Dafne has been taken was. But it would have preferred him departing in his own to this situation where goes to adore the shrub in the garden, waters a shrub with his own tears and he will not be never able to live and satisfy his amour. A powerlessness of the god in a voice of cryings of Philippe Jaroussky, an oxymoron of light and night, of fire and watery the tears is perfect. A Joyous Symphony of Orione is then give the reception to here to do recapturad ours composure.

Eritrea comes afterwards with the duet of Laodicea and Theramene, Emoke Barath and Philippe Jaroussky. A pleasure here is one contrasts among some two voices that is like this near this in spite of like this clearly different and his alliance, his coming near resupplying with a pleasure of some class the tear averts a cloth of our concentration that is attracted a way or another without any when never being able to choose.

With Giasone, Philippe Jaroussky is to express his @@@tiredness or boredom with a pleasure of his satisfied amour, a full satisfaction and an absence of any tension, danger, lack of anything. This feeling to be too happy and having any peril or the danger the expensive is quite common in the life when has all want to and needs to be happy but the real happiness comes so only from time to time has some breaking in this cloth, has the sad and cruel chance that adapted that the happiness is not never for ever. And Jason is motivated more to say this simple .

Callisto gives Endymion with which he symphony of Dericlea. Endymion Sings a beauty of a moon and sacks of a sun and welcome to a moon. To the Any moon to change here likes in Shakespeare, a inconstant of moon of Juliet. Here a moon is all the beauty , fair, soft and sweet light in a night of course. There is this in spite of the slightly nostalgic yours, as something has been missing, some can and energy that can not be found here but a moon is supreme solace and is able to pacify all the hearts and alcohols, all the lovers those who can enjoy his amour in a peace of a moon in a night.

In the virtu of' strali of Amour, the shepherd, Clarindo only presents with the forceful forceful and dance of gay in some class of half natural, some forest, any pasture.

But this joy any last along and with Pompeo Big, grieves some first notes are touched and the movement sung then to the dramatic atmosphere, in the Sextus is trying to dissolve in a darkness, in a night, to disappear and be hid, to hide his amour in the way for a unnamed person.

And can go back to Xerse and Eumene sings a beauty of the beautiful face and a fact that this beauty is the fleeting quality that disappears with ageing like this quickly so that the days and the nights are spending an after another. And strangely enough, this piece does not contain any remorse or sadness. It is said how was natural, and this natural ; how it was the piece consulting, and the piece consulting is to that can think that that this beauty is for ever. It touches to the to the little bit likes him Shakespeare sonnets, and really is of a same thing, although Shakespeare has spoken to the young man. The beauty is for all the world-wide and has a same fleeting quality, a fugacity of a life of the trace.

And go back to the virtu of' strali of Amour. Here Erino defends a possible reality odder that says is justified and natural. The women want to be loved in the forceful way, and to be attacked and taken by force is also the promise to like in this a lot of law. A music and singing sounds in the ambiguous way, oxymoronic as if a singer has looked for to express a cruelty of such amour, an immorality of such amour, a vanity of such pleasure of amour that the million women have suffered. And we are to say is not a “privilege” of women so only.

Any to finalise in this Cupid of note comes from/comes from a same work and he sings, of the point of view of the man, a way is enslaved, in shackles because of his amour for a good-looking woman has fallen takes and that the beauty is like the prison especially if this amour is constant, meaning loyal and faithful. The beauty of a woman is like him straitjacket for his lover the one who is not taken by force but the one who is unable fact to want to more, any one @subjects that. This faithfulness is a very human character of the enamoured man. And a flange, a tone of Philippe Jaroussky in the skin of the cupid is included poignant. So much, you can rest all the prejudices he long with this contradiction among a woman that wants to be taken by force and a man the one who can not exit of a beauty loves.

Really, the life is no longer that has used to be yes at least has not gone never different in a past.

Dr. Jacques COULARDEAU
5 / 5
This new Jaroussky CD is presented fantastically with copious historical notes. The majority of a music was new mine and there is enjoyed a lot. Jaroussky Is in glorious voice and accompanied for Artaserse with the wonderful near of instruments of period. Thus spent on on Raymond Leppard is Glyndebourne Horses, this CD that comes to good sure like the accident, but is not postponed - ossia a real shot . Jaroussky Has joined also of 2 female mates, equally in the voice adds for some scenes of duet. Altogether The disk adds with like this to be enjoyed.
5 / 5
That says has given this new gift has given Jaroussky!!! Yes, because it has given a gift extracted! Don For him flange of sweat, gift for the so many inediti has given Horses that in this CD can listen ... True marvels! It marvels The voice has given Philippe ... soave, Generosa, intelligent in the technician ... He air Of the Giasone would listen it has continuous data ... But already It Was listened give Dumaux (splendid!!) And it gives David Hansen (also that shines and sensual!!)...Jaroussky Has one has sweated version sognante and sweated it voice if student with dear extraordinary The heavens bonitísimos!!! If it is said has given 'voice angelica' and alike ... To it has given it there it has given this stereotype Philippe Jaroussky sings with cognition has given cause, using a gift that is known reflected with the intelligence and the culture that the contraddistinguono!!! A CD that it is a joy tiled first all'conclude number. Good-looking also He insertions For orchestra losa work has given Horses!!! An absolutely necessary CD he the one who flange of amours, operates it, he beauty!!! Sin that In Italy Philippe a lot was called ... He attend Was Stairs For GIULIO has CEASED!!! When He found years does Colony of mine trusted that it was a lot of dispiaciuto has given this disinteresse of the Italy (among him seri and he faceto my said: esono desperate!'!!!!). Thank you Philippe!!!
4 / 5
F. Horses Deserved well A such disk. He Wise Ph. Jaroussky The time achieved has joined still in a repertoire always also négligé. It loves work of an extreme to the another of this disk (Two duets with And. Barath, glorious!). That differentiates with The wrong Ch. Pluhar ( Erato Equally) that has taken Joins liberty too big with of also delicate Partitions.
A happiness!
5 / 5
A lastima, the bad box has registered, that tongue because has but boxes of this artist, is possible that in this cd abuse of the electronic manipulation and the result to approach to the Mp3...
5 / 5
Philippe Jaroussky is lucido against-ténor that one does to want to him baroque !
Here, in Giving airs of works of Horses that has not known point, he me émerveille still !
This boy is to the summit Of Art of edges and does not see that it could surpass him !

Top Customer Reviews: Pergolesi: Stabat ...

Rating: 4 out of 5 with 9 ratings
5 / 5
I add two recently (same piece of music) ossia for far a better.
4 / 5
Ossia The lovely piece of work, transports to another place. It listens whilst time of the partorisca close your eyes and absorb a good-looking harmony of the voices of a singer.
5 / 5
Excellent fusion of theatre and saint
Stunning voice
Highly recommended.
5 / 5
Beautiful register but some of some sound of big notes bit it distorted in the player of CD of my car.
5 / 5
Has admired previously Julia Lezhneva technical, but this disk develops the talent the far plus; it is an attentive vocal mimic. In these actions matches Philippe Jaroussky the tone paints like this exactly that it is often very difficult to say which of them is singing. An only giveaway is a fact (sinister is to be brutal) that Jaroussky the technician is not quite the party for his - although it gives the good career in spite of his advantage of the natural voice. It have to that it has found it an experience of having the tiny vocal mirror that it is after his quite disconcerting.

This very near matching of the voices is not the trick. Ideally Servants a music here, all duquel is written for two singers with almost of equal rows (in a estabat Mater' a second voice has exposed f' is, while a prime minister so only once goes g further''). In his duets imitate each one which so another and then combine, but never concurrido. You contrast it vowel is therefore very desirable; vowel blending is, and vowel blending is the one who Lezhneva and Jaroussky in the give, to the terracing further anything in my leading experience. I know that Jaroussky has the half row, but deserve particular congratulation for his control of his upper register - no shrieking or yelping (the besetting sinned of falsettists - and another) excepts so only the little in a 'Love' of a 'Confitebor tibi' (where is covering the true soprano part, and is the bit of the trick).

Diego Fasolis also servants a music well, with forceful phrasing and time when it come from. Those have used of more than versions of sugar of plum of Pergolesi can find Fasolis quite abrasive in time, but has to that agree that a estabat Mater' - this in spite of dipped for Pergolesi - is mostly roughly fear of hell. A band is excellent, a heart the bit beefy in a complementary (quite Vivaldian) psalm-settings. A sound is glitzy, adding to a unearthly effect of a vocal perfection in offers. Some singers perhaps do not touch quite like this when they give a program in a to America Concertgebouw (!) The month of the next January, but still envies that Dutch audiences.

Be pointless to do comparisons with a umpteen leading versions of a estabat Mater'. All can say is that you will be very lucky never to listen better flange of any class. It does not doubt.
4 / 5
This was the present likes I any unwrap the and listen. I have been said by a thankful recipient this in spite of that is the really wonderful piece .
4 / 5
Of course know estabat Mater' by heart, but listened it sung by women like this often that we ask in timing if it is not the piece exclusively for women. As it imagines a good informative, Philippe Jaroussky goes to sing he with the soprano like his partner, Julia Lezhneva. This soprano is perhaps the little has bitten too powerful in time, and perhaps slightly too shrill. But it averts of you defy a lot to do a difference among the male countertenor and the female soprano, although a CD any one says when each like this one sings, so only or in duet. This in spite of the mixed pair is perfect reason a Stabat Mater is based in the pair, a faithful that thinks that the one who is directing a Mother of Jesus in a foot of a cross.

To the equal that follow an intricate music and begin with the perfect cannon in it Jaroussky flies like the breeze that spends extreme sorrow. A voice of this sorrow is resulted then in a second stanza a penetrating sword he. An allocution to a Mother in third person, in the descriptive fashion is effective to an I adds here with this powerful expressivity of a voice like acute like the leaf of sword. We can then in a third stanza takes the sadness down to a with the, or riada inclusa in him and a fourth stanza can express a support of a faithful to a Mother that suffers like this in a foot of a cross and assisting a slow dying of his own edges, his own flesh and blood.

