Trend Venice Baroque Orchestra Opera & Vocal Music


Top Customer Reviews: Farinelli & ...

Rating: 4 out of 5 with 6 ratings
4 / 5
...According to legend, Nicola Porpora has done a castrated Caffarelli treat the alone discharge of vocal exercises, whereupon says 'Aller, have at all more to teach you. Calm now is a better singer in Europe'. This history undoubtedly Porpora the disservice, but is orientative of a there will be around the and an estimate in that was resisted like vocal professor More adds them of his time, and the composer with a unparalleled feeling to write for a human voice.

Another of Porpora famous protegés was Farinelli, and eleven of a arias writes specifically for him for Porpora look in this disk, seven world-wide to be presionasèking registers. Very like recent disk for Franco Fagioli, 'Porpora: He Operates Master Arias ', a program here is any like this in a dramatic virtuoso arias, quite more a lyrical works of some bondadosos the one who Farinelli is said to have preferred. Among these is an absolutely gorgeous and heart-rendingly beautiful 'Big Giove' of a work 'Polifemo' staged to Londra in 1735, and listening this rid for Jaroussky so only will melt.

Some careers out of adjectives to rent some delicate and affecting voices of Philippe Jaroussky. In a downside, are not like this enthusiastic in some two duets with Cecilia Bartoli, those who is more as the bludgeon has compared the Jaroussky finesse with an acute-edged rapier; Bartoli enough dominates and was of riadas. But it is not enough to downgrade this of the five indication of star.
5 / 5
Divine flange and superbly does a lot of enjoyable and well the value that shabby.. His voice is sublimate and pure and sings with utmost brilliance.. Well the value that shabby .. They are now hooked in Phillipe Jarouski voice and glorious talent
4 / 5
Like the wonderful red wine . . Only calm does not love it to finalise!
5 / 5
The glorious album for any one like the one who is new to a voice of Philippe Jaroussky and the quite unknown repertoire. One real respite of fresh air after like this album of regular fair by other singers
5 / 5
had not listened of Porpora before like the baroque composer, surprising of then loves some pocolos baroque composers. They are not the work neither ,but when I have listened follows 5 in a radio has has had to that the so only take!
5 / 5
A combination of Jaroussky and Farinelli was also for me to resist (and has loved in any case a coverage, with a two of them in slope was having the cat). It is fantastic to have the bit of house in a talented composer Porpora, but has to that be sincere and say that they are the little less fond of this album now that was when I bought it in the first place the pair in fact years. Ossia Reason in a has developed while the flavour for slightly there is rounded more voice and more can for behind a flashy classifies of arias. This in spite of, there is still some stunning moments here: some the inaugural looks in heaven is full of work, and Come nave in estuary storm of a work Semiramide is the real showpiece. There is also the pair of duets, comprising The joy ch'I seat of Mitridate – and think that are to say well that Jaroussky is singing here with Cecilia Bartoli. I can not think of the best modern parallel for some utmost Baroque pairings of prime ministers man and first has given. Of course, Jaroussky also does Big Giove here, which develops to the jewel of elegance has modulated the funds your kneecaps slightly when you listen his. For sheer purity and delicacy, is the stunner.

Top Customer Reviews: L'Olimpiade: The ...

