Trend Thomas Quasthoff Opera & Vocal Music


Top Customer Reviews: Dvorak: Requiem Op. ...

Rating: 4 out of 5 with 4 ratings
4 / 5
has had already three good registers of this work (Ancerl, kertesz, Sawallisch – a prime minister two on vinyl) but was curious in this take of jansons the one who I occasion there was already partorisca listen with other authors: a discography of this requiem does not abound and is the harm .
A 8th value of symphony he a compraventa of this double CD, is the little jewel and Jansons amena out of the each details of this work for a uncontainable energy.
A requiem is not behind and, partorisca a manager, would not doubt with compliments and clapping but some singers…. Hell!
A pronunciation of wrong Latin text is something can not be , especially of professional singers, people those who there is poured in music his professional election of life: how it is possible to resist pronunciations like ”ghementen”, “Reghnavit”, “Riquiem” and like this on? ….We are not treating parish types here.
Pronouncing Aeternam like iternam, tuba mirum likes looks of tuba!!...
Has an almost moment of comic in a “Cake Jesu” when some howls of basses Jesús wry” and a response of heart “Jesu wry”: not even you go in they locate well!.
(In Latin suffix of pronunciation like ge or gi does not touch to like train or give but like me-nny or ji-mmy).
The deceptions in pronunciation likes them those are easily avoidable with just the clue of good ready and preparation.

Technically, some rows of register among abonos (Requiems) to a lot of a lot of (symphony). In a first if some details are lost in “all” the movements and a perspective take the little expressed advance: it favours some singers (!) But much less heart and orchestra where cellos and the lines of double bass result no easy to listen.
In all the chance, this music is like this wonderful that it can be everything ….This description has comprised.
4 / 5
Are a lot biased reason was in an original performace of this peace. But in all the chance ossia like this far a better register there is heared of a Requiem of Dvorak. A piece that was it necessary touched more often.

A Wiener Singverein is one of some better hearts in a world, a Concertgebouw the orchestra is one of a better orchestra is in a world-wide and Jansons is among some upper managers in a world. And tip. So only roughly everything is well. A balance among orchestra, the heart and the soloists is in his point. Jansons Directs to give this piece a legislation ammount of work, something these requiems of this need of era. Thomas Quasthoff the action is particullary memorable, especially yes know his physical condition.

Like usual a quality of register is utmost. Although the alive action an audience is not remarkable. Musicians/of instruments or groups of the instruments are not never there is stifled. Still in maximum all one the majority of delicate woodwinds come this in spite of with sparkling clarity and the scale with respecting to volume and planting of depth.
5 / 5
My surprise, this disk is my first meeting with Dvorak Mass of Requiem, and now can not imagine reason has not listened the prime. Has all a hushed reverence and work that a gender asks, and with Dvorak unmistakable byline. Jansons crafted The memorable action, his orchestra, soloist and Wiener Singverein heart all answering admirably. I ought any to do commentary very particular, but a tenor Klaus Florian Vogt ringing the light tone especially takes my ear; but then Thomas Quasthoff introduction to a Data Irae is more memorable, and some the tubular bells were an inspired idea ..... It forgets it, so only the enjoy everything.

Dvorak Eighth symphony is known-enough, and expected it to be a enjoyable filler - but is a lot, much more. So that they affirm that today the managers do not have a total control in his orchestra that one 'add oldies' has done, this come from the bad. I have used a word 'crafted' for a requiem, and a same description applies to a symphony. The times after the times there is remarked Janson points to detail that has had it has escaped me previously; it achieves his magic without a result that looks stilted, although to the to some can like him a third bundle movement (Allegretto Graziozo) to flow more freely (but a lot me).

Some elements of some notes - of the rests of requiems on 2 SACDs with which a Hostias, and a timings is and (that comprises a symphony). While a requiem has been registered on 5th and 6th February 2009, a register of symphony is remained on 5 date in 2007 and 2008 (without effect in a result that can relieve).

