Trend Staatskapelle Dresden Music for Children


Top Customer Reviews: Mozart: Die ...

Rating: 4 out of 5 with 1 ratings
4 / 5
At the beginning look you easily could discount this like the serious option. Some singers are not upper-notch (averts of Arnold van Mills those who attacks something of any another interprets of Osmin with his rich booming voice), and a lot will depend on can live with a Konstanze of Jutta Vulpius. A row has required is there, and a coloratura, but his vibrated and tendency the shrillness is not under control and this could been seen likes the one of entity blot. A tenor is respectable, Blond and Pedrillo able and good entertainment. A Dresden Philharmonic enter to an alcohol of a piece with the light touch. In this version a Pasha the threats have no real bite reason all the world knows it will result right in an end. Ossia A place has on grown with and still have a condition for him anything his weaknesses. It spends calm together with him and calm acclaim you up. A more modern version for Solti boasts Gruberova like this Konstanze, but some microphones too many often take the hardness in his tone. And while Gruberova demonstates all his technical order Kathleen Battles like this Blond almost comes to hurt in an of some big notes in his prime minister air (a moment painful where the retake could have helped). That will locate a Solti (to the equal that in Bohm) is a tenor air 'Ich baue ganz' that opens Law III, often ignored because of his difficulty. It is the lovely piece this in spite of. It is ignored here - possibly the wise decision. If it love actions of the big class of a main lady goes for Auger under Bohm (although it is the bit pallid) or a roller of firecracker-coaster of the ways there is showed for Gruberova: soyartern goes Arten' is simply , some could contest that that some stairs is too much big for Mozart. A Suitner offers the much more modest experience , intimate, hardly distinguished in his own legislation, but very pleasant to listen take it late when it is time for the glass of port. The perfection is not , but has something.

Top Customer Reviews: Tippett - Child of ...

Rating: 4 out of 5 with 3 ratings
4 / 5
A work ignored in the rooms of Spanish concerts weigh The one who evasions of histrionics contemporaneos and is totally abordable partorisca any melomaniac enemy of extravagances
4 / 5
This was surely, being the data attaches of the work (a Hebrew youngster, Herschel Grynszpan, the swipe has had in Parigi in 1938 a diplomatic nazi, that has had to that do fault of pretext to the déclenchement of the night of CristalWelcome Vienna) has joined particular decision of the part of the Hake of British boss Davis that of programmer the Dresde in 2003 A boy of our time, oratorio of Michael Tippett. The Opinion agrees the destruction of the synagogue of Dresde, work of the architect Semper (the author of the somptueux local of work) during gave it you night of Cristal. It knows the one who has had to spend give another joyaux architecturaux of the city in lucido bombardment anglo-American of February 1945, that Davis, has invited partorisca regulate, the commémoré with him Requiem of War of Britten in 2000 with him same orchestra.

In this work In three Parties, where his properly narrative elements are concentrated in him so only postigo head office, Tippett, artist humaniste, pacificiste and committed (has had to that be temporairement aprisionado touch his convictions in 1943), medita to the sud the human condition, the tragedy of period of edges, the a lot of and the bad. His spirituals, inserted in the partition, and game according to lucido composer lucido the function gives chorals in the saint music of Bach. Although lucido pair among his universe and the music of Tippett is not evident, the work embezzles aventajada.

Hake Davis, whose his bonds with Tippett has been tightened, had registered already Chico of our games of time Philips (with Janet Bakers and the youngster Jessye Norman), joins version a lot of réputée but looks difficult to find and that does not know , and he and has gone back recently with him Symphony of Londra (focus LSO)Gentleman Michael Tippett: Chico of our Time [Hybrid SACD]. His Direction is vigoureuse and elocuente (Start of the 3.ºt Has left : « A cold deepen ») and he and joins it glorious increase to him emotional climax of the work in his sections « would know my shadow and my light » and « Deep river ».

His soloists are Games tonight Ute Selbig, Norah Gubisch, Jerry Hadley, Robert Holl. It can find the pair plants that it play of a bit too much this fresco to the work (sees Jerry Hadley entonando « does not have any money for my bread »). In spite of, Robert Sporco is a lot so only in narrator, and in pode no it admirer his lyric flown of the soprano Ute Selbig.

At all Of notebook in this edition, to the difference of that-cia girl of our time, this that lacking to require the transport is necessary to know lucido the games of text to appreciate fully the work.

PS. A boy of our Time the summer dates to the Proms this summer 2012, under the direction of David excellent Robertson. It joins edition CD, joins edition DVD ?
4 / 5
A CD has loved the vendor is resulted not having after all when it has looked for his stock. I have accepted an alternative but need to be more careful that offered

Top Customer Reviews: Classic Flicks: ...