Rating: 4 out of 5 with 4 ratings
5 / 5
A fine and unusual register. Metastasio libretto Has been dipped for a lot of composers of 18th century: this register dips all a arias of a core libretto drawing to a work of sixteen different composers, famous in his lifetimes but - averts of two or three - to a large extent so only known to specialists today. A fascinating and rewarding experience.
5 / 5
The Olympics is a work libretto for Metastasio this is to be dip in music for the enormous number of baroque and classical composers. This register is the compendium of some arias for several composers (of Caldara, Vivaldi, Hasse etc. The Paisiello and Cimarosa), and is more the recital that an artificial pie, of recitatives has not been registered. Merit of east register five stars partorisca a music and action. Everything of some 6 singers are utmost, especially some women, and in Romina concrete Low.
After listening to this CD am convinced more than is urgent to register Hasse works, was such the composer adds . His prime minister air in uperbo gave same ' sung for Low is ashtonishing how is an air has been ships all'wave algenti' sung superbly for countertenor Spanos, whose fashion is a lot of vivaldian. This in spite of, a plus air of a register is perhaps, and a lot of surprsisingly, for Vivaldi soyentre slept'. A time chosen partorisca this air was very slow, and this leaves a music partorisca shine in a icredible way. Besides a voice of Gottwald is adapted perfectly to a text of an air, and the sound gives boss is very intelligent, as well as some decorations of lute. Almost 10 minutes of pure heaven. Another interesting composer is a neapolitan Davide Perez, whose works have not been registered until now, although it has had the project to register Solimano with a Real Compañia of Work that thinks has been annulled for finnancial questions. Also, an air for Traetta 'The one who no my said one has dated with Gauvin, left craving to listen a whole work. In all the chance, like the enclosed booklet has said, expect this register enocurages managers the record music by other fewer known composers. Start with Hasse, please!
5 / 5
A Baroque fashion for pastiche the works to the equal that look has been revived in of the recent months, with to the productions like them to them some has fulfilled is 'Delighted Island' and now this registering of 'The Olympics'. But while a leading production looked to be PR for Handel, barring an obvious Vivaldi or Rameau addition, a Venice Baroque Orchestra under a direction of Markellos Chryssicos has created something quite sublime here. Doing of a libretto created for Caldara in 1733, a music of characteristics of present register of any less than 16 different composers, those who all dip Metstasio tragedy for music in some point during a 18th century. The majority of some composers' the names will be ignored to a general audience, but concealed in no way would owe that be prohibitive. In a contrary, is precisely although the endeavours like audiences will learn to know some nomination that were once utmost - and whose music is still adds - but has fallen to obscurity for a reason or another.

An election of arias has a lot of be attentively fact, so that included this in spite of fifty years could separate some of some settings, a whole CD still has the lovely stylistic coherence his. Stand-Out of arias, to appoint but the little, comprises Licida is 'Groan in an aimed, dipped for Baldassare Galuppi, which is die to the much more dramatic ornamentation that in a register of FULL DVD of Galuppi work (available in a focus Dynamic), Aminta is esen which for unknown mare', here in the setting for Johann Adolf Hasse, as well as Argene is 'That any mine said one has dated, dipped for Tommaso Traetta, whose name probably will be more familiarised that his Talens Lyric' register of 'Antigona'. An only feeble(er) the elections finds is some settings of Davide Perez, although ossia but the smallest irritation and in big leaves the product of my own flavours.

A fusion has Romina Low, Franziska Gottwald and Ruth Rosique all reprising some functions of Megacle, Licida and Aristea respectively, which have sung in a VBO production of a Galuppi version, and all three portrait his characters excellently. Some remaining singers (Karina Gauvin like this Argene, Nicholas Phan like this Clistene, and Nicholas Spanos likes Aminta) is also all pleasing, although one could have wished for Roberta Invernizzi like this Argene, to gather some four protagonists how were in a Galuppi staging! And to top it all was, there is a never-supportive and that vibrates to touch of a VBO, as well as Markellos Chryssicos' something-in interpretive elections to look forward to.

Has no recitatives - roughly could jump for joy in this - which creates one that feels that ossia so only the disk of recital, but seeing that arias is like this wonderful and like this sensitively elected, an absence of this also spend to insignificance.
4 / 5
Did not give It to five indication to star so it takes more along that it thought it to them to arrive.

Top Customer Reviews: 'Ah! mio cor' ...