Then can move to some people, to a congregation, turn of a faithful that thinks that directs a Mother to all the believers, all a congregation that testifica a same scene of a suffering of Mother been due to a suffering of his edges that fulfils his mission: to save some people of his sins. An allocution to some people in a form of the questions and music or flange colgante is sublimate in tone. We doubt still we do not doubt although we could doubt, it is convinced that there is to good sure possible. All the world has to that feel empathy in front of this Mother that testificas a death of his edges. And a power of a tin when spending in a mission is so only the one who prpers requires to leave be convinced of. And in the then can go back to the suffering of a Mother and that sorrowful, doubting, shivering, staggering that sings that it evokes like this well a tension and ache of a Mother.

And go back after the short musical transition to a so only an interested in all this scene: a 'I' the one who has spoken in a start, a 'I' the one who is speaking to a Mother, direct directly and personally. A question is simple: 'I' loves cry with a mother, action an ache. And a question results the question and a Mother has to that , to share his ache with me, the me ossia double but does not import . A Mother has to that share his ache, stock exchange a faithful a possibility to be has involved directly. This appropriation of a suffering of a Mother in front of that is at all but the human sacrifice is not supposed to cathartically relieve a horror, but so only to in the way partly dispossess a Mother of him to form me part of him. And this finds his crowing movement of stanza of a Saint Mother to A Virgin:

'Virgo the majority of exalted among virgins,
not Being now ailing-situated to me;
Concedes that I can ail with you.'

This turn is transmitted perfectly for a flange and a music, with the short interlude, or introduction to a next phase, the musical force and power that involves something has changed, is changing. A 'I' in the speaker wants to be a direct bearer of a passion, of a human sacrifice, divinely amplified and celebrated. And that suffering 'I' wants to spend no longer is suffering paralización soye' except 'inebriation' with a cross and an amour of Jesus. Like this it is entering a human sacrifice to the equal that to contemplation, an inner spectacle that spends is gone in perfect inebriated empathy. A Mother has been pressed averts likes to suffer Mother for this empathy laced with inebriation.

Then can come the another transmission in a music this times almost happy and frivolously gay. A 'I' after all had and still has some interest in all his empathy; it was not gratuitous. It suffers with a Mother and he have tried charm a Virgin to take all a help can take of this aforesaid Mother and Virgin a last day of this life, in a second Majority, on Day of Test. In the Then can conclude with any soft plus and perhaps more sad, but in a satisfied way of entertainment, evoking of soyy' dead that does not go to be the death at all reason a Mother and to the virgin will have sustained me to the paradise because of all an empathy there is showed to them.

This poem is always be for me one the majority of hypocritical blackmailing can imagine/ In front of this human sacrifice and of a suffering justified of a Mother: I accept to spend part of an ache, to pertinent that ache to me but so only to take a support of a Mother that has to give me something behind in repayment for empathy of mine, and this will be my salvation . Like this then, I can say 'they Love' like quota to time like this loves. Profit.

This rendition, Jaroussky particularly, is the miracle of expressivity and the flexibility and a text is like this very sustained for a tone that a hypocrisy of a Love is counting his pocolos benefit, well little really, is exposed to any the one who can listen a difference among the breeze and he blizzard.

Then can move the others pieces that is only communion and simple joy.

One 'Laudate Pueri Dominum' is at all but such the liturgical joyful praise for God and evocation of a power and grandness if any glorious-ness of a Gentleman, of God. We are obviously in of the liturgical pieces that it is part of vespers and ossia only supposition to be the happy meeting around an evocation of the resurrection of a Gentleman after his crucifixion. A music can vary of a stanza to an after rest in the way stilted and pompous, included when it looks for to be soft and discreet. There it is that it interests variac. In the rhythm and the time but a tone is always one same: to the left rejoice and share a joy of this rejoicing of then is to save and can count in this absolute salvation that is to be win for knots in a cross. A lot of people have said bad things in this human sacrifice, that is more symbolically turned to the repast in a flesh and the blood of a human victim has sacrificed, but such liturgical music always left pensive at least: as I can rejoice in him? As it can accept such the treat: your death in a cross and my salvation without any suffering, excepts some empathy for a poor Mother?

And this self-the satisfied vanity is like this fantastically expressed in a 'Gloria Patri, and Filio, and Spiritui Sancto' of this 'Laudate Pueri Dominum.' A Glory is speaking of is not that of a Father and Edges and the Saint alcohol but a glory take to kneel and bending in front of this trinity, of this king-has established trinity to time older after a dual episode of an Old in the God is at all but he and his alcohol for purge a paganism of all the religions around Israele and a Jews at the same time. Then the eternity can be announced and sung. They love.

One 'Confitebor Tibi Dominates' is quite a continuazione of this tone. All a work is in a side of a Gentleman, of God. He all and he gives everything requires to be happy and to be guaranteed eternity in paradise. So only we have some pocolos commandments to abide by. At all at all after all. It is God he the one who is sympathetic for knots and riadas of knots in his compassion has resupplied accepts to drink his wine, or his blood prefers , and eat his bread, his yes calm flesh like better, and of this wine and this bread are at all but a bit those that ten commandments and some cardinal virtues to maintain and some deadly sins to refuse. At all at all, after all. It does not touch with your organism to sin or the alcohol and calm will not take deaf to the call of a Gentleman when it is now of to go in to another side of this life. A soprano is quite well in a 'Fidelio' would have preferred this in spite of a countertenor, but is some sung by the woman this evocation of a commandments is ironical: a carrier of an original sin is singing a commandments although it lose him hardly turns his eyes to at all but an apple and a tree of the apple and she have fulfilled a worm in a fruit, a snake in a tree.

Felizmente A countertenor takes on still an evocation of the redemption of a Gentleman, a redemption have given, gives a woman of a leading stanza and his contradiction. Felizmente The god is magnanimous, generous, glorious. And a slightly sad tone of a esdemptionem' takes joyous again in a esancrum' reason so only can know joy, happiness and satisfaction not even entertainment - and some can go slightly further to the long of this line - in front of this redemption and a glory of Goddess, his Edges and his Saint Alcohol. 'Gloria Patri, and Filio, and Sipritui Sancto' then, again and again. And we can conclude with an eternity of this happiness. Gosh Is easy to be happy for Catholics. And Corazón of the Radiotelevisione Swiss Lugano is perfect for this last moment of communion in eternal joy. And they Love then and therefore. I create for me so much they are.

Dr. Jacques COULARDEAU
5 / 5
Pergolesi achieve more order before it die - in 26!! I have loved a music already and now these two voices, concealed looks like this fill up with an alcohol of a Stabat Mater (although Jaroussky said of him that is an atheist ). Amazing blending of some voices - a can disturb that like one of a reviewers , but in this chance finds it the sign of devotion and complete harmony to a music in place of the eselfo'.
For real expect that Decca is not beginning to kitschify Julia Leshneva. It is like this young, and has stuns it enough thus sudden jump of his career. But there is already he Kitsch-video of the his Mozart Alleluia in his web of place, authorship of Decca, of course.
4 / 5
I love this stabat mater. I have been deceived for Netrebko, appreciates to plot Ricciarelli, has had the wonderfull experience with , a better partorisca me with Bonney and Rousset. A wonderful program. Has a lot of register and I have bought is a reason have had an occasion partorisca listen the Lezhneva in Mozart in Beaune in France and Jarroussky is one of my tenor of favourite counter. MAY... This program is perfect and deceptive. A sound of some voices... Those who sing that and Lezhneva covers a voice of Jarrousky too time. As it does not add and any like but unconfort. As I can not say they are entirely happy with this register, although it can have been the perfect moment with such stars...

Top Customer Reviews: Farinelli & ...

Rating: 4 out of 5 with 6 ratings
4 / 5
...According to legend, Nicola Porpora has done a castrated Caffarelli treat the alone discharge of vocal exercises, whereupon says 'Aller, have at all more to teach you. Calm now is a better singer in Europe'. This history undoubtedly Porpora the disservice, but is orientative of a there will be around the and an estimate in that was resisted like vocal professor More adds them of his time, and the composer with a unparalleled feeling to write for a human voice.

Another of Porpora famous protegés was Farinelli, and eleven of a arias writes specifically for him for Porpora look in this disk, seven world-wide to be presionasèking registers. Very like recent disk for Franco Fagioli, 'Porpora: He Operates Master Arias ', a program here is any like this in a dramatic virtuoso arias, quite more a lyrical works of some bondadosos the one who Farinelli is said to have preferred. Among these is an absolutely gorgeous and heart-rendingly beautiful 'Big Giove' of a work 'Polifemo' staged to Londra in 1735, and listening this rid for Jaroussky so only will melt.

Some careers out of adjectives to rent some delicate and affecting voices of Philippe Jaroussky. In a downside, are not like this enthusiastic in some two duets with Cecilia Bartoli, those who is more as the bludgeon has compared the Jaroussky finesse with an acute-edged rapier; Bartoli enough dominates and was of riadas. But it is not enough to downgrade this of the five indication of star.
5 / 5
Divine flange and superbly does a lot of enjoyable and well the value that shabby.. His voice is sublimate and pure and sings with utmost brilliance.. Well the value that shabby .. They are now hooked in Phillipe Jarouski voice and glorious talent
4 / 5
Like the wonderful red wine . . Only calm does not love it to finalise!
5 / 5
The glorious album for any one like the one who is new to a voice of Philippe Jaroussky and the quite unknown repertoire. One real respite of fresh air after like this album of regular fair by other singers
5 / 5
had not listened of Porpora before like the baroque composer, surprising of then loves some pocolos baroque composers. They are not the work neither ,but when I have listened follows 5 in a radio has has had to that the so only take!
5 / 5
A combination of Jaroussky and Farinelli was also for me to resist (and has loved in any case a coverage, with a two of them in slope was having the cat). It is fantastic to have the bit of house in a talented composer Porpora, but has to that be sincere and say that they are the little less fond of this album now that was when I bought it in the first place the pair in fact years. Ossia Reason in a has developed while the flavour for slightly there is rounded more voice and more can for behind a flashy classifies of arias. This in spite of, there is still some stunning moments here: some the inaugural looks in heaven is full of work, and Come nave in estuary storm of a work Semiramide is the real showpiece. There is also the pair of duets, comprising The joy ch'I seat of Mitridate – and think that are to say well that Jaroussky is singing here with Cecilia Bartoli. I can not think of the best modern parallel for some utmost Baroque pairings of prime ministers man and first has given. Of course, Jaroussky also does Big Giove here, which develops to the jewel of elegance has modulated the funds your kneecaps slightly when you listen his. For sheer purity and delicacy, is the stunner.

