Trend Staatskapelle Berlin Classical Music


Top Customer Reviews: Mahler: Sinfonie ...

Rating: 4 out of 5 with 2 ratings
4 / 5
First-Mahler imposed of Suitner and Berlino Staatskapelle. It is interesting that partorisca this Berlin of emission Classics has chosen a Japanese DDD master.... VEB Deutsche Schallplatten Has used crew of register of the equivalent well to some Eighties, and there is a subject sooner of this that registers as it uses a VEB ADDS master. A Japanese crew partorisca register the engineers have registered in DDD during some sessions of register. This is remained partorisca generate very required 'hard coin' - a GDR was in dire straits, like this far like his finances have been concerned. Anything, ossia the action very end and a quality of his excellent east.
4 / 5
Is likely that my familiarity with Otmar Suitner discography predisposed me partorisca enjoy his Mahler; it was of Viennese deep but is resulted the prominent musical figure in Germania East, where is, among other things, manager of a Staatsoper Berlino and like this simultaneously a Staatskapelle. Amara the sizeable discography, particularly strong in Mozart, Dvorak, Beethoven, German work in general and, of course, Mahler. Suitner The devotion to a composer has been enhanced to good sure for both men that is Austrian and has to that it has left credibility and authenticity the Suitner is directing of Mahler. Another manager here, Günther Herbig, is less a lot of-known but was manager of boss of both Berlino Symphonies-Orchester and a Dresden Staatskapelle. Like this, both managers were highly Mahler apt and has experienced managers in spite of a relative novelty to register in Germania East in a prompt 80 east.

Reviewer Damage Morgan is of an opinion that a Rückert Lieder has been registered on three years and a symphony in 1982, but thinks the scrutiny the next plus to some dates of register aims that both a Rückert Lieder and a Fifth has looked in evening 1984 and was to Give Knaben Wunderhorn this is to be do in 1982; it imports little to the equal that are of the piece in his and way.

Reminiscences of a vocal soloist here and a leader of a BSO, in combination with Suitner obituary partorisca Rob Cowan in a “Gramophone”, testifies to a joy of working with him and reflect my own reaction to his registers here. A last tongue of his “quota, spontaneous in way of leader…verdant and musically gripping” and like his low studios Clemens Krauss influenced “his feeling for precisely a ‘right ‘ ‘' sentence or time”, while Lorenz agrees that “[h]and was a lot of relaxed, any on-focussed – the fantastic manager, always in ease and enthusiastic. These songs have required an orchestra that produced pure expression”. Lothar Friedrich, that Speaks of a register of a Fifth Symphony, commentaries, “Suitner attacked an excellent balance among his emotional side in one a hand and his intellectual approximation in another.”

Is an unaffected naturalness of Suitner direction that is like this appealing; you are not never an obtrusive manager and for one the majority of separates finds his approximation to a Fifth looked the Barbirolli is without being like this indulgent. Prpers Having generated the tension adds in a brisk, propulsive first movement and a second racked, Suitner is to contrast free and fond in his lilting, treatment a lot of Austrian of some sections of waltz in a Prank. A Adagietto is free and flowing, considerably briefer that my favourite versions for Karajan and Shipway; a harp is quite too much prominent but love an arise and swoon of Suitner phrasing, again betrays it his Viennese roots.

A Lieder is undoubtedly true to feel; Lorenz' the baritone is typically German: light, in bylines and velvety, looked in bell to Fischer-Dieskau is but “cleaner” in tonal production, slightly grainy on upper with enough has pronounced also the vibrated in time but invariably elegant and patrician in way. An orchestral accompaniment in both insiemi of songs is lovely under both managers, especially a woodwind in “Ich the cube gives Welt abhanden gekommen” that concludes with the sumptuous serious glissando for up.

A prompt 80 quality of digital register is brilliant but no superficial and in fact first tax.unla Presentation of this slender, map digipack is attractive and some notes are entertaining and informative, but unfortunately any text is resupplied.