Rating: 4 out of 5 with 7 ratings
5 / 5
Quality very big likes one would expect of Magdalena Kozena. Perhaps any one an Arias I would have selected but utmost pound.
5 / 5
are fearful can not share a general enthusiasm partorisca this disk.
Finds his hard voice and unattractive in time and, with the few exceptions, a arias has selected frankly dull.
Can imagine is very effective alive, but a microphone can be a lot of developing!
4 / 5
Has been collecting these Händel recitals lately and thinks that has all some of entities some of some last years for now. My conclusion is that this particular register is a better of everything there is available.
Can have of the singers of some same outsides among these (Joyce DiDonato, Sandrine Piau, Vesselina Kasarova) but any of some disks is quite like this convincing like the whole. Further to sing, one instrumental touching for Venice the Baroque orchestra is glorious. And one the majority of what of entity - an election of pieces - is not like this well in any of some other recitals. All a rest has his 'fillers', but here each piece is at least well, and besides the utmost chances. The piece more the scarce only 'there has been Jubal' will read' is of importance of mine smaller.
Like this, is interested in Händel recitals, takes this!
5 / 5
Likes one would expect of Archiv, ossia the good disk registered of Handel arias. Unfortunately It Tops Kozena, for all a beauty of his voice, lack of a final measure of italianateness with the words that touch thickset and his deliberate accentuations of 'r hardly is offering risarcimento. Even more disturbing is an English arias where his clarity of lacks of the diction and a slip of words the sludge. If you are one that thinks that that the work is so only in a music of some words is inaudiable in all the chance then this probably will not annoy you a lot a lot of. But Handel the vocal lines to good sure deserve better.
5 / 5
Has listened this pending Radio 3 Handel Week and hastened to buy it. I owe that have at least the daily fix of a title air, which is exquisitly treaty and breathe-takingly beautiful. I adore Handel Italian Arias, especially for counter-tenor, like this Kids Infida, Expensive House but this air is up there with one the majority of sublimate and is wonderful. To my alcohol, is a lovely plus of all some singers have listened, treating Handel.
5 / 5
Could more highly recommend this wonderful disk - no wild wait coloratura flange, but commanded total and emotional of a music thus fantastic singer!
4 / 5
Are fearful can not share a general enthusiasm partorisca this disk.
Finds his hard voice and unattractive in time and, with the few exceptions, a arias has selected frankly dull.
Can imagine is very effective alive, but a microphone can be a lot of developing!

Top Customer Reviews: Rosso - Italian ...

Rating: 4 out of 5 with 5 ratings
5 / 5
has Bought this album after seeing the video of When I want in youtube and Patricia has listened partorisca a first time, of then there is entirely has fallen enamoured with his fashion partorisca sing and voice, never listened to the album partorisca such long time, with which 5 month am intoxicated still his. Patricia so only is that it surprises, perfectly returning to the repertoire chosen, orchestration very good and in general a lot mastered register. They are really happy has found an Artist the one who sings with the soul like an Artist, the one who dips his hart and imagination and no only extracted 'correctly' as the student. Red And New World is baroque albums more vocal never!
5 / 5
Very pleased with this compraventa. Master Pat Petibon and is the really good prize . It arrives a lot safely esrlier that it has been has expected
4 / 5
There has to that well sure, judging of this disk and his other leading emissions, this Lady Petibon is the phenomenal talent and that ossia an interesting selection and animadamente registered of baroque arias.

Like reason so only four stars? It seats that Petibon overdoes several arias in the way that am sure is not historically appropriate and on repeated listenings in fact results quite nettling. Take a prime minister air that begins in the very animate way and then to the final has muttered sentence. It translates that the action of real phase and am sure any audience of 18th century another that those in a forward of row would have listened the word! Or take clues 7 in that take a lot has aspired sentence in an echo-like way and then final in the created that traces your paired with whistles he!

Some of some the majority of the successful clues on here are those for Handel those who also takes a main action (and at all bad with this). A famous 'Leave Ch'I cry' is ravishing (although taken the little dulcemente), 'Piangero the type my' of Giulio has ceased, is more movingly fact and a two arias of Alcina, 'Ah my colour' (full of ardent flange) and a highly coloreado 'Tornami the vagheggiar' show so only the one who a dissapointingly uninvolving Alcina with Alan Curtis - Handel: Alcina - could have (in fact, would have to have) has touched likes!

Two Handel arias ('Leave Ch'I cry' & 'Ah my Colour') also look in Kozena' Handel disk, 'Ah my colour' also in Archiv with Andrea Marcon - 'Ah! My Colour' Handel: Arias A comparison is fascinating for clearly Petibon diction of the clearest shows and, line for line, much more ardent and believable characteristations. If so only it takes signaturising like this of his arias with yelps or whispers! In an accompanying booklet Petibon declares concealed is the test to the law was the one who a music said'. It does not know that she already posesses an art that is in his the majority of effective when concealing art? Surely a music is able to speak for him?

In all the chance, has some lovely and highly involving bordos here although calm find you (taste ) that it has to skip of an odd clue for some reasons given on. There is the good action of rarity in this disk that I really enjoyed like Porpora is, soyorte has wanted to', ravishing in his simple elegance, or Sartorio plaintive, 'orfeo, your asleep'. A time the touch is a lot also going in in 75'23.

Am not sure the one who a title, 'Red', has to do with anything in this disk? Perhaps a department of marketing in DG could have saved an idea for the recital of Vivavldi arias (that considers that it have it so only a Vivaldi air in this disk) and like this game in an idea of a red priest? So only it has thought it to it in him.
4 / 5
Has listened a lot of bad descriptions in this cd, as when you look in my step of door of the front has had them my douts. Although it was them surprised enough when I have begun the lissen & was hooked. It is so only to say interition you any of listened when some pieces have been composed but thinks that them was them frames a cd utmost. When you Buy a work cd so much of a time you that buys a same piece of music with the differant singer Petibon brakes out of these & frames a music enjoyable to lissen to. So only it goes to aim a reviewers is'nt always well.
4 / 5
Bought this album after seeing the video of When I want in youtube and Patricia has listened partorisca a first time, of then there is entirely has fallen enamoured with his fashion partorisca sing and voice, never listened to the album partorisca such long time, with which 5 month am intoxicated still his. Patricia so only is that it surprises, perfectly returning to the repertoire chosen, orchestration very good and in general a lot mastered register. They are really happy has found an Artist the one who sings with the soul like an Artist, the one who dips his hart and imagination and no only extracted 'correctly' as the student. Red And New World is baroque albums more vocal never!

Top Customer Reviews: ...

Rating: 4 out of 5 with 9 ratings
4 / 5
Exquiste! Better that his Handel album. Here an emotional stance taken for Kozena is quite a lot of fact and returning to a music, compared with Kozena Handel register where a subtlities of Handel emotional shadings was believed too much and too dramatic. An election of works is extremely has thought well was. An air of Farnace is sublimate. Highly recommended.
4 / 5
Magdalena Kozena, the Czech of Moravia been born no far of where Janacek is born and has on grown, must surely be one of a More adds them half-sopranos of all the times. This register of his pieces of flange for Vivaldi is exceptional and has loved to listen to the every second of him. With which originally that aspires to result the main pianist, has turned to sing after breaking an of his hands when there was around ten years. This class of lady is one to our inspiration everything.

One can imagine what Vivaldi would have appreciated his voice and inspired state to write music for him. It is voice likes Magdalena is concealed we causes to take and @give that a human voice is one More the add all the musical instruments. All can add is that this register exemplifies for me all this is more roughly music and a human voice. A way sees is: if it likes, it likes; if it calms no, calm no; there is no half earth. Magdalena alive!
5 / 5
Defenders of Magdalena Kozena so only would owe that order this. A repertoire is interesting and a flange is upper class . An easy recommendation.
5 / 5
Loves all an only cds of Magdalena Kozena, as his voice ist really wonderful and his actions have the natural clarity, original and force, without any one exaggerates. That is more, door the most next music this is to treat seldom and seldom known. All this is true with this exceptional cd, which is registered also in the very big quality. It could be his best.
4 / 5
In a prompt 1990 half Italian Cecilia Bartoli begun to revive some harvest of baroque operatic works of Antonio Vivaldi. Of then, the insiemi numerous and the vocalists have come to specialise in of the works of this composer, and his to date odder or the tray of his works' has revived.
Magdalena Kozena' adventure to this composer in no way is initiating.
This has said, this Vivaldi the album has his own credits, as it exhibits a half is softly lyrical quality so as his virtuosic skills. A plus virtuosic 'Armatae expensive' of a oratorio Juditha Triumphans has been sung by the soprano in his premiere. It is not never be the castrated piece. A two arias of the Verit'Cimienta is more lyrical in character, and Kozena the flange is aptly mellifluous and melodic. Esol Give you, my sweet amour' of Orlando Raging as well as 'Perhaps or expensive in these accents' of him Farnace is more nostalgic, and a pathos is has spent-a lot of was with affectation. Another 'In the Deep' in another fierce hand-held test Vivaldian virtuosic feats, while 'Gelido in each veto' of him Farnace, 'Ander Flies grider' of Orlando feigned crazy and Griselda is 'Have paints gia A lacero' echo of the 'Four Seasons'. Kozena Is able to toss these pieces were precisely of hinge and beautiful enunciation. To the musicality is not sacrificed never for a sake of virtuosidad.
'Go back want to to the prime ardour' Of Arsilda is perhaps an emotionally more affecting piece in a collection, and Kozena bell ameno the thin a lot of expressiveness has required here. Ottone The piece soyisero spirto my' is perhaps one the majority of demanding piece technically to the attractive was, but Kozena skims in a dynamics and of the variac. Of time with real ease and bravura.
In general, the tremendously achieved recital in some different facets of Vivaldi.
5 / 5
Does not have to that it weaves of music of this type in my collection and generally find sopranos and mezzos quite hard to take; this in spite of, in that listens the clue of this disk on Irradiates of BBC 3 I was taken like this for his voice that there is prendido that has done and has ordered a disk. I have not been disappointed for some other clues and I have has bought of then more four of his albums, but seat this one east one the majority of stunning.
5 / 5
Ossia My second disk of Kozena, can not rent this too highly, another reviewers said it everything. His voice is clear and effortless, the other that expects the compraventa further of this remarkable lady, is the gem .

4 / 5
Is Baroque!!!! So only I love this album of Vivaldi Arias. It could'nt ask more. A arias apt here voice. Glorious!!!!! If you are the Vivaldi to to the lover likes, of you vill no for the feel. It buys it to the day. Ossia One of the mine favourite Vivaldis. Any to a lot of vibrated, no too little. Justo perfects. If it listen his, so only looks it Vivaldi saw 275 year in a feuture, and writing for Kozena. Has a big plus recomend. It buys it!!!!!!!!!!!!!! It is for real the gem.
4 / 5
Aprés Edges sublime Recital Handel, Magdalena Kozena redoes crew with Andrea Marcon to the tete of the venice the baroque orchestra touches a recital poured in Vivaldi.
He resultat is again a Total enchantement.
Lucida The election gives privileged pieces his Air elegiaques to the sud his airs 'pyrotechniques', and finds here give joyaux, chosen among his more good-looking pages of vivaldi, as you sublimate them 'Gelido in each veto' of Farnace or he' my sweet amour' of Orlando Bellows it among another.
But Kozena also can do peuve Of vituosité , as in him 'in the deep, blind mondó of orlando raging , or she suprend pair the conference of edges record tomb.
A three Recital of beau , a pleasure has renewed to the each one is

Top Customer Reviews: Farinelli & ...

Rating: 4 out of 5 with 9 ratings
4 / 5
Although a flange is very well are not enthusiastic in a content... It founds to bite it to him hard in disposal and dull.
5 / 5
A gorgeous voice of Philippe Jaroussky does not fail never the delight, and with this album has on come with the winner. Partorisca me, a point has underlined is a ten more than version of minute of Polifemo Big Giove, which is stunning.
5 / 5
A fantastically presented album. Exquisitely voiced And with adding musicianship all the round. Ossia The for real beautiful addition to any one is collection
4 / 5
has good reason partorisca a fact that Farinelli is to this day a a more famous castrated singer. A youngster countertenor Philippe Jaroussky has has registered now an album has consecrated so only the arias that Nicola Porpora, renowned composer and Farinelli professor of flange, has composed partorisca he. A lot these arias where composed partorisca a Work of a Nobility while both Farinelli and Porpora where in Londra, in the fierce musical opposition against a work of Handel. Like these arias has been feigned partorisca dazzle an audience, written of one of some the majority of able composers of a time partorisca some amazing capacities of a singer whose voice and the person of vocal skills has better known that Porpora - and has done.

Is surprising that Jaroussky master these often technically extremely difficult arias a lot so only perfectly and with obvious ease, but like this in fact returned them like this had been composed for him. This countertenor with his famously glass the clear voice a coloraturas, often on two eighth (to the equal that in 'the nave Comes') any only look effortless and delicious, but adds manyfold decorations, that tip the flexibility of a voice that for real is in amazing. It takes an occasion to aim his virtuosas capacities and the one who strong and clear, always sweet his voice is until a register a big plus in difficult bravura to to the pieces like 'In the attend', included against of trumpets and horns.
But Jaroussky any only book of the notes, always sings with heartfelt and intense expression, any so only tickling the ears of an auditor, but also touching his soul. It is difficult any to be moved by such deeply emotional arias like pathetic organism of the mine martir' or a thankful and intense 'Big Giove'. And the special pleasure is given with some two duets with Cecilia Bartoli in this album, where some two singers sings of present duet in a better sense, listening to the each one like this another and speaks fond, of the two big voices , sweet now blending, now entwining in the plus can be described like musical ecstasy. Gentