Trend Staatskapelle Dresden Opera & Vocal Music


Top Customer Reviews: Verdi Requiem ...

Rating: 5 out of 5 with 1 ratings
5 / 5
The Christian manager Thielemann is associated inevitably with a German repertoire, with exceptional register for Beethoven, Brahms, Bruckner, Strauss and especially Wagner (has shipped recently in the cycle of Mahler Sinfonie), like this first register of the work of the entity of an Italian repertoire is both overdue and welcome.

Green “The secular religious work” is the mainstream laws the difference of a predecessor in that is in any small way modelled for Berlioz, whose extravagant forces the the rarity in of the earths of logistics so only before the artistic merits are considered (I LOVES it!-Davis/Dresden in spite of a terrible tenor!).

Some Greens the requiem is frequently state informed to as “his more utmost work”-and the actions are generally categorised so many that the approximation like the spiritual work-a true Requiem-and those that are red-blooded operatic interpretations.
For 2 generations a incumplimiento the election was a Giulini /Philharmonia the register produced for Walter Law, this in spite of with a step of time Schwarzkopf and Gedda is not by all the world is flavour , but this was supplanted for a Solti/red Chicago-blooded to the reading likes them to them the register of diving. (Solti Was not never happy state with his Decca VPO register (I loves it!) And it has asked Decca to record king he with his forces of Chicago. Decca Politely Declined and so that it have not had NEVER any agreement among Solti and Decca, offers an occasion the RCA the one who the snapped on).

The recent years have seen technically excellent register for Pappano, Barenboim, Jansons, Maazel, Dumb and Temirkanov with successful variable terracings –or lack of him in a chance of Dumb and Pappano especially.
Without mentioning still of the host other registers for Karajan, Abbado, Bernstein, Reiner classical Toscanini etc. to choose of, any need of new register to be something special.
This a certainly is!

Coming like any surprise to learn that Thielemann the approximation is operatic-and then some.

A register is taken of the alive action in a Semper Oper in 2014, registered for MDR to levels of commercial emission and mastered for emission for Profile. A sound has registered is imposed before , giving the true balance and with abundance of weight and depth of his registered. Cela One touching of a Dresden Staatskapelle is phenomenal can be taken for admitted, how is a Exc of a heart in beauty of the yours and hanged of tone.

There is always the light worry with Semper Oper registers that some words sung for a heart is the pocolos indistinct-ossia the factor in all his registers of Profile, but is quite clear and a text is closed with English translation in an exceptional accompanying booklet and is easy to follow is unfamiliar with a service.

A dynamic is very wide-the calm plus of start (this in spite of no like this exaggerated as it conceal of Barenboim where his heart so only breathes more than sings!) It is gone on down the thunderous Dies Irae with súper bass drum thwacks and glorious brass-the Dresden the brass is in no way vulgar as perhaps have to that be in a Tuba Mirum-he no rasp or bray- the glows!-But for me ossia the plus . Thielemann Maintains his forces the pocolos restrained until a final explosion when he unleashes “all Hell” so much to speak with breathtaking is resulted.
Sentence of forms with which sentence lovingly, teasing out of an emotion adds in each turn so that the time after the time felt could be listen to Aida- has there is not remarked never some thematic similarities so much in any one another register-and an emission are cataclysmic in his work and intensity.

That distinguishes this dips even further is a crucial quartet of soloists-and can declare that be any plus end.
Stoyanova And Prudenskaya has “form” already in Jansons 2014 action, my First own Election to date but if anything locates to some challenges of this work in the same finer actions that paralizaciones Jansons. Prudenskaya Especially is glorious likes Amneris-sad!-Wrong work, but will take my point. Zeppenfeld Is some impressive bass, a lot expressive and a lot that lacking of a fullness of the yours sometimes does in functions so that it is not adapted (p. p.ej. Hunding!).

The opinion has left in a fusion of Saimir Pirgu in a part of tenor in a Jansons register-a far cry of Kaufmann partorisca Barenboim-a lot of found his lighter, your pinched quite uningratiating, but will have few complaints in an art of Charles Castronovo, whose beautiful full blooded voice of tenor, sure in everything achieves, is used expressively so that it combines some merits of Careers partorisca Karajan with a glorious tone of Bjorling partorisca Reiner.

A presentation is old fashioned –like this never with Profile-in the chance of double jewel but to the equal that has mentioned this comprises an excellent booklet with texts and a cost of one 2 near of the disk is regarding the prize of half 2 near of disk.
I unhesitatingly reward he “In the first place Election” against all comers and 5 Stars of course. Greener the work pleases Master Thielemann! Stewart Crowe.

Top Customer Reviews: Wagner: Die ...

Rating: 4 out of 5 with 12 ratings
5 / 5
No in that listened that the Meistersinger partorisca some years had forgotten the one who the work adds is. A last law especially, that does an end cd in this together in an hour of Exc musical focused, unfolding apparently without dramatic order and lyric final and compositional imagination. Those extraordinary cultural tarpaulins is, Tristan and a Coverage are.

And ossia the wonderful register , also. The climaxes have controlled with flawless timing and heart really final the complete work a class of actions would expect of this mould of artists of 20th century that imports. It liked Geraint Evans a lot also, in spite of of the critic of his action is has read elsewhere.

To good sure has other registers equally well, but could expect for any better. Critic further, in my opinion. Highly recommended and at present in the very attractive prize.
5 / 5
Still my preferred Wagner work and the register of fantastic vintage. Has Ben Heppner/Sawallisch that record how is also glorious but to Theo Adam likes him Sachs affable strong, Kidney Kollo like the genuine heroic Walther, Helen Donath likes Eva of sublime, Peter Schreier like the precosious Peter, Kurt a lot of youngster Moll touching a blink and will lose it Night Watchman, and of course the delightfully on-fact, rumbustious, bitter-sweet and very pleasant Beckmesser in some hands of Gentleman Geraint Evans in his prime. Karajan Is of course on forms, there is of the best of everything in his yolks like this like this can a lot of he be with to the to orchestra likes concealed. I have been spent up in this register and still are enthralled May.
5 / 5
Given Meistersinger is an only Wagner work that employs comedy and to good sure a Teutonic humour has weighed will not adapt is partorisca think that Wagner motive partorisca compose this work was partorisca caricature his the majority of vitriolic critical to launch as 'Beckmesser', an object partorisca ridicule. In spite of, this version is a lot of crafted and contains some signals underlined utmost eats: an inaugural, a prelude partorisca do 3 and a apresamiento song.
4 / 5
If or can any taken to some of Wagner xenophobic rhetorical in this work there is to good sure of his beauty. This beauty is wonderfully has spent has gone by Karajan and a Dresden forces with his famed the tone of gold burnished. A register was apparently the very happy occasion partorisca both manager and the orchestra and aims in some results in these disks. There is the spontaneity in this action that has not gone always evident in Karajan laws later. A mould is really well with some young lovers that the young sound, which is of entity. Ridderbusch Is the glorious Pogner, Evans the whiny Beckmesser and Screier David is really good. As Hans Sachs Adam is a lot although an ideally could do with the little more hanged of tone. But ossia he quibble. One of a better of all Wagner conjoint.
5 / 5
An origin of this register is quite interesting. Karajan Had finalised his association with EMI for a prompt @@@1960s, registering Berlin with DGG and Vienna with Decca (and Decca for RCA)/ the part of a reason was that it calculates that it can sergulates a roost' in DGG, and could register basically which and when it love. This has not gone enough as slowly, and lack of support for his project of Coverage and a register of another Coverage (Bohm- was registered for DGG) and the Beethoven has proposed cycle for Bohm has not been to touch in pleasant. It see an occasion to develop his own options, and EMI tentativas to deceive behind to a fold in a late 60s was achieved. It is ironic while it is one of one the majority of-arguably The majority of- rewarding resulted of this resumed the collaboration was this Meistersinger never feigned for him in a first place.
Following Barbirolli is enormously successful turn Operates it with his justly the butterfly has acclaimed, and slightly less successful Otello, this project has been due to still to be a crowning glory of John Magnify autumnal renaissance of work.
Lamentably, Barbirolli has died tagically before this could be @@give, but VEB Schallplatten, EMI the East German partners were enthusiasts to come from in all the chance.
So only there is then does Karajan 'coming to a marked, as it was, and he vacillated in a project virtually until a last moment, politician so musical and national when being subject of entity-in an end EMI has been prepared to come from with Jochum, but Karajan has decided positively-with glorious results.
This subject is one same remastering considering an Adds Classics serious, and so only a packaging is different. It is the glorious reading , warm, witty, glorious and fond-the histories of a report adds among Karajan and a Dresden Staatskapelle is a lot, and some results are palpable in some glorious touching. A register is glorious, detailed, warm and brilliant for turns.
Some critic K for beautifying a work also-I @fare to see like this ossia the bad thing !
A fusion is in general a better of any rivals-Kollo is not never better state neither is there the best Walther to be listened, Donath is grossly underrated-is simply glorious, balancing innocence and archness perfectly, some the secondary lovers are glorious, Ridderbusch like this sonorous the Pogner likes one could wish for-and has included a Nightwatchman is the bass have called Moll-ask that has spent his?
Some 2 zones of contention are Sachs and Beckmesser.
Karajan There was has wanted to partorisca a function or no, a politics of a day has dictated that any register done in Dresden would look local hero Theo Adam.. Final of!
Does not propose to take to Adam/debates Hotter-Hotter had spent his best almost 20 earlier years like the comparisons are odious. Adam sings fantastically, with parco, your modulated attentively and is especially well in a contemplative monologues. He this in spite of heat of lack and humour in time, and is the quite Sachs has faced directly. In an end, better the Sachs well very sung that the wobbly has characterised strongly one!
A Beckmesser of Geraint Evans is in an opposite extreme.
Was the 'fixture' when Karajan has inherited a project and his Beckmesser is of a worse antiquated type-a soyumming ' cariacature which odious bumbling idiot, rid in the class of prechgesang' usually reserved for a Nibelungs. This no for me at all, and are believes in odds with the Wagner has feigned. Another can feel differently.
Beckmesser Is undoubtedly he cariacature in all the chance-of Wagner critical nemesis Hanslick, so that it does not have any need the 'battery he on' as to speak.