Considering a 5.0 register, an alive audience is limited to applause so only; as this is to be fulfil without planting of the next microphone does not know . In both works an impression is of the of course balanced and distanced his, reverberation of light room that blurs a heart so only the little in a requiem. Everything is has listened clearly; while some soloists are not augmented artificially, his words are clearer that a heart and his plant the little premium. The frequency and the dynamic row am excellent; some the rear speakers harm so only a right terracing of ambience, and attention of only draw to them during an applause. Listening in stereo, a resultant sound is slightly crisper, and also balanced, without some of an atmosphere. There is lovely little I priest to critique in both works.

Am loved with this subject.
5 / 5
I have had already three good registers of this work (Ancerl, kertesz, Sawallisch – a prime minister two on vinyl) but was curious in this take of jansons the one who I occasion there was already partorisca listen with other authors: a discography of this requiem does not abound and is the harm .
A 8th value of symphony he a compraventa of this double CD, is the little jewel and Jansons amena out of the each details of this work for a uncontainable energy.
A requiem is not behind and, partorisca a manager, would not doubt with compliments and clapping but some singers…. Hell!
A pronunciation of wrong Latin text is something can not be , especially of professional singers, people those who there is poured in music his professional election of life: how it is possible to resist pronunciations like ”ghementen”, “Reghnavit”, “Riquiem” and like this on? ….We are not treating parish types here.
Pronouncing Aeternam like iternam, tuba mirum likes looks of tuba!!...
Has an almost moment of comic in a “Cake Jesu” when some howls of basses Jesús wry” and a response of heart “Jesu wry”: not even you go in they locate well!.
(In Latin suffix of pronunciation like ge or gi does not touch to like train or give but like me-nny or ji-mmy).
The deceptions in pronunciation likes them those are easily avoidable with just the clue of good ready and preparation.

Technically, some rows of register among abonos (Requiems) to a lot of a lot of (symphony). In a first if some details are lost in “all” the movements and a perspective take the little expressed advance: it favours some singers (!) But much less heart and orchestra where cellos and the lines of double bass result no easy to listen.
In all the chance, this music is like this wonderful that it can be everything ….This description has comprised.

Top Customer Reviews: Brahms: Lieder, ...

Rating: 4 out of 5 with 2 ratings
5 / 5
- besonders harmonische Zusammensetzung Gives Stimmen (Die Liebeslieder-Waltzer sind in giving Originalversion für 4 Stimmen und zwei Pianos zu hören)
- Stimmqualität auf höchstem Level. Mir gefiel Gives Tenor zu Anfang nicht Likes gut, steigerte sich aber.
- sehr gute Begleitung durch Upper-Liedbegleiter in Version für zwei Flügel
- für Alive hervorragende Aufnahmequalität
- also rundum stimmige Aufnahme
4 / 5
That treated has given optimum Music knew it.
Good The quality of the recording.
Hands in the Times.
Ratio Quality acceptable price

Top Customer Reviews: Berlioz: La ...

Rating: 4 out of 5 with 2 ratings
4 / 5
Die Bernard Haitink in the script attaches interior a moment of governmental courts that has affected the the orchestras Low Countries, moment in that modified it this box as it touches of attention that that it was at stake. It has it “He Damnation of Faust” of Héctor BERLIOZ. With the distribution Faust – Vinson School (tenor), Méphistophélès – Thomas Quasthoff (baritone), Marguerite – Charlotte Margiono (half), Brander – Jaco Huijpen (low) and the Netherlands Radio Heart and the Netherlands Irradiate Philharmonic the orchestra focused for Bernard Haitink. It has been recorded in 1999 in the Grote Zaal of the Concertgebouw of America that offered in 2 CDs (61:59'+79:22').