Top Customer Reviews: Fauré: Requiem; ...

Rating: 4 out of 5 with 16 ratings
5 / 5
Formed: Audio CD Ciao

Ossia the wonderful piece , moving, uplifting and joyful
highly recommends enjoy Faure.
Enjoys
5 / 5
Formed: CD of the audio Sung with French verve and feeling. A cantique is much faster that when treated by an English heart. But a Requiem is Formed
5 / 5
sublime : CD of Audio has Purchased this partorisca a Cantique but a Requiem is particularly well and a Elegie and Pavane was a prize added.
5 / 5
Formed: Audio CD Wonderful record, an absolute pleasure partorisca listen to.
5 / 5
Formed: Audio CD .That the tear jerker. Absolutely wonderful.
5 / 5
Formed: Audio CD estimativa Well the fast delivery etc touched better in classical FM - dare say have better box for the emission!! Hey Have! It is still quite well, but they are not enthusiastic in a tenor to counter that a Cake Jesu - just personal preference!
5 / 5
Formed: Download of Lovely Record Mp3. One of one all time to relax musics and one that has loved always. Anything for Faure lights my fire.
5 / 5
Formed: CD of Audio has bought ths cd reason have been reading the book has called Annabelle in that of some characters has loved to sing Cantique of Tejanos Root.
This intrigued has it to me like this looked for on-line. I love it.
5 / 5
Ciao

Ossia The wonderful piece , moving, uplifting and joyful
highly recommends enjoy Faure.
Enjoys
4 / 5
Sung with French verve and feeling. A cantique is much faster that when treated by an English heart. But a Requiem is sublimate
5 / 5
has Purchased this partorisca a Cantique but a Requiem is particularly well and a Elegie and Pavane was a prize added.
5 / 5
Wonderful register, an absolute pleasure partorisca listen to.
4 / 5
Reward well the fast delivery etc touched better in classical FM - dare say have better box partorisca the emission!! Hey Have! It is still quite well, but they are not enthusiastic in a tenor to counter that a Cake Jesu - just personal preference!
4 / 5
Has bought ths cd because it have been reading the book has called Annabelle in that of some characters has loved to sing Cantique of Tejanos Root.
This intrigued has it to me like this looked for on-line. I love it.
5 / 5
Record lovely. One of one all time to relax musics and one that has loved always. Anything for Faure lights my fire.
5 / 5
For rights, this ought partorisca be utmost, but with all honesty, is so only bit it inert and stodgy partorisca my flavour. In a requiem an orchestra is weighed, and a heart sings without any particular charm. This is not partorisca say that it is the bad action , and Matthias Goerne the very lovely noise, but has loved the disk of this music, would turn to a recent LSO Alive disk with Nigel Short and Tenebrae doing a flange (Faure: Requiem (Tenebrae) ).

A rest of a repertoire is all a lot like this-like this, really. A Cantique of Tejanos the root is enough, but any value a prize so only. In everything, calm will not go far injustice with this CD, but could do the better whole plot.

Top Customer Reviews: Philippe Jaroussky ...

Rating: 4 out of 5 with 8 ratings
4 / 5
If it likes-you a repertoire has registered here, calm can any gone bad with this brilliant and highly original record. It is not usual to listen a countertenor voice in music of a late 19th and punctual 20.os centuries, but Jaroussky justifies a tentativa with flying, hallucinogenic colours in an all-French sequence. There are several offerings each of Hahn and Shoe, those surprised, deep Faure, Santos-Saens with virtuoso accompaniment, skittish Chaminade, and good-looking rarity for Franck and Lekeu, a last totally unmistakeable in the each bar. It is joined by both Capucon brothers and Emmanuel Pahud, and is accompanied throughout for Jerome glorious Ducros, the one who there is also disks of mark with Renaud Capucon; it is the sensitive plus accompanist as well as you sublimate it Schubert player. I am pleased like this partorisca discover this disk and am intoxicated to a sound of Jaroussky voice in this repertoire - is the bit like another disk of Schumann for Paul Esswood, in Hungaroton, concealed has to that equally way irresistible is resulted. It can any one except relish each sound done!
5 / 5
A big surprise and the very pleasant audition. A successful shot in a darkness. A Work so that like a nineteenth Century, utmost French Composers, Philippe Jaroussky and especially, 'The French Melodies'.

A very careful election with some remarkable interpretations for one 'Voice of some Angels' as some people say...
Dare said is house! Partorisca Any the one who only sings Baroque is to good sure the challenge partorisca try the repertoire has taken.
Stunning songs as 'A Clhoris' (Reynaldo Hann), 'Autumn' (Gabriel of Fauré), 'Lucido the time gives Lilac' (Ernest Shoe), 'Nights of Spagna' (Jules Massenet) or 'Violins in lucida Late' (Camile Santo-Saens), full on senses.

A very good Piano for Jérôme Ducros, Violin for Renaud Capuçon, Cello for Gautier Capuçon and Flute for Emmanuel Pahud.