Neither enters to a debate in a supposition of the anti-semite message transmitted in this work-argue long and bitter taught that it thinks that that it is there, then is, and yes calms no, is not .
A serious contends to this register in this prize is of course a Kubelik, duquel am not such an admirer like another-and all some the available register is defective to some terracing. For like this, you recommend a Karajan likes first the election spends is not a subject. In mid-prize, Sawallisch and Jochum is both uneven but finally excellent lovely actions and registers.
Classical register of an Ape was it is in joins it different, but ossia for another forum. Karajan Register of better work? Parsifal Is the contend, but I a lot seriously contests that they attribute it to this exalted conjoint. Stewart Crowe
5 / 5
does not mean to touch blasé or spoilt when I say that, like the very experienced auditor to registers of work, was quite sure that has known the one who this register would touch to like first, in a calling of the fellow reviewer-fellow, I finally taken around to purchase and listening to this celebrated register, now 43 years but still touching extraordinarily well. Virtually at all there is confounded my expectations, as I have known that to expect of active read some opinions of the abonos pocolos, trusted, partners reviewers.

First of all, some controls of the his on extraordinarily well: spacious, very balanced, rich, clear and full, without sprain - the model of register of equivalent in his better, how is one touching of a Staatskapelle and one in leader of Karajan, the one who spends his customary ear for detail, sonority and sense to sweep to a proceedings; ossia peerless, instrumentally.

A flange offers some of some better launching available in 1970, since it was an inviolable principle that any register done in Germania East Dresden in that era has had to look favourite edges, Adam of Theo of grave baritone, bothersome wobble and everything. It can not expect emulate a power and beauty of the yours of as Thomas Stewart for Kubelik but does not leave a side down, when being a otherwise sensitive and intelligent singer the one who can spend some of a gravitas of some have experienced Wotan to the his Sachs more something of the twinkle. His tonal emission is not always, for any half, unsteady and a basic sound is attractive. Any Sachs the one who can spend an auditor with him during an add peroration of a work the German Art has conquered a part; Adam traces to a shameless nationalistic exaltation and exultación some feelings the question and is ably sustained by the lusty Staatsoper Corazón, underpinned for terrific eardrums.

In of the sure ways and according to a state of his voice, find me irked for Kollo dry tenor but a bleat is under control in these, his years of the earliest glory, and although it is no Heppner or Konya, suggests youthful ardour without too discolouring or forcing. A beauty in bylines of Karl Ridderbusch tomb like Pogner is the diverse advantage, while Helen Donath pure, sweet, girlish soprano is a lot of record for Eva, with just roughly quite can and penetration to sustain his long lines. His transmissions with Sachs are delicious, steering a right course among humour of arch and some light erotic frisson for which a possibility of romantic interest among a Sachs widowed and a marriageable the still next daughter in a fund. Zoltan Kélémen Does the a lot of characterful, Fritz positive Kothner and has the very little punctual-to-be-famous names in a Dresden mould, comprising Kurt of thirty-two years Moll like the typically sonorous Night Watchman. An acid-test of any soyeistersinger' is a serenity of a Law 3 Quintet; Karajan and his singers certainly weave magic here.