[This description is also posted in a MusicWeb put International web]

Top Customer Reviews: Legendary Eterna ...

Rating: 4 out of 5 with 2 ratings
4 / 5
Come if it can in the 2020 immettere on the market a cofanetto come this? If extracted has given interpretations Any recent, and like this as allocated especially there are collectors: and it is very commentaries that the amino collectors the details.
That has given details No east is not even the shadow: any are indicated date and places has given recording; they are missing the texts sung; and any are specified not even the solisti and he formations has given support all'orchestra (for Seconded it Symphony has given Mahler, for example, any is given to know the one who are he singers and he heart). A cruised collector will be surely In the terracing has given reperire he informations faltantes; my is not so it would have to be: somebody could fly know these informations and any have the instruments to obtain them.
He interpretations are very Note: if extracted has given disks appeared does not do tantísimo time, affected partorisca have die that there of the the curtain has given Iron in tempi has given the glasnost tiled Staatskapelle Berlin directed gives Otmar Suitner (so only in some the chance gives Günther Herbig), manager has given very tall school that would have deserved undoubtedly main afamada: in the the chance has given Mahler and Bruckner here plant sound in level on very tall, in the terracing has given to compete with him better editions appeared in Occident.
Sinned therefore that The Suitner and was sweated optimum orchestra have been surrendered a service has given like this low quality: the the preparation had been all'height of the interpretations he cofanetto would have deserved full punctuation.
4 / 5
Given Qualität der Aufnahmen der Staatskapelle Berlin unter Otmar Suitner und Günther Herbig steht außer Frage, der Aufnahmesound entspricht gives hohen Erwartungen some tall Eternal-Produktionen - somit kann man beim Kauf wenig falsch machen. Ich The cube dips has given Aufnahmen 'aufgewachsen' und freue mich, sie yesterday wieder hören zu können. ABER: Ich habe bislang selten Like eine indiskutable Präsentation von Wiederveröffentlichungen gesehen - keinerlei Angaben zu Aufnahmezeit und Ort, keine Benennung der Solisten und/oder Chöre sowie weiterer Darsteller - unfassbar bei einer Veröffentlichung, die über einen sehr informativen Einführungstext verfügt. Wurde Given Informationen schlicht vergessen? Unerklärlich... Davon abgesehen: Preis/Leistungsverhältns stimmt - großer Hörgenuss!

Top Customer Reviews: Brahms: ...

Rating: 4 out of 5 with 3 ratings
5 / 5
Ossia The emission of signal of DG. This a lot is clear: still again, Barenboim tentativas to canal Furtwängler without a requisite grip and imagination. The moments of inspiration are militated for mannerisms and crudity in DB part. With a smell of sausages in an air, to the left is begins!

Partorisca A moment, house in a first movement of Brahms' Third Symphony and 12'12”ff as it says all this precise be said. I need to listen this. A whole orchestra is out of tune, near is ragged and DG laminated in the patch in 12'33” which injects comedy to a tragedy. When being evocative of Mozart Ein musikalischer Spaß, is humorous he at all more. Barenboim The lacks like the manager are evident in 12'06” and 12'50”: like lacklustre and flaccid is. It takes the master to enliven these transitions and bridging material; in light of his challenge, DB beats time.

Skip On to a B2 how has been memorably describes like “light as seen of a heart of a forest.” A lot here it is big competence if one is only expectation of a B2 is work. If the light is evident, is emitted for FOCUSED or fluorescent tubes: the mysticism is insignificant. A first movement is too strong in any clues of fortísimo – and like so much of this cycle for , the true climaxes are not evident. Again, has chance where the intonation of an orchestra is suspicious (likes 3'04” in a first movement). In an end, DB phrasing in 8'50” - 8'55” is prosaic. In an Adage, a mid-movement ridge of seeds-the climaxes are strident and noisy.