And Philippe Jaroussky. A fine professional and the surprisingly versatile Singer.

So much, if it feels attracted to this cocktail... It enjoys it!

Happy new year!
5 / 5
Ossia The CD which is totally different of his usual passage. I am not sure state on listening a first time but that has listened the second and third time is the beautiful disk and well the value that listens to. Again it has the pieces have been unfamiliar with. Philippe Jaroussky with his voice has augmented my awareness of some asks really good-looking of music this has slipped is gone in to a darkness. It is the shame adds that there are not more artists those who are prepared partorisca move out of the passage regulates of an industry of music and take the casualidad.
5 / 5
Jaroussky HAS one the majority of extraordinary voice. It had listened his rendition of Hahn The hour Esquise on Youtube and extraordinary is a word. Quite glorious. Still I have the question with this type of voice viril in the staccato and /or fast-acting. Moderate Or slow and is quite wonderful
5 / 5
has loved his voice for some time, this collection is the little of his closely usual cast and all a better for him. These simple arrangements leave his voice to touch, the perfect and extraordinary tone. If so only it buy one of his albums, he the fact this one.
5 / 5
One a lot a lot registering of some lovely works sung for some glorious French youngsters countertenor those who really EXTRACTED like this splendidly and book of the delicious interpretations.
4 / 5
Gave it to the partner for his anniversary - loves it!
5 / 5
Has bought this disk like the present for my woman, the soprano, of then is loved like this for Phillippe Jaroussky voice. A soyost big' counter-the tenor has listened.

Top Customer Reviews: Rossi: La lyra ...

Rating: 4 out of 5 with 8 ratings
5 / 5
This three-the disk dipped of Christina Pluhar is the adventurer always near He Arpeggiata figure of two collections of a music of Luigi Red (1597-1653). A prime minister, in the disk only has titled ‘The Lyra of Orpheus', has looked in 2005 but any issued up to now. A title informs to the work of Red ‘Orpheus' except a program comprises work other sources, the resulted in the diverse sequence of vocal pieces and notarises them. Some vocal elements, selected of cantatas and created of work and fantastically sung for Véronique People, comprise a lovely, Ciacona-way ‘The good-looking more good-looking' and a highly effective, amateur recitative-arioso ‘remorse has given Arione'. A handful of the works notarises them is equally well, comprising any inaugural Symphony for Giovanni Felice Sances with his rich valuing typical of the Arpeggiata' approximation to an Italian baroque. All one touching is exceptional, with especially of sensitive work of cornettist David Doron Sherwin. Ossia The recital that diverse wide, varying by means of lyrical, skittish and ardent ways, and tip a lot effectively reason Pluhar devotion to a music of Luigi Red is so that there is amply has justified.

Some contents of a second program, occupying two disks have titled for Pluhar ‘Harp Davidica' and registered in 2019, spend a same variety richer, some vocal works that is rid for five singers of suns. And the one who the singers are! – No less than countertenors Philippe Jaroussky, Jakub Józef Orliński and Cost Sabadus, soprano Céline Scheen, and half Giuseppina Bridelli. A last-appointed is an only one there was not founding previously, but is a More adds them possible compliment to declare that it is each one has bitten also like another. These singers treat mainly works of suns in turn, with the pair of duets has comprised in a mix as well as the few works notarises them. Again we have the variety of work excerpts and sung that it is free-fashionable pieces, with a contributo occasional of another contemporaries of Red.

Is any exaggeration to say that all a music is wonderful. Among the a lot of points have underlined for me is a gorgeous inaugural ciacona the piece ‘Dopes along penaba', fabulously sung for Orliński with beautiful instrumental accompaniment; a duet ‘there is sigh, to the ache' sung by two voice seemingly of heaven, specifically Scheen and Jaroussky; Marazzoli so only ciacona ‘Of the heaven fall vineyard'I' of Orliński; a remarkable voice and versatility to Cost Sabadus in ‘Jealousies ch'a bit of the small'; Sances' ‘Presso the calm wave' of Jaroussky, delicious in spite of his unhappy text; soprano Céline Scheen beautiful, lyrical ‘When it explains the night' and a powerful work of ‘Show with the there black' of Giuseppina Bridelli; and an anonymous, along and diverse dramatic scene ‘was a bit addormentato' of Scheen.

Altogether These together offers the remarkable idea to a work of the wonderful baroque composer, spending as, further of chance, never is before state has registered. That is more, is the glorious shop window for an exceptional line-on singers, he justly the joint of renowned early music and his highly imaginative manager. The sound has registered is excellent, a substantial booklet fantastically is writing, produced and illustrated, and the texts and the translations are everything present. Ossia Surely any to be has lost of lovers of an Italian baroque.
4 / 5
mply sumptuous Music, fantastically touched and cantado.el arpeggiata areone Of an early music more conjoint end, and an only voice of jakob jozef orlinski is always alluring. The must.
5 / 5
Christina Pluhar Is advocacy of a music of Luigi Red is extraordinarily very do fault for a wonderful crew of singers has been able to bring together to do with his neighbour The Arpeggiata thus purpose. And it was particularly although a music thus composer that was registered previously for an add Veronique People in 2005 was finally able to be liberto like this splits of three CD @dread.
5 / 5
Deze Red dubbel-cd fulfilled twee, bij mijn weten, nog niet op cd voorhanden werken was in goede handen van het gezelschap van Christina Pluhar in een topsopraan als Véronique People. Beide werken zijn interessant, maar een beetje You veel van het goede voor een simpele muziekliefhebber. Enige eentonigheid kan beide cd niet ontzegd worden. Of deskundigheid Van of uitvoerders kan daar niet veel aan veranderen.
4 / 5
A lot RECOMMENDED SO THAT LIKE The CHORAL MUSIC
4 / 5
month of Game personal need .
Impossible to find this album in the points of month come Rochelais ,after diverse visits have been able to find in Amazon ,this album «  will read He of orfeo »that was critical of indispensable games of month ,and ,east ,rid in moin s of 48 h
Thank you aAmazon,some glorious thank you equally to the vendor
5 / 5
... It touches his enamoured of the Italian of baroque music of the one who are.
And The Arpeggiata, quell'together fantastic, has haste to see them a day scene of the sud.
5 / 5
All The perfect summer,
excellent cd
new state
arrived in a very good delay!
thank you!

Top Customer Reviews: Philippe Jaroussky ...

Rating: 4 out of 5 with 9 ratings
5 / 5
Ossia The summation of Jaroussky career of ten years like this far, during that has treated at the side a lot talented singers (like Cencic, with that sings the sensuous duet for Bononcini), orchestras and insiemi. A double CD exhibits 26 of his better register , taken of an already enormous discography, and 6 new some, likes Red Orpheus. Other pieces has wanted to discover is Sances' throbbing Stabat Mater (with Artaserse) and Mattioli Bird Reign. It specialises initially in a Baroque repetoire still castrated, likes Bach energetic and bravura air of Orpheus and his Sentimi like looks to anticipate a uplifting arias of Mozart. It begins with the new register of Porpora is (Farinelli professor)Big melancholic Giove, in that his voice is like this youthful and is Tito Manlio, Ercole and Cryings all the brilliant examples of Jaroussky acrobatic and agile coloratura, requiring a stamina and no of an athlete. A new register of Handel Be (Shadow mine was) ploughed CD2 - the tingling rendering of one of his the majority of solemn and moving pieces, matched for Jaroussky luminous flange of the mine lusinga(Alcina) and an expressive and extend phrasing of the his Kids infida of Ariodante. Vivaldi Vedro With (Giustino)is justly juxtaposed with Big Giove, aim like this the same of Handel in a undulating, melodic line, emparenta again in Vivaldi,s Olympics. A new register of Handel,s Rinaldo is the dazzling exposure of Jaroussky vocal pyrotechnics, there is showed again in Caldara is churned Temistocle and Adriano. One contrasts last with one calm , lilting hands of Everything does of Iphigenia - all duquel Jaroussky has helped to discover. It is also a lot home in a six hundred of Monteverdi and offers the new register of the his Laudate with tantalising orchestral is the pleasure to find also presenting with the new register of Purcell Music for the moment. Philippe there has been an extremely fruitful collaboration with Christine Pluhar, exploring other genders and periods of music, aiming of his versatility in Chaminade Hat and Piazzolla The pajaros. Of course it has an intuitive to feel for a French song and lyricism, notably one extraordinary A Chloris for Hahn. In Faure Wry Jesu have a delectable, soaring big notes, duquel only Jaroussky is able. Some finals of collection fittingly with the duet the plus sublimate of Monteverdi' master work, Coronation has given Poppea, for two adds virtuosos. So much , desires take familiar with these edges of House-Lafitte, will be more than delighted with these two CDs.
4 / 5
Extraordinary voice and two CD is still to kick . If has each one another disk for Philippe Jaroussky then can have the majority of some clues already but another that that can not find any reason any to possess this together. His voice is the delight to some ears (enjoys a repertoire of tenor of the counter)
5 / 5
Until I have listened M. Jaroussky On Cecilia Bartoli Mission CD, so only had listened of him for name and repute. That the voice! Gorgeous, full Voice that sends shivers down a plug. This impelled me partorisca buy a version of download of this 'plus of' near. This has done my account to bank a lot well, partorisca has bought of then all his cds & dvd!
Ossia The shop window , pair Exc, but beware shopping, for your punctual purse will be lighter, for you not being able to resist buying his others register! That a hell; compraventa, already...
4 / 5
Jaroussky Is a better counter - tenor anywhere in a world. Amur All his albums
4 / 5
Good value for money in that volume the good-looking voice and a lot he, so that has a lot of hours to listen. It has given this to my parents those who love classical music but has not listened of Philippe Jaroussky. They have been surprised.
4 / 5
Thinks that Philippe is the quite good introduction in a world of Countertenors, can not believe my good fortune in stumbling by means of them. I have done the plot of flange of Choral, but because of breaking my half ear has not been able to listen the female Sopranos. Has has lost people of listened to sing in an upper register for like this long. These gentlemen me the very happy man.
5 / 5
Principle of worlds any like me to him the collections of independent pieces reasons has no real dramatic line, does not spend any plot, any colgante, any advance. But that bad would be has maintained that principle in this chance.

First of all and especially this voice is like this good-looking, like this clear, like this aerial and like this astonishingly empinado in his crystalline acuteness that each piece is a more moment of the never distracted entertainment or interrupted by any dramatic emotion. We are like this big in our entertainment does not require a lot labyrinthine colgante. I so only curl to this purity, closing our eyes and leave our senses agree a flow of this voice.

A question is no longer roughly the one who this voice can mean, if it is a voice of goddess, heaven or angels because it is any of these. Jaroussky Is not god. His world is not heaven. His partners are not of the angels.

Jaroussky Is so only he trailblazer the one who need any god to exert his fiery voice, and volume of knots in the world like dense like the forest that would walk in his own roots, like a forest of Macbeth, and be animated with all some elves, gnomes and another doppelgangers of a genie of Aladdin light. So only we owe that ask more the beauty and the take to knots immediately.

But that it is that beauty?

Is a beauty of the voice viril, like this masculine that is shivering throughout with such the real man fact to the real voice and that the voice viril is like this far, like this different of another voice viril that thinks after the while we are to lose in another level of existence, that there has been finally sucedidos in our meditation and achieved nibbana (nirvana say in Sanskrit) and prpers can leave blend the cosmic energy of a universe and be run of this phenomenal force that gives life to the each piece of rock in a whole natural architecture of all some galaxies.

And follow a Milky Way of this voice that can be joyful like dance he of May around the Maypole on day of May in a green of village. Also it can result like this sad and to to suffering likes dirge of of the funerals that would spend our a lot of soul down to a grave and would do this soul feels a sand and the earth that is launched in ours last mental respite, reason this voice then results breathtaking.

But this voice also can go down to a deep plus chasms filler of the beasts and the violence and can feel a heat of the llamas of a dragon in our lefts or a gel-cold electrical caress of the jellyfish in a vast ocean in a foot of an arrival of reef to fall of and that stinging monster like some freezings our heart to the stop.

And then a suddenly taken voice was to like any albatross that looks for some vast seas for some old mariner those who could say a triumphant arrived of his ship in the port that would spend life behind to all some other marine and agents in a glass, all that was to die during one endless calm has spent stops.

And an albatross would sing a trumpeting ad of an end of some enchantment and a likely rebirth of the world of wild growth and succulent entertainment of eternal bliss.

But then a voice can take was this satiety to the new state to want to, lack, and will begin to beg and that career for behind the. Please, please left embezzle the moment. But a voice is deaf to any complaint and knots of whips behind to a street to another side of here and still of further there, to the world-wide that no suspect is existed.

And there new chimes, new flange, the new agreements will do our feet result impacientas to dance but has to that find a one loves dance with, otherwise, this in spite of has any way to escape this curse, will dance with a devil, with us in some onanistic gavotte or is the requiem that buries to regulate humdrum daily life drop the cataclysm of apocalyptic extraordinary suffering.

Ossia A voice there is here in your ears. So only listen his. Sinister transmission and swing you to and fro in a cradle of his music.

Can survive an experience so only will be the new man, the new woman. You will have experienced a hydromel of a messianic Jerusalem that all spend in our brain and of the ears because it is the song of a scorching heart of a sun. A heart that is beating his time in the tongue or the tongue can not comprise more. But sure we can the to us celery.

Halleluiah!

Dr. Jacques COULARDEAU
5 / 5
This are ore that' offered of DOUBLE CD 32 arias and the duets sung for some youngsters countertenor Philippe Jaroussky, in the collection, obviously chosen for a singer he, which comprises some of one the majority of good-looking arias of the his last decade of work. An album also gives 6 new highly that it interest arias the one who Jaroussky has there was not founding another occasion to publish, some duquel has been registered especially for this collection, obviously like the present of prize of a singer his audience. Here we find Handel is 'Shadow May was' and 'Twenty, turbini', as well as Porpora is 'Big Giove' and Purcell is soyusic for the while' (the Jaroussky has sung also in of the concerts last year).

A new register shows that this highly the gifted singer has developed his voice and singing included further in some last few years - his tone is possibly even more pure and sweet that before in a register a big plus, his coloratura, always bequeathed, of the stunning accuracy. Like this impressive is Jaroussky is always true and sincere expression of a content of a music, his wide spectre of colours of voices, his perfect phrasing or his impressive musicality.
A selection in this album gives everything of arias for Red and Bassani rediscovered for Jaroussky, has seen held for Caldara, J.C. Bach And another, of course preferred arias for Vivaldi ('Vedro with my diletto', esento in heart') and Handel ( escherza infida' and a breathtakingly the sweet soyi lusinga'), the pieces for Hahn, Fauré and other composers another newer. Also it comprises music of church for the variety of composers, comprising Monteverdi and Sances ( estabat Mater').

Of course all some insiemi, some singers in some duets (especially of the sweet voiced Nuria Rial) and a acoustical the quality of this CD is excellent. A booklet contains commentaries for fellow musicians in Jaroussky, which in his unisono recognition of his personality bondadosa and humble and wonderful musicianship in fact is quite touching. In general, a CD is the good election like the present for any the one who enjoys vocal music, or one wants to have the little overview in a work of this extraordinarily lyrical countertenor.
4 / 5
Jaroussky is a better counter - tenor anywhere in a world. Amur All his albums