In a side of debit, Geraint Evans Beckmesser is the clumsy, whining caricature of the act which, as Johannes Martin Kränzle there is showed recently in Glyndebourne, can be both fantastically sung and remain very pleasant without appealing to an equivalent minuta of mugging. It is, this in spite of, like this Beckmesser was sung usually first of an arrival of the thinnest school of acting. Peter Schreier, spends some claims of the friends-reviewer, almost would not have done never the pertinent von Stolzing but to the equal that has has not liked him never his voice and has found always Wagner David something of has resisted he with his that writes on, etiolated function, supposes that they are pre-situated to find hard and shrill (like his name could suggest); this in spite of, certainly takes inside a function.

Obviously in very better of his the Karajan is pleasant register of twenty early years more, and blessed with him Walther in Kollo that Hans Hopf his of frames like the god, ossia the first clear election for any Karajan fan the one who can tolerate some vocal defects. Personally, although him me like this more than era predicted, as it results to be more than a sum of his parts, my first rests of election with Kubelik.
5 / 5
Ossia The wonderful register to Die Meistersinger. A word to warn this in spite of DOES not PURCHASE DOWNLOAD. I had it 'free' with a CD and is terrible. A Prelude is cut pocolos second first of an end and some diverse clues do not download in mandate and result so only he muddle. It was disturbed a lot has purchased one downloads so only. Five stars for a CD, points for of zero one download.
5 / 5
This tenderly the beautiful register is one of some very few occasions in it Karajan aimed his humanity. It directs with the scarce heat and sincerity, and has the perfect mould. Peter Schreier is particularly characterful likes David. Strongly recommended, and the subject fantastic.
5 / 5
Likes 95 of knots, are to feign he in Wagner and abjectly so much. Without melody in sight, stifles in this first now of Siegfried: surely we have the legislations to be bored for such the dynamics? They are more probably to cross Simpson Vuoto in February on foot that it cross Rienzi. Have Still to do he by means of a Dutch of Flight. Lohengrin, His Prelude averts, held to this day.

To date, has resisted Meistersinger for a better part of three decades, that declares that it was the bridge too far and quoting a brevity of life. It asinine Was! This Karajan register of late 1970 has directed to the 'novus ordo saeclorum'.

Has contacts in 5. Some of them adore this register; another does like this with reservations, underlining Theo Adam (Sith-Ladies to Wobble ), Evans' caricatures of Beckmesser and a bell of Kollo; whilst recognising his obvious forces, the little waste stops . I daresay will arouse it controversy until reign it come.

For my part - interested this in spite of I be - his joy to live is sovereign. A triumph is underwritten for a sumptuousness of a Dresden Staatskapelle and Karajan is order. It is Wagner in his the majority of loveable. Any one asks his buddy Nietzsche was like this envious of a soyagician' - has any affirmation more orders of life (and refutation of 'Afterworldsmen') that a Quintet of Law 3: Wagner said in the few bars the one who apresamiento Fred the few words of thousand to grind was. Here it is humanity with everything sweats foibles and aspirations. It says: a world is enough; he the time for everything under a sun. Catharsis ensues Long first of a final heart.

Loves this. As one of a five percenters (Ralph Moore) has said recently, is more than a sum of his parts. Long it can continue divide and proselytise!
5 / 5
Does not mean partorisca touch blasé or spoilt when I say that, like the very experienced auditor to registers of work, was quite sure that has known the one who this register would touch to like first, in a calling of the fellow reviewer-fellow, I finally taken around to purchase and listening to this celebrated register, now 43 years but still touching extraordinarily well. Virtually at all there is confounded my expectations, as I have known that to expect of active read some opinions of the abonos pocolos, trusted, partners reviewers.

First of all, some controls of the his on extraordinarily well: spacious, very balanced, rich, clear and full, without sprain - the model of register of equivalent in his better, how is one touching of a Staatskapelle and one in leader of Karajan, the one who spends his customary ear for detail, sonority and sense to sweep to a proceedings; ossia peerless, instrumentally.