Rating: 4 out of 5 with 3 ratings
5 / 5
Shining CD prefers Film of Music of bookmarks of Classical Film/marcadors, well validates he
5 / 5
An odd collection of classicul the alike music in of the films ...

A Omen - Carmoina Burana, Or Fortuna - Carl Orff - that , You are an original bookmark for jerry goldsmith

Very poor reserach and no worthe buying.
4 / 5
An odd collection of classicul the alike music in of the films ...

A Omen - Carmoina Burana, Or Fortuna - Carl Orff - that ? You are an original bookmark for jerry goldsmith

Very poor reserach and no worthe buying.

Top Customer Reviews: Verdi: ...

Rating: 4 out of 5 with 7 ratings
5 / 5
There are a lot of descriptions of of the this but can not identify a lot concealed is in fact partorisca this that registers as it resembles has been taped in Torino on boxing Day 1967. Pavarotti Is ably abetted for Cappuccilli Zaccaria and Rinaldi under a baton of Mario Rossi. It is a lot of reminiscent of this old Cetra together with the orchestra bit it backward and voice to a fore. The suspect is the first concert of an audience invited the one who was has asked any to applaud slope of the laws. This in spite of these are Italian ! But they are extraordinarily restrained.
Has some wonderful register of this work. My writing is not to issue guidance to the equal that to the how is more but so only to answer to a version am listening to of here five stars as I enjoy it enormously.
Has another 'alive' Pavarotti Duque of the most collected year down Giulini Rome with Scotto and Paskalis. It conceal really it is Italian 'alive' but some of an applause is unnecessarily intrusive and a flange any in the pair with this subject. Pavarotti Is better listened alive in Torino.
5 / 5
Excellent production with singers in a summit of his capacities.
5 / 5
NB: while this register is the winner in any form, a following description is for an upper Pristine subject of Audio in remastered Environmental Stereo, unavailable on Amazon. I remark that some reviewers does not like that EMI has done in his recent plus remastered subject, while Pristine has done his usual flawless work.

Mina MusicWeb mate Göran Forsling has resupplied the comparative studio refinadas of a four imitates the registers of one 50 east and has concluded that this EMI the subject has had always a more registered sound, a quality of action notwithstanding. This in spite of, this Pristine remastering the Environmental Stereo gives it even more of a sonic flange and an occasion to appreciate afresh so only that a lot some singers here are; his heat and the depth confer to immediacy and the presence renewed in proceedings, while the maculas and the smallest irritations have been minimalised for Andrew is Trace .

Felizmente Is accompanied by the manager, the heart and the totally submerged orchestra in a Verdian idiom, resupplying ideal support. Serafin Eccentric swimming or flashy but simply knows like this the music would owe that go and he, giving his abundance of still singers time to do his points without undue self-consciousness.

Little more can be said in a principals which has not been already remarked in a sixty or like this years of his subject after a miraculously busy register year of 1955. For some have Given Stefano for all his push, is the crude to touch and shouty and some vowel too much open presage questions to come, but his is the highly energised, winning supposition with a lot of splendid moments. Gobbi The voice could have been the little lean in yours for some Green ideals baritone but his row by heart and the expression is miraculous; any singer of then has to that way that entirely has embodied is the majority of complex of characters. Included Taddei, Warren or Milnes, all that it is obviously deeply submerged in his portraits and has had more conventionally apt voices with the upper extensions stronger, could very rival Gobbi for implication. It can be true that callas has not gone of course adapted to a function of Gilda but was such the consummate technician and actora vocal that totally convinces like waif whose obsessive amour imbues sound with the one of iron – enough to defy his father and sacrifice his life for the rake. His descendant portamento remains the thing of ineffable beauty. All three singers live his parts, resupplying the thoroughly that satisfies synthesis of music and work.

A mould of support is splendid, especially Zaccaria saturnine Sparafucile. Lazzarini Is not a more obliging or character of half-sopranos to register Maddalena but is much more that pertinent.

This recovery and revitalisation of Pristine ensures that a current generation can listen that remains, in spite of a level of course for a time, artistically one the majority of complete “Rigoletto” officially. An only drawback is that the libretto has to that be accessed elsewhere.

For the register it modern plus, and yes prefer his voices, recommends a Bonynge in Decca, with Sutherland, Pavarotti and Milnes the finest form; see my description.
4 / 5
SOURCE:
HMV the studio that the records done to Milano in November and December 1927 and February 1928. This register is one of some earlier entrances in a race adds among one stirs Italian of HMV (The voice of the padrón) and Columbia to issue a basic operatic Italian repertory. Both companies have used the one who amounted to the Stairs mussels. This CD REY-the subject has been based on 78 rpm record of a University of Archive of Registers of Toronto.