Fausto of Goethe appears two parts. The first offers the pact with Mefistófeles and the tragic seduction of Gretchen and the second is a more elaborated exploitation of the personal faiths and philosophy of Goethe that the transports to the reader travels it imaginative the través of time and spatial finishing in the highly allegorical redemption of the character. The tragic consequences of this eternal fight and constant to dominate the knowledge and the world-wide that surrounds would be explored for Thomas Mann in his ‘Doktor Faustus'. In that informs L the Music, the influence of this work has reflected in of the numerous works: the symphony Faust of Liszt, ‘Szenen aus Goethe Faust' of Schumann, ‘The Damnation of Faust' of Berlioz, ‘Szene aus Faust' D126 of Schubert, ‘Faust' of Spohr, ‘Faust and Hélène' of Lili Bakers, the eighth symphony of Mahler, the ‘Faust' of Gounod, ‘Mefistofele' of Boito and the ‘Doktor Faust' of Busoni.

Is a apresamiento ‘alive' in a sound has opened totally Natural with perspective jointly and in the cold part of the neutrality, that contrasts favorablemente with the drought of another alive ‘interpretation' as the one of Hake of Ladies Davis with Londra AS in focus he of the orchestra and registered in the Barbican, room of committed acoustics.

Corazón and soloists have contributi very distinguished (except the maltreatments to the French tongue The load of the vocal distribution) if it is Ud the seguace to the expressiveness has controlled. It underlines Marguerite that touches the heart (and agrees the emotiveness of Janet Bakers for Priest) in voice lujosa (and agrees Susan Graham for Nagano) and also underlines Thomas Quasthoff likes Mephistopheles, although Dam of van of José (Nagano) is difficult to equalise for his glorious diction. Haitink Directs alternatively with Ardour épico and the delicacy that mangos with commanding the small rhythmical details and the transitions. The orchestra distinguishes so much in the moments more intimistas (the music of Marguerite) to the equal that in the most ardent (Leaves Hungarian). Moments of the hay where can object the the relative the fault of weight (Walk to an Abyss and Pandaemonium) and of expansividad (‘the immense character' of the Law II)

The applause is something annoying, for the frequent. Harm of fault of texts and translations. Other distinct readings of this work can find him hands of Hake of Ladies Davis/Philips (maintaining Decca) in his that already develops his age, Chat Münch/RCA SACD in his splendid, Igor Markevitch and the slowest of hands of Georges Priest and Kent Nagano. Any one forgets to see the DVD peel staged Pierce dels Baus (Arthaus), will impress.
4 / 5
リブレット日本語対訳は付属していませんが、「ファウストの劫罰 対訳」で検索すると、無料の対訳がみつかります。

【配役】
 シャルロッテ・マルギオーノ(ソプラノ)
 ヴィンソン・コール(テノール)
 トーマス・クヴァストホフ(バリトン)
 ヤコ・フイペン(バス)
 オランダ放送合唱団
 オランダ放送フィルハーモニー管弦楽団
 ベルナルド・ハイティンク(指揮)

 録音時期:1999年
 録音方式:デジタル(ライヴ)

Top Customer Reviews: Gary Bertini (The ...

Rating: 4 out of 5 with 2 ratings
4 / 5
Bertini Was an Israeli manager whose family has emigrated of the USSR the years thirty. Of 1983 until 1992 it went it the manager of the Kölner Rundfunk-Symphonies-Orchester (now has called the WDR Sinfonieorchester Köln) with those looks in this @@@cofre of 5 CDs uniformly very registered and interpreted, thanks to an orchestra that can boast of a technical perfection little usual.

With a seductive tone, the box has consecrated the Ravel (Daphnis and Chloé, Concert partorisca piano in mayor of alone, Cost It) is of big quality with a Argerich incandescente and more flexible that in his register in studio (Abbado, DG) with a cantábile susurrante the slow time that marvels. It Cost it it receives an interpretation something Brutal and more than some results of parody partorisca be a sarcasm.