A flange offers some of some better launching available in 1970, since it was an inviolable principle that any register done in Germania East Dresden in that era has had to look favourite edges, Adam of Theo of grave baritone, bothersome wobble and everything. It can not expect emulate a power and beauty of the yours of as Thomas Stewart for Kubelik but does not leave a side down, when being a otherwise sensitive and intelligent singer the one who can spend some of a gravitas of some have experienced Wotan to the his Sachs more something of the twinkle. His tonal emission is not always, for any half, unsteady and a basic sound is attractive. Any Sachs the one who can spend an auditor with him during an add peroration of a work the German Art has conquered a part; Adam traces to a shameless nationalistic exaltation and exultación some feelings the question and is ably sustained by the lusty Staatsoper Corazón, underpinned for terrific eardrums.

In of the sure ways and according to a state of his voice, find me irked for Kollo dry tenor but a bleat is under control in these, his years of the earliest glory, and although it is no Heppner or Konya, suggests youthful ardour without too discolouring or forcing. A beauty in bylines of Karl Ridderbusch tomb like Pogner is the diverse advantage, while Helen Donath pure, sweet, girlish soprano is a lot of record for Eva, with just roughly quite can and penetration to sustain his long lines. His transmissions with Sachs are delicious, steering a right course among humour of arch and some light erotic frisson for which a possibility of romantic interest among a Sachs widowed and a marriageable the still next daughter in a fund. Zoltan Kélémen Does the a lot of characterful, Fritz positive Kothner and has the very little punctual-to-be-famous names in a Dresden mould, comprising Kurt of thirty-two years Moll like the typically sonorous Night Watchman. An acid-test of any soyeistersinger' is a serenity of a Law 3 Quintet; Karajan and his singers certainly weave magic here.

In a side of debit, Geraint Evans Beckmesser is the clumsy, whining caricature of the act which, as Johannes Martin Kränzle there is showed recently in Glyndebourne, can be both fantastically sung and remain very pleasant without appealing to an equivalent minuta of mugging. It is, this in spite of, like this Beckmesser was sung usually first of an arrival of the thinnest school of acting. Peter Schreier, spends some claims of the friends-reviewer, almost would not have done never the pertinent von Stolzing but to the equal that has has not liked him never his voice and has found always Wagner David something of has resisted he with his that writes on, etiolated function, supposes that they are pre-situated to find hard and shrill (like his name could suggest); this in spite of, certainly takes inside a function.

Obviously in very better of his the Karajan is pleasant register of twenty early years more, and blessed with him Walther in Kollo that Hans Hopf his of frames like the god, ossia the first clear election for any Karajan fan the one who can tolerate some vocal defects. Personally, although him me like this more than era predicted, as it results to be more than a sum of his parts, my first rests of election with Kubelik.
5 / 5
An origin of this register is quite interesting. Karajan Had finalised his association with EMI for a prompt @@@1960s, registering Berlin with DGG and Vienna with Decca (and Decca for RCA)/ the part of a reason was that it calculates that it can sergulates a roost' in DGG, and could register basically which and when it love. This has not gone enough as slowly, and lack of support for his project of Coverage and a register of another Coverage (Bohm- was registered for DGG) and the Beethoven has proposed cycle for Bohm has not been to touch in pleasant. It see an occasion to develop his own options, and EMI is tentativas to deceive behind to a fold in a late 60s was achieved. It is ironic while it is one of one the majority of-arguably The majority of- rewarding resulted of this resumed the collaboration was this Meistersinger never feigned for him in a first place.
Following Barbirolli is enormously successful turn Operates it with his justly the butterfly has acclaimed, and slightly less successful Otello, this project has been due to still to be a crowning the glory of John Magnify is autumnal renaissance of work.
Lamentably, Barbirolli dead tagically before this could be @@give, but VEB Schallplatten, EMI is the German partners Of is was enthusiasts to come from in all the chance.
So only there is then does Karajan 'coming to a marked, as it was, and he vacillated in a project virtually until a last moment, politician so musical and national when being subject of entity-in an end EMI has been prepared to come from with Jochum, but Karajan decided positively-with glorious results.
This subject is one same remastering considering an Adds Classics serious, and so only a packaging is different. It is the glorious reading , warm, witty, glorious and fond-the histories of a report adds among Karajan and a Dresden Staatskapelle is a lot, and some results are palpable in some glorious touching. A register is glorious, detailed, warm and brilliant for turns.
Some critic K for beautifying a work also-I @fare to see like this ossia the bad thing !
A fusion is in general a better of any rivals-Kollo is not never better state neither is there the more Walther to be listened, Donath is grossly underrated-is simply glorious, balancing innocence and archness perfectly, some the secondary lovers are glorious, Ridderbusch like sonorous the Pogner like this one could wish for-and included a Nightwatchman is the bass have called Moll-ask that has spent his?
Some 2 zones of contention are Sachs and Beckmesser.
Karajan There was has wanted to partorisca a function or no, a politics of a day has dictated that any register done in Dresden would look local hero Theo Adam.. Final of!
Does not propose to take to Adam/debates Hotter-Hotter had spent his best almost 20 earlier years like the comparisons are odious. Adam sings fantastically, with parco, your modulated attentively and is especially well in a contemplative monologues. He this in spite of heat of lack and humour in time, and is the quite Sachs has faced directly. In an end, better the Sachs well very sung that the wobbly has characterised strongly one!
A Beckmesser of Geraint Evans is in an opposite extreme.
Was the 'fixture' when Karajan inherited a project and his Beckmesser is of a worse antiquated type-a soyumming ' cariacature which odious bumbling idiot, rid in the class of esprechgesang' usually reserved for a Nibelungs. This no for me at all, and are believes in odds with the Wagner has feigned. Another can feel differently.
Beckmesser Is undoubtedly it cariacature in all the chance-of Wagner is critical nemesis Hanslick, so that it does not have any need the 'battery he on' as to speak.

Neither enters to a debate in a supposition of the anti-semite message transmitted in this work-argue long and bitter taught that it thinks that that it is there, then is, and yes calms no, is not .
A serious contends to this register in this prize is of course a Kubelik, duquel am not such an admirer like another-and all some the available register is defective to some terracing. For like this, you recommend a Karajan like this first election spends is not a subject. In mid-prize, Sawallisch and Jochum is both uneven but finally excellent lovely actions and registers.
Classical register of an Ape was it is in joins it different, but ossia for another forum. Karajan Is register of better work? Parsifal Is the contend, but I a lot seriously contests that they attribute it to this exalted put. Stewart Crowe
4 / 5
Ossia the wonderful register to Die Meistersinger. A word to warn this in spite of DOES not PURCHASE DOWNLOAD. I had it 'free' with a CD and is terrible. A Prelude is cut pocolos second first of an end and some diverse clues do not download in mandate and result so only he muddle. It was disturbed a lot has purchased one downloads so only. Five stars for a CD, points for of zero one download.

Top Customer Reviews: Schoenberg Berg ...

Rating: 4 out of 5 with 3 ratings
4 / 5
This king-emission of registers of As Viennese law Escoles for Giuseppe late Sinopoli with a Staatskapelle Dresden is the good summation of this manager is occasionally operates controversial. His Schoenberg, Berg and Webern the interpretations are distinguished often for the verve and passion that can be a lot of illuminating. A better of this box of 8 disks found in a Webern pieces, in Schoenberg Gurrelieder, in a Berg Continuazione Lyric and Lulu pieces and Wozzeck fragments. Some of some vocal works, this in spite of, is problematic. A Pierrot lunar with Luisa Castellani is marred for the balances of register as it leaves a remote speaker too recessed and blunts an impact of this seminal work. And while Allessandra Marc is splendidly incisive in Berg Altenberglieder, in another Berg works and in Schoenberg Erwartung his diction is poor and his whole presentation finds so only intermittently committed. There is a global question, also, with Warner Classics presentation. This collects boxes of @@subject, while presenting each disk in the responses of a creation of original coverage with full details in a backside of the each boss of map, penny-pinches to print the booklet for each box without listings of full clue and timings -- black mark in fact! Also, the word to warn in CD5 here, works for Berg: some listings in a booklet and in a jumble of boss an order of some last four clues. It gives Wein In fact precedes Three Orchestral Pieces; a correct order is Clues 13, Gives Wein, clue for clues 14-16, Three Orchestral Pieces.
4 / 5
His beautiful actions, atmospheric value , exceptional for money.
5 / 5
Sinopoli Offers the value very well collection here coverage the majority of some works of entities with some glorious actions that it is always illuminating. A small example: a Lulu Continuazione the singer is limited to a version 'easy' of a Lied and does not contribute to a final Adage, neither duquel had listened before. It is not Teresa Stratas or Barbara Hannigan but a version amena out of orchestral detail a plus assertive coloratura distracted of. Very good Gurrelieder, Berg concert of Violin, and like this on. Lovely have opposite 8 songs for Schoenberg in a lot of voluptuous late romantic way.

Top Customer Reviews: Mahler: Symphony ...

Rating: 4 out of 5 with 10 ratings
4 / 5
One before-action of the tax of all has concerned, and another Mahler that it agree the one who any self-respecting Haitink/Mahler admirer will want to lose. A Dresden Staatskapelle is glorious - the MAHLER true orchestra.
5 / 5
A work adds has treated perfectly. Each looks of nuance well, and an end is transcendent. Never underestimate Haitink, especially in Mahler and Bruckner. It hears and cry partorisca joy!
5 / 5
Has bought ANOTHER VERSION of Mahler 2 - my sixth! - And once again discover more in a piece. This action of 1995 is not like this floats of feet like Haitink CSO version, and perhaps spends the little too time in street - but the fine register of a chance (the Fiftieth anniversary of one bombing of Dresden) and the very atmospheric register of an amazing orchestra, not liking a level uper-orchestra' his take too much of. The final movement is stunning, and one asks that often before 1995 a Dresden the orchestra had touched Mahler 2? Value the flutter!
4 / 5
Bernard Haitink is one of, if any one the majority of artists of prolific register according to which Mahler is concerned and, in mine dress, ossia his finer interpretation of any one Mahler symphony, has left so only a Resurrection.

Has registered disappointment that a house on Mahler (and Bruckner) has taken was attention of Haitink expertise and inspiration in another orchrestral works. To the respect, has import a glorious Concertgebouw Tchaikovsky cycle, his version of a Schumann symphonies and his glorious Schubert 9 (the last unaccountably never released on CD) .

In this version of a Mahler 2 has a same element of intense classicism that it is the perfectly valid way partorisca interpret this composer. It shares the plot of some virtues of a roughly contemporaneous version of Berlino. This in spite of, a lighter tone serious quite beautiful of a brilliant Dresdeners, together with the sense of the occasion taken for an alive register, marks this a better version. Although I do not see a question with him, Haitink has not liked him his initial Concertgebouw foray of a sixties, he refusing like this cold and preferring the initial movement wider with the terracing the big plus of fantasy. Material this registering perfectly answers that finals superbly, the climax partorisca return to an intense action.

A Dresden Staatskapelle is the orchestra adds and with Haitink has formed the glorious society. It is it is more with a plus self effacing interpreters ( Kempe in Strauss, Sawallisch in Schumann, Blomstedt in Beethoven and of course Haitink in Mahler and Bruckner ).
A glorious emission.
4 / 5
The occasions add a lot always do utmost registers but this a plus emphatically fact. An occasion was a fiftieth anniversary of one bombing of Dresden in a second World-wide War for some Allies he 13 February 1945. Of then 1951 it has to that have the tradition of concerts of anniversaries in Dresden, usually of masses of requiems. In 1995 they have had instead the symphony of Resurrection of Mahler in this action focused for Haitink. Haitink Directs the superbly paced the action and an orchestra give of his better. Some people find an Andante and a Prank slightly too lens; so only I can say, that while tending partorisca prefer quickly accelerate me, does not find him like this, and is possible to savour a beautiful tone of a Dresden clarinets and flutes in a Prank. An end is like this atmospheric to the equal that could wish and a big heart aims glorious control in his hushed entrance and with which trace to utmost cries of triumph. Charlotte Mangiono has two slightly unsteady moments but otherwise is sure and Jard van Nes tip his customary tone and control. After an action Haitink has lit the sail in a place of a Frauenkirche how is now state felizmente has reconstructed. To spare the thought partorisca he and a terrible history of Dresden when it listens to this uplifting action.
5 / 5
On February 13 , 1995, felt one 50th anniversary of WW2 destruction of Dresden, and in this occasion Bernard Haitink has directed a Staatskapelle in an amazing action of the second Symphony of Gustav Mahler in a Semperoper.
This register, released in 2012, stands like the terrific testimony of this chance.

Haitink Dresden M2nd Is the gripping and powerful action, is dark and dramatic.
Of a first bar perceives a climate pervading that special occasion.
Each one that 13th February in Dresden the concert takes place of then 1951 partorisca agree a tragedy, and 1995 was a first time the Requiem has not been chosen.
But, could say, all could be transmitted by means of the pages of one the majority of terrific Requiem is returned here in the relentless growing of work.