SOUND:
Roughly 1926, an industry to register entered to one of his diverse technological revolutions. This particular revolution has involved that has called an electrical process. For some first microphones of time have been used, deleting a need to shout to oversized horns of metal.

The electrical register was sensitive to the widest row far of tones that some systems maquinales old and some doctors of transfer of a time (so only like his successors in of the following generations) proudly has alleged that a new process has offered a complete musical experience, indistinguishable of an expensive chair in a theatre. And, in truth, a sound has not been bad. Upper-of-the-line, modern register of a period, like English HMV registers to Focus Black of Gilbert and Sullivan, can be remastered with modern crew to touch a lot so it imitates the registers have done so only first of a revolution of big loyalty in a prompt @@@1950s.

Unfortunately, He voice of the padrón the registers of some times were neither modern neither upper-of-the-line. A booklet that accompanies this together has this to say: 'A lack of boss of one 1927 HMV the neighbour is his quite poor sound quality, the result of a subordinated shellac in that an original 78s has been pressed. Some voices generally reproduce quite clearly, but the lines notarises them crucial is often grieve discernible by means of a surface crackle and hiss. Quite a lot of surfaces of orchestral detail, this in spite of, to leave to appreciate a subtlety and variety of Sabajno is directing.' I think a booklet overstates a negative. Some voices touch well and an orchestra is muffled for current levels but a crackle and hiss is not like this bad to the equal that has involved.

Has LAUNCHED:
Rigoletto - Luigi Square
Gilda - Lina Pagliughi
Duque of Mantua - Tino Folgar
Sparafucile - Salvador Baccaloni
Maddalena - Bordos Of Cristoff
Monterone/Marullo - Aristide Barrachi
Stock exchange - Giuseppe Nessi
Count Ceprano - Giuseppe Menni
Countessa Ceprano - Pleasant Brambilla

MANAGER:
Carlos Sabajno with a Orchestia and Corazón of the Stairs, Milano.

FORMED:
Disk A - Law I, Scene 1, follows 1-6; Law I, Scene 2, follows 7-15; 53:32.
Disk Two - Law II, follows 1-8; Law III, follows 9-17; 57:37.

DOCUMENTATION:
A lot of libretto. Any one rodeo of a plot (but, of course, can be assumed that any one has had to dip down hard cash for the 1927 register of 'Rigoletto' probably has the quite good idea of the like a work is roughly.) A too-brief but nevertheless interesting test for John Santoro touching in a history of this register and that of the his 1930 Columbia rival, some musical qualities of an action and thumbnail sketch of some main singers. Two photographs of Lina Pagliughi: In a, a twenty year-looks of old singer chubby but appeals; in another, the little older looking Pagliughi is decked is gone in full diva to to rigs likes him to him Lucia (of the extra hefty version.) There is also the wonderful photograph of tenor Tino Folgar in a tuxedo, put and facial expression of the villain of Bond of James--the Informative Bad gentleman, he.

COMMENTARY:
This historical register offers an excellent, idiomatic action and corrected of 'Rigoletto,' although a ossia in the noticeably different fashion of this to the how is the result there is habituado.

Luigi Square Was in the first place the flange Rigoletto. His offers of action of the touches ocasione of real vocal elegance--a lot of something to be said of the majority of his successors.

One twenty year-Lina old Pagliughi had done his start so only two first month of this register. It is excellent likes Gilda, singing in an absolutely sincere way and perfectly when being convincing like the youngster, daughter too innocent. In 'Expensive name' his voice touches the bit thins in some upper notes. It does not have this failure in the registers he late plus and am not sure if a thinness is a machinery of early electrical technology or of his early vocal formation. A failure, if it is the failure , is not compatible during a register.

Tino Folgar Was the a lot of tenorish tenor, and the very elegant a, in that. His light, youthful the sound is quite different of that besides heavy voiced, successors that the hard touch in a function. Perfectly it is convincing, this in spite of, like the youngster, self-the duke centred the one who is absolutely and heartlessly indifferent to an external ache. His his moment the toneless plus is in 'This or that' in an a lot of start of a work. It is sung amiably but oddly was-centre, dramatically in speaker. I think that that it was registered for separate like the only 78 rpm ide.' Be it separated of a flow of a work, creates Folgar instinctively has fallen behind the way jointly and has sung consistently. It is on-point during a rest of a work.