The Box has consecrated the Berlioz has a ‘Fantastic ‘ ‘ ‘' that opts little for the fantastic and more for the structural and, although a can not forget the Münch or Monteux in this repertoire, results gratificante oir a robust version germanizada of the bookmark has interpreted inmaculadamente with singers of ropes and the twenty divine that gives a rainbow by heart; the metal is impressive in his dark tones but any terrible. Both start (Lucido Carnival Romain and Bienvenido Cellini) receives an on the same line alluded interpretation, reason launches something less the incandescence and excitabilidad of Munch or Previn. The sound is terrific.

The Box has consecrated the Debussy is an orgy of sounds. Glorious ‘The Sea' in his atmosphere; it is evocador but no dramatic. The ‘Nocturnal ‘ ‘ ‘' melancholic and fluent Edges, very liquid, although any perfumed in that orchestra and the heart found in an everything. The ‘Prelude L the party of a faun' is sweet, but any languid or erótico.

Two cycles of songs and four songs to ‘Give Knaben Wunderhorn' of Mahler constitutes the fourth box. The baritone Håkan Hagegård uploads this last with a tone viril exuberante. Thomas Quasthoff is a low-baritone that sings the ‘Lieder eines fahrenden Gesellen' with fresh and juvenile voice and with a fraseo natural that does the delights of the auditor. Appropriately Sad and desperate, sings the ‘Kindertotenlieder' with your in bylines.

The last Box has consecrated Richard Strauss contains the symphonic poem ‘Also Sprach Zarathustra' and a resplandeciente ‘Burleske'with Elisabeth Leonkaja, both interpreted with luxury of audible effects and an orchestra in state of grace. One adds urgently his collection.
4 / 5
Excellent value for your money. They are always be the defender of Bertini collection of symphony of the Mahler. My preferred in this neighbour was Thomas Quasthoff sings two of some cycles of song of the Mahler.

Top Customer Reviews: Haydn: Italian ...

Rating: 4 out of 5 with 2 ratings
4 / 5
Thomas Quasthoff has dipped seinem wohlklingenden Bariton singt einige gives schönsten Arien aus selten zu hörenden Opern von Haydn. Auch Quotes Orchesterbegleitung ist hörenswert.
5 / 5
quasthoff Is the a lot of lieder singer, but his Italianj is terrible and coloratura also provisional.
Has listened his once, has tried the pair partorisca time more but there is not wanted never listen these nosy sounds again

A star is too much. A fiasco!!!

Top Customer Reviews: The ...

Rating: 5 out of 5 with 3 ratings
5 / 5
Thomas Quasthoff is out of this world. I have had a privilege adds partorisca listen once with Berlino Philharmonic. It is unforgettable. Besides words.
5 / 5
Impression a lot well of an interpreter that deconocía. It recommended it to me a fellow interpreter of the classical music and I have appreciated he grandemente. Any imagined that has hid this register.
5 / 5
Purchases this after has seen them an artist extracted in the scarce carnegie recital of room. It is a real thing . If edges at all, will appreciate to like slides on and down some stairs with being able to, ease and juicy grace.

Top Customer Reviews: Evening Star - ...

Rating: 4 out of 5 with 1 ratings
4 / 5
I have bought this CD because a lot it admires and enjoy listening to a voice of Thomas Quasthoff. According to some note that accompanies a disk, Quasthoff has very admired some qualities of a Christian manager Thielemann in a 2000 Bayreuth Festival, and this register has been done in 2002. Alas a result of final is more disappointing, perhaps reason Quasthoff the still developed voice, but my impression is that a dead hand of Thielemann is directing coupled with an extraordinary election of music has combined partorisca undermine this register. Has the condition adds partorisca a music of Lortzing (6 of some 10 clues) but combining this with 4 clues of Weber, Wagner and Richard Strauss has created the most unsatisfactory result. Far beat the registers of all these pieces are available elsewhere, and felizmente has a lot of far better register of Thomas Quasthoff.