Looks All The one who is Spent because of some the majority of the enormous tragedies of Humanities have called partorisca answer a Last Test in a mid of a heaven-the atmosphere racked, empathized for a sound bronzed legendary of a Staatskapelle.
A sense of tragedy is perceived how is trace of one the majority of sorrowful depth. Hard in a background all to the long of a symphony that achieves his summit in a last movement.
Fat die Appell (and that precede ) leaves to good sure the one who the terrific chance is directed on.
All this is not transmitted partorisca stress special effect', in a contrary ossia the severe and uncompromising rendition, in this point one could hardly image.

After a last bar.. Any clue of applause - has like this be request partorisca underline a sense partorisca cry of a chance.
And.. You have read FINAL SILENCE (clearly registered) is breathtaking after such an epilogue, one feels as a whole audience had stunned or has included petrified in a face of a immeasurable magnitude that the only turn is gone in front of them.

A register of the his east surprising too much. And a booklet has comprised in some characteristic closely a lot of enlightening and exceptional tests (in of the Germans and English) in Dresden tragedy, a chance and a music he ( has too much the note partorisca program that it writes for one Mahler still partorisca the action of a symphony there is rid in Dresden).

To the left say me - after listening this album three times some last days - could be it unfairly reducing partorisca say ossia a Mahler better 2 Haitink concentrated (go in his five commercial elements) stops.. Ossia Simply The BEST And More than IMPOSES esSURRECTION' EVER has REGISTERED.

And - in my opinion - of decades, so only Myung-Whun Chung extraordinary M2 treated with Seoul Philharmonic Orchestra (DGG) can match up with this one in general.

To summarize: it has to that I be forced partorisca remain to an Island of proverbial Desert, would like me at least of two Mahler 2nd remained partorisca be spent and ..To good sure .. They are a two I same cities.
4 / 5
Have Prisoner this execution incuriosito of the binomial Haitink/Staatskapelle, knowing that he manager is unquestionably a big soyahleriano' has given race, like this spend for the orchestra that is optimum mine that certainly any he would appoint among him prime five somebody mine asked some personnel classifies.
Say that it has been An optimum purchase that is to say little, and want to appreciate the one who thought in the 95 registered it concert.
Good/optimum The recording, lovely the interpretation and the execution of the orchestra, bravo he heart and has had the habit of him have found professional solids.
During listen it have bissato all he traces like this dream remained surprised while he according to movement have felt it four go back consecutive so that I have found it 'new' form almost cameristica with has given level audible and masses timbrici delicadísimo first felt May.
For my flavour, a for real stellar interpretation, that would advise that all dye love this wonderful composer.
5 / 5
A better and more dramatic action that this Mahler symphony imaginable, registered alive partorisca one 50th monument of one bombing of Dresden! I gave some shivers....
4 / 5
このCDは極めて録音技術が悪く、第1楽章から最終楽章に向けて音量が高くなるように録音されている。したがって、最終楽章の音量にボリュームを合わせていると、第1楽章の弱音部分などほとんど聞き取れるものではない。したがって、どんなに良い演奏をしても、この録音ではそれを味わうことができない。また、他の方も書いておられるが、第1楽章などは、オケがばらばらで演奏自体も最低の部類である。
5 / 5
前半は録音のせいもあるのか?オフぎみ少しボリュウムをあげて聴いたが、終楽章はハイティンク&SKDの本領が遺憾なく発揮された
見事なスケール満点の名演、本当にハイティンク&SKDの相性の良さは素晴らしいとしか形容する言葉が見当たらない。それに解説書も豪華。

Top Customer Reviews: Schubert: ...

Rating: 5 out of 5 with 1 ratings
5 / 5
Schubert Rosamunde The music has been composed in 1825 partorisca accompany the disastrous to touch which is lasted everything of two actions. A music, which had been rented, languished in obscurity, until succoured in his entirety for Ladies of English composer Arthur Sullivan and his Gentleman of George partner Grove. A first complete concert action

has been given in some concerts of Palaces of the Crystal in Londra of the sud in 1867. A present register is wonderful. Willi Boskovsky Comprises this music instinctively. An orchestra and the response of heart marvellously, and Ileana Cotrubas sings a Romance the majority of affectingly. Well, if slightly hard register. Ossia Some of one the majority of good-looking music Schubert has not written never.
......August 2015 - This registering is now in prize of @@subject that Shines Classics. Now any reason any partorisca the take!