Salvador Baccaloni has begun was conventionally enough in some grave-baritone repertory, but Arturo Toscanini has convinced to specialise in some funny childbirths. To my alcohol, remain a better Leporello in of the records. I have seen so only once, in an a lot of well of his career, old and overweight, doing Sergeant Sulpice in 'A Daughter of a Regiment.' It flies a show well out of low a kicked feet of Joan Sutherland. In 1927 still he some dark part and here is excellent likes Sparafucile, this fellow accident the one who present to an acid little Jester like the man with the sword.

Carlos Sabajno is the manager the one who is frustratingly elusive. Ossia That know--or at least deduce of him: His active career in music looks for having extended of 1902 to 1940. In 1905 lame occupation with a Company of Gramophone, do fault like this manager of orchestral accompaniments to operatic registers during the time when virtually all the singers have done so only with the pianist. Before longitude Sabajno found begins of HMV operations in Milano. Tolerance to this place with his neighbour proximity to the Stairs, then considered like this a lot of hub of Italian work, to an end. Further to direct, is a man the one who has signed on launch members and oversaw the sound feeds and cure. The details are misty, but resembles has been quite famous for a number and variety of the his romantic entanglements. His claim of boss the modern fame, if Google is to be believed, is that some producers of one Streep films 'Lorenzo' Oil' has chosen inserts two of his elderly operatic registers to a soundtrack. And there is so only a sewing of plus-- was the glorious manager of Italian work. Has no qualms at all roughly that declares that any work directs very the listen.

To any with the flavour for historical register, ossia the terrific 'Rigoletto'--five powder-has covered-stars.
5 / 5
NB: While this register is the winner in any form, a following description is for an upper Pristine subject of Audio in remastered Environmental Stereo, unavailable on Amazon. I remark that some reviewers does not like that EMI has done in his recent plus remastered subject, while Pristine has done his usual flawless work.

Mina MusicWeb mate Göran Forsling has resupplied the comparative studio refinadas of a four imitates the registers of one 50 east and has concluded that this EMI the subject has had always a more registered sound, a quality of action notwithstanding. This in spite of, this Pristine remastering the Environmental Stereo gives it even more of a sonic flange and an occasion to appreciate afresh so only that a lot some singers here are; his heat and the depth confer to immediacy and the presence renewed in proceedings, while the maculas and the smallest irritations have been minimalised for Andrew is Trace .

Felizmente Is accompanied by the manager, the heart and the totally submerged orchestra in a Verdian idiom, resupplying ideal support. Serafin Eccentric swimming or flashy but simply knows like this the music would owe that go and he, giving his abundance of singers to time to do his points without undue self-consciousness.

Little more can be said in a principals which has not been already remarked in a sixty or like this years of his subject after a miraculously busy register year of 1955. For some have Given Stefano for all his push, is the crude to touch and shouty and some too open vowels presage questions to come, but his is the highly energised, winning supposition with a lot of splendid moments. Gobbi The voice could have been the little lean in yours for some Green ideals baritone but his row by heart and the expression is miraculous; any singer of then has to that way that entirely has embodied is the majority of complex of characters. Included Taddei, Warren or Milnes, all that it is obviously deeply submerged in his portraits and has had more conventionally apt voices with the upper extensions stronger, could very rival Gobbi for implication. It can be true that callas has not gone of course adapted to a function of Gilda but was such the consummate technician and actora vocal that totally convinces like waif whose obsessive amour imbues sound with the one of iron – enough to defy his father and sacrifice his life for the rake. His descendant portamento remains the thing of ineffable beauty. All three singers live his parts, resupplying the thoroughly that satisfies synthesis of music and work.

A mould of support is splendid, especially Zaccaria saturnine Sparafucile. Lazzarini Is not a more obliging or character of half-sopranos to register Maddalena but is much more that pertinent.

This recovery and revitalisation of Pristine ensures that a current generation can listen that remains, in spite of a level of course for a time, artistically one the majority of complete “Rigoletto” officially. An only drawback is that the libretto has to that be accessed elsewhere.