Top Customer Reviews: Mahler: Des Knaben ...

Rating: 4 out of 5 with 11 ratings
5 / 5
That a musical world-wide be without Mahler and 'give Knaben Wunderhorn' ?
5 / 5
Happy with CD but where is one download has promised?
4 / 5
Everything in this disk are so that it adds that I seat likes cry in a start of my description. This Mahler songs is full of exuberance and raw emotion, and when the musicians give his all, is in partorisca the experience that life of transmissions. Ossia Exactly that spends here. They are in accordance with a reviewers the one who only was Thomas Quasthoff likes spear of a show, but without him this disk still would be indispensable.

When Claudio Abbado is paste with inspiration, directs with the spontaneity and his sincerity is tear-jerking. Felizmente, ossia a way is in here. A Berliners game with a level a big plus of conviction, finding sensibility while still that exhibits his famed has beaten. I remark urgency, has included desperation in some of a bleaker songs, but Abbado does not lose never view of an inner purity of a music. The glorious liberty abounds, which enables a music partorisca find without any feeling of show. Still there it have it always throbbing emotion, sometimes like this cogent that a music floods your partorisca be whole. I am not sure I have it it has not listened never any one Mahler action that takes like this advantage of the present of a composer of ravishing melody.

Thomas Quasthoff is to to the the singer likes a lot another, but here he outdoes he. Each song comes alive pulsating with a character of a moment. The words can not describe his richness, the depth that commanded the attention of an auditor. If it does not send noble feelings coursing by means of yours veto, at all never . Annie Sophie von to nourished is not in a same level, but his voice is very adapted to these songs. Once again, we assist to the musician the one who is has owed to bear be committed in the world of Mahler. It evokes moments of pure joy, but is his bittersweet quality that gripped join me more.

Tin a lot possibly express that I amour this disk. Each music is giving his all, and these are wonderful songs of Mahler partorisca begin with. Giving a praise a big plus to this disk is not enough.
5 / 5
These deceptively simple songs, with his eerie undercurrents and adventurous harmonies, is the perfect introduction in the world of the his of Mahler. Any when being any a lot of the defender of Fiescher-Dieskau, consider Quasthoff partorisca be a expositor of baritone more final that these songs partorisca date; I listen in his first absolute prime of an occasional loosening of the his vibrated to the equal that has tugged in of late. It can be both biting and offered, spending colour and enormous subtlety his inflection of a text and comprising all his ways. My preferred of his songs is a St the sermon of Anthony, in the Quasthoff ameno was all a sly, subversive irony that at the beginning looks partorisca be the devotional folk song.

Will confess partorisca have Anne has found often Sofie von Nourished partorisca be the bland artist without special qualities his voice besides an evident innate musicality and absolute reliability of intonation, but surprised here. It is especially well spend out of a humour of some lighter songs. Still ideally I require more richness of the yours and heft of to the the voice likes them Janet Bakers ameno the 'Urlicht', but von to nourished in of the transmission chooses the inflect he with the naive gentleness and simplicity, which is another , effective way of the do. Calm could not ask more sensitive or responsive that touches that Berlino Philharmonic under Abbado the expert direction and a sound is exemplary.
5 / 5
I have received this album for incident, like the register of record club of a month that had neglected partorisca annul. Could have it returned to a club, but decided partorisca maintain he because of some connections among 'give Knaben Wunderhorn' and Mahler' second amazing symphony that there is wanted in fact a lot of years.
Resulted to be the lucky accident. These are flawless songs , perfectly exhibiting a work of a second-More adds them orchestrator in history. This new register combines some talents of two of a living utmost plus lieder-singers with one of a bit those that for real world-wide-class teamings of orchestra and manager. A quality of his same exceptional east for some modern digital levels better.
In of the historical terms also, ossia dip it significant . The my ears, certainly, the person never is probably partorisca match Fischer-Dieskau fist of iron-in-a-velvet-combination of glove to be able to and smoothness, or his dramatic flexibility. This in spite of, Quasthoff own experience to triumph in the looks of adversities to give his reading the special value in these papers that is like this trifling in a surface this in spite of has such deep depths of idea to a human soul. Von Nourished In some songs for female voice gives that it is perhaps a new definite action. And finally in of the terms of global listening entertainment, no another version (not even Fischer-Dieskau/Schwarzkopf together) can compare.
Ossia Good-looking music , wonderfully treaty, expertly engineered, and unreservedly has recommended.
5 / 5
Some descriptions like this far of this CD has all given 5 stars, with cogent reasons partorisca do like this. Have At all new to add, but there is enjoyed this CD so much partorisca like this long that simply I want to register my full agreement. A register is excellent - clear, a lot-concentrated, natural. Both singers are entirely 'inner' some songs, and is Von Nourished, pursuing in 'Wo die Schonen Trompeten Blasen' or Quastof, tragically agonised in 'Give Tambourg'ell', partorisca choose so only two examples, alive and breathe a music. And they are sustained superbly, if ossia a right word partorisca such the element of entity in these songs, for a BPO and Abbado. Of one first notes to a last, ossia material of 5 stars , and can be confidently recommended.
5 / 5
One of mine the majority of has has reproduced disks in my collection: a row of emotions and an immediacy of an interpretation will return any way, launch hand of him partorisca the concrete clue (taste often ) or listen to of a whole disk without the pause.

A quality of a register is excellent: a balance among an orchestra and a voice is nigh in perfect and any time seat one is on-powering another, which can spend in other registers: ossia Mahler , afterall, and is the powerful, and colour, orchestrator.

So much the singers spend the sense of discovery to his interpretations, of a coquettish, fashionable daughter of the innocence, to a world-wide tired with the message like appropriate to-day as it was done on 100 years. Those who can not be moved for 'Wo die schnen Trompeten blasen' or enjoy an entertainment of 'Verlorne Mh'.

As no attended to discover this music for incident, the buy with confidence.
5 / 5
Everything in this disk are so that it adds that I seat likes cry in a start of my description. This Mahler songs is full of exuberance and raw emotion, and when the musicians give his all, is in partorisca the experience that life of transmissions. Ossia Exactly that spends here. They are in accordance with a reviewers the one who only was Thomas Quasthoff likes spear of a show, but without him this disk still would be indispensable.

When Claudio Abbado is paste with inspiration, directs with the spontaneity and his sincerity is tear-jerking. Felizmente, ossia a way is in here. A Berliners game with a level a big plus of conviction, finding sensibility while still that exhibits his famed has beaten. I remark urgency, has included desperation in some of a bleaker songs, but Abbado does not lose never view of an inner purity of a music. The glorious liberty abounds, which enables a music partorisca find without any feeling of show. Still there it have it always throbbing emotion, sometimes like this cogent that a music floods your partorisca be whole. I am not sure I have it it has not listened never any Mahler action that takes like this advantage of the present of a composer of ravishing melody.

Thomas Quasthoff is to to the the singer likes a lot another, but here he outdoes he. Each song comes alive pulsating with a character of a moment. The words can not describe his richness, the depth that commanded the attention of an auditor. If it does not send noble feelings coursing by means of yours veto, at all never . Annie Sophie von to nourished is not in a same level, but his voice is very adapted to these songs. Once again, we assist to the musician the one who is has owed to bear be committed in the world of Mahler. It evokes moments of pure joy, but is his bittersweet quality that gripped join me more.

Tin a lot possibly express that I amour this disk. Each music is giving his all, and these are wonderful songs of Mahler partorisca begin with. Giving a praise a big plus to this disk is not enough.
5 / 5
These deceptively simple songs, with his eerie undercurrents and adventurous harmonies, is the perfect introduction in the world of the his of Mahler. Any when being any a lot of the defender of Fiescher-Dieskau, considers Quasthoff partorisca be a expositor of baritone more final that these songs partorisca date; I listen in his first absolute prime of an occasional loosening of the his vibrated to the equal that has tugged in of late. It can be both biting and offered, spending colour and enormous subtlety his inflection of a text and comprising all his ways. My preferred of his songs is a St it sermon of Anthony, in the Quasthoff ameno was all a sly, subversive irony that at the beginning looks partorisca be the devotional folk song.

Will confess partorisca have Anne has found often Sofie von Nourished partorisca be the bland artist without special qualities his voice besides an evident innate musicality and absolute reliability of intonation, but surprised here. It is especially well spend out of a humour of some lighter songs. Still ideally I require more richness of the yours and heft of to the the voice likes them Janet Bakers ameno the 'Urlicht', but von to nourished in of the transmission chooses the inflect he with the naive gentleness and simplicity, which is another , effective way of the do. Calm could not ask more sensitive or responsive that touches that Berlino Philharmonic under Abbado the expert direction and a sound is exemplary.
5 / 5
Has received this album for incident, like the register of record club of a month that had neglected partorisca annul. Could have it returned to a club, but decided partorisca maintain he because of some connections among 'give Knaben Wunderhorn' and Mahler' second amazing symphony that has loved in fact a lot of years.
Resulted partorisca be the lucky accident. These are flawless songs , perfectly exhibiting a work of a second-More adds them orchestrator in history. This new register combines some talents of two of a living utmost plus lieder-singers with one of a bit those that for real world-wide-class teamings of orchestra and manager. A quality of his same exceptional east for some modern digital levels better.
In of the historical terms also, ossia dip it significant . The my ears, certainly, the person never is probably partorisca match Fischer-Dieskau fist of iron-in-a-velvet-combination of glove partorisca be able to and smoothness, or his dramatic flexibility. This in spite of, Quasthoff own experience partorisca triumph in the looks of adversities partorisca give his reading the special value in these papers that is like this trifling in a surface this in spite of has such deep depths of idea to a human soul. Von Nourished In some songs partorisca female voice gives that it is perhaps a new definite action. And finally in of the terms of global listening entertainment, no another version (not even Fischer-Dieskau/Schwarzkopf together) can compare.
Ossia Good-looking music , wonderfully treaty, expertly engineered, and unreservedly has recommended.
5 / 5
One of mine the majority of has has reproduced disks in my collection: a row of emotions and an immediacy of an interpretation will return any way, launch hand of him partorisca the concrete clue (taste often ) or listen to of a whole disk without the pause.

A quality of a register is excellent: a balance among an orchestra and a voice is nigh in perfect and any time seat one is on-powering another, which can spend in other registers: ossia Mahler , afterall, and is the powerful, and colour, orchestrator.

So much the singers spend the sense of discovery to his interpretations, of a coquettish, fashionable daughter of the innocence, to a world-wide tired with the message like appropriate to-day to the equal that was done on 100 years. Those who can not be moved for 'Wo die schönen Trompeten blasen' or enjoy an entertainment of 'Verlorne Müh'.

As no attended partorisca discover this music for incident, the buy with confidence.

Top Customer Reviews: Tell It Like It ...

Rating: 5 out of 5 with 2 ratings
5 / 5
Partorisca Be sincere has has thought that listened of more at the beginning. So only it can it do not think that it was a classical Herr Quasthoff. So it takes out of his usual repertoire. But the one who verve! That versatility! His leaves of vocal row to this gender - quite surprisingly, and has such an innate sense of rhythm, doing each song come alive. It was very impressed, and has ordered in fact more than this scarce talent.
5 / 5
No the defender of jazz , but he Quasthoff one . It has fallen short to convert me this in spite of so that it has not had quite a lot of variety in his election of ways .