Partorisca One the majority of part, there is at all a lot of injustice with a B4 same if it is not memorable. The difference of a B3, has no howlers. An inaugural is rigid rhythmically. In 12'18” in a first movement, an orchestra is unable to forge the true climax in his lack of torsion. This commentary still applies to an Andante Moderated in 9'02”ff – sounds like another fortísimo. One opening of an end is soupy and mannered – this is surprising, that comes from/comes from any the one who purports to canal Furtwängler and his Doomsday utterance of 1943. An eruption that follows a woodwind elegy is again rigid – lacking of Furtwängler volatility and suppleness. The horns are feeble in 8'30”ff - and in fact, tension sags was. It is not hard to close a B4 with vehemence; DB hands partorisca arrive to this point.

Partorisca One the majority of part, DB and his followers partorisca the work spends a day in a B1 – although a near of a slow movement is laboured in 7'50”ff. A introit of a horn-signal in an end in 3'07”ff is the health the Plain Jane. Further to the long of in 12'43” some series of a Staatskapelle to lacking berlin of a torsion the way a afterglow – and a phrasing in 16'26”ff is more laborious that the stint in a gulag.

The difference of a European adds and American orchestras, some series of a Staatskapelle the berlin disappears frequently of view, when be flooded as they are for a brass in of the regular intervals. Well, this is not .

In general, this is not the be necessary in a cloth of a cosmos. It is like this expendable eats . . . . . Sausages.
5 / 5
I have had a Beethoven Sinfonie for Barenboim and really liked the and has taken these after listening them when be touched in
classicfm. They are for real excellent modern actions of a Brahms Symphonies. One First Symphony especially is
the register the fine plus has listened. If you are the defender of a Brahms Symphonies these is partorisca be highly recommended.
4 / 5
Ossia The emission of signal of DG. This a lot is clear: still again, Barenboim tentativas to canal Furtwängler without a requisite grip and imagination. The moments of inspiration are militated for mannerisms and crudity in DB part. With a smell of sausages in an air, to the left is begins!

Partorisca A moment, house in a first movement of Brahms' Third Symphony and 12'12”ff to the equal that says all this precise be said. I need to listen this. A whole orchestra is out of tune, near is ragged and DG laminated in the patch in 12'33” which injects comedy to a tragedy. When being evocative of Mozart Ein musikalischer Spaß, is humorous he at all more. Barenboim The lacks like the manager are evident in 12'06” and 12'50”: like lacklustre and flaccid is. It takes the master to enliven these transitions and bridging material; in light of his challenge, DB beats time.

Skip On to a B2 how has been memorably describes like “light as seen of a heart of a forest.” A lot here it is big competence if one is only expectation of a B2 is work. If the light is evident, is emitted for FOCUSED or fluorescent tubes: the mysticism is insignificant. A first movement is too strong in any clues of fortísimo – and like so much of this cycle for , the true climaxes are not evident. Again, has chance where the intonation of an orchestra is suspicious (likes 3'04” in a first movement). In an end, DB phrasing in 8'50” - 8'55” is prosaic. In an Adage, a mid-movement ridge of seeds-the climaxes are strident and noisy.

Partorisca One the majority of part, there is at all a lot of injustice with a B4 same if it is not memorable. The difference of a B3, has no howlers. An inaugural is rigid rhythmically. In 12'18” in a first movement, an orchestra is unable to forge the true climax in his lack of torsion. This commentary still applies to an Andante Moderated in 9'02”ff – sounds like another fortísimo. One opening of an end is soupy and mannered – this is surprising, that comes from/comes from any the one who purports to canal Furtwängler and his Doomsday utterance of 1943. An eruption that follows a woodwind elegy is again rigid – lacking of Furtwängler volatility and suppleness. The horns are feeble in 8'30”ff - and in fact, tension sags was. It is not hard to close a B4 with vehemence; DB hands partorisca arrive to this point.

Partorisca One the majority of part, DB and his followers partorisca the work spends a day in a B1 – although a near of a slow movement is laboured in 7'50”ff. A introit of a horn-signal in an end in 3'07”ff is the health the Plain Jane. Further to the long of in 12'43” some series of a Staatskapelle to lacking berlin of a torsion the way a afterglow – and a phrasing in 16'26”ff is more laborious that the stint in a gulag.

The difference of a European adds and American orchestras, some series of a Staatskapelle the berlin disappears frequently of view, when be flooded as they are for a brass in of the regular intervals. Well, this is not .

In general, this is not the be necessary in a cloth of a cosmos. It is like this expendable eats . . . . . Sausages.

Top Customer Reviews: Dvok: Cello ...

Rating: 4 out of 5 with 7 ratings
5 / 5
That THINKS I 'used this product partorisca'? It is the CD . I have listened his. It has been it adds. As I knew it it would be.
4 / 5
Aufnahmen Gives Cellokonzerts , über gives schon Brahms gestaunt hat, gibt is sehr viele und eben auch sehr gute. Rostropowitschs Aufnahmen sind herausragend, insbesondere the data dips Guilini. Maisky / Bernstein ebenso. Bei dieser Aufnahme The hat gives junge hochbegabte Cellist Soltani gives unverschämte Glück gehabt gives Konzert place dem besten Musiker derzeit studieren zu dürfen. Of the Ergebnis ist eine großartige, stimmige und geschlossene Darstellung has given Meisterwerks. Barenboim beherrscht Has dipped seiner Jahrhundertmusikalität Die Aufnahme. Die Staatskapelle ist in Höchstform. Alles In allem ganz klare Kaufempfehlung.
4 / 5
The new generation of violonchelistas -Straighten Weilerstein and Kian Soltani- can already bordear the big of the glorious past.
5 / 5
In jeder Hinsicht nahezu perfekt! Sehr gute Interpretation- insbesondere gives Cello!
4 / 5
Kian Soltani ,Glorious virtuoso of the violoncelle transmits a lot of emotions..........
5 / 5
CD has RECEIVED down cellophane, nine. To good sure According to the waits.
4 / 5
ソルターニのチェロが素晴らしい表現力です。若手でトップを狙うというのも大それた宣伝文句ではないと感じます。
チェロアンサンブル用に編曲された小品がさらに良いです。何度も聞いています。
少し疑問なのは使用楽器についてです。2020年に録音した小品はストラディヴァリウスを使っていると思いますが、2018年録音のコンチェルトはなんとなく違うような…ジャケットの写真を見ても、表板にあるはずの節が見当たらない気がします。
ただ、いずれにしても素晴らしい演奏だと思います。日本でもたくさんの方に聞いてみてもらいたいですね。

Top Customer Reviews: Erich Kleiber - The ...

Rating: 4 out of 5 with 2 ratings
4 / 5
Recopiladas For the first time: the scarce registers of Erich Kleiber with the Staatskapelle of Berlino and the Filarmónica of Berlino has been done partorisca Polydor / Grammophon.
Recently remasterizado for Mark Obert-Thorn, is the legated Grammophon of the years of Kleiber to Berlino with the Staatskapelle and the famous Filarmónica of Berlino. Beginning modestly with four of the German dances of Mozart, partorisca fill two faces of a box of 78 rpm, the discharge of the sessions has developed partorisca comprise complete symphonies of Beethoven (No. 2), Schubert (No. 8 'Unfinished') And Dvořák ( No. 9 'Of a New Mondó) together with a repertoire very populate, like the incidental music of Rosamunde and A Midsummer the sleep of the night and the start of William Tell and Die Fledermaus.
Also present alternative versions of 'Vltava', as well as the second apresamiento for a part of the Symphony 'New Mondó that has turn the last album Grammophon of Kleiber (registered in May and August of 1929). Alan Sanders resupplies a long note
5 / 5
This is the pleasure partorisca begin to finalise. It is not noiselessly registered, but has not gone never. A second partorisca take of A Moldau is like this magic in his start that has asked me like a sound could have cohered like this fantastically.