For the register it modern plus, and yes prefer his voices, recommends a Bonynge in Decca, with Sutherland, Pavarotti and Milnes the finest form; see my description.
5 / 5
Ossia Really the register adds of one of Green the majority of popular works. A Swedish mould and the Norwegian is really formidable. Jussi Bjorling The duke is like this very like this never. His characterisation is included better that in a Naxos the emission of an action has fulfilled. It gives more than the carefree, womanizing, arrogant man the one who makes love to the women and he then launches him era. His interpretation here takes more advantage of his experience, and certainly helps partorisca be on home turf also. Erik Sundqvist Rigoletto adapt me of Leonard adds Warren. He no quite prosess the sum of characteristic voice of Warren that it mark his Rigolettos like this glorious, but a characterisation is looked. Sundqvist Possessions The voice adds that it is adapted ideally for a jester. Also alive a function in a phase. Eva Prytz Gilda has come like the revelation here. It is probably a plus fantastically voiced Gilda officially. A Norwegian soprano is like this really adds during a work. It sings 'Expensive name' as wonderfully. Full of a coloratura a function requires. It sings a lot of excitingly in a quartet adds in law 3, soaring in another three. His characterisation is really as well as the sweet of innocent young woman the one who sacrifices because it loves a Duke.
One that directs is also very good. Bendix Is a lot of senstive to a bookmark and a work, ridding a lot of exciting the orchestral sounds when requests and very soft when requests, p. p.ej. In some scenes with Rigoletto and Gilda.
Something concealed was even more like the surprise that Gilda glorious of Prytz is a sound. Ossia The alive emission of Stoccolma in January 1957. A sound of this emission is really exceptionally well. It is in stereo and all the world-wide at all times is very there is clearly has listened. Usually I say this sound in of the alive actions is very one can listen a bit clearly that is to sing, but this action has his like this well like 67 Bohm Coverage or 62 Parsifal. Has has had to that spent that this is not the register of studio. I have not listened never of the alive action of a 50 is that have he stereo his forward, the outrage adds to mix.
Any serious collector would not be without east a, especially if one is the defender of Bjorling. Ossia Really add it one.
5 / 5
Ossia Really the register adds of one of Green the majority of popular works. A Swedish mould and the Norwegian is really formidable. Jussi Bjorling The duke is like this very like this never. His characterisation is included better that in a Naxos the emission of an action has fulfilled. It gives more than the carefree, womanizing, arrogant man the one who makes love to the women and he then launches him era. His interpretation here takes more advantage of his experience, and certainly helps to be on home turf also. Erik Sundqvist Rigoletto adapt me of Leonard adds Warren. He no quite prosess the sum of characteristic voice of Warren that it mark his Rigolettos like this glorious, but a characterisation is looked. Sundqvist Possessions The voice adds that it is adapted ideally for a jester. Also alive a function in a phase. Eva Prytz Gilda has come like the revelation here. It is probably a plus fantastically voiced Gilda officially. A Norwegian soprano is like this really adds during a work. It sings 'Expensive name' as wonderfully. Full of a coloratura a function requires. It sings a lot of excitingly in a quartet adds in law 3, soaring in another three. His characterisation is really as well as the sweet of innocent young woman the one who sacrifices because it loves a Duke.
One that directs is also very good. Bendix Is a lot of senstive to a bookmark and a work, ridding a lot of exciting the orchestral sounds when requests and very soft when requests, p. p.ej. In a scene with Rigoletto and Gilda.
Something concealed was even more like the surprise that Gilda glorious of Prytz is a sound. Ossia The alive emission of Stoccolma in January 1957. A sound of this emission is really exceptionally well. It is in stereo and all the world-wide at all times is very there is clearly has listened. Usually I say this sound in of the alive actions is very one can listen a bit clearly that is to sing, but this action has his like this well like 67 Bohm Coverage or 62 Parsifal. Has has had to that spent that this is not the register of studio. I have not listened never of the alive action of a 50 is that have he stereo his forward, the outrage adds to mix.
Any serious collector would not be without east a, especially if one is the defender of Bjorling. Ossia Really add it one.

Top Customer Reviews: Grand ...

Rating: 4 out of 5 with 2 ratings
5 / 5
Auf Avenges CDs sind erstklassige Interprets, begleitet von erstklassigen Orchestern derigiert von erstklasigen Dirigenten zu hören. Ich habe selten eine solche wundervolle hochwertige Zusammenstellung aus Gives Welt give Oper gehört. It gives Klang ist fantastisch. Für jeden Freund Gives Oper ist has given CD BOXES eine wundervolle Ergänzung. Of the ist jedenfalls meine Meinung.
4 / 5
Wunderbare Zusammenstellung von Arien und Duetten. tadellose Aufnahmequalität. Zwar werden Opernliebhaber wahrscheinlich To the Musikstücke schon von ähnlichen Samplern kennen, aber zu diesem Preis kann Man sich has given Cd ruhig selbst schenken.

Top Customer Reviews: Das Gr. Abenteuer ...

Rating: 5 out of 5 with 1 ratings
5 / 5
Wer seinem Nachwuchs Quotes Welt gives Musik nicht persönlich beibringen kann oder , ist place dieser gut of CD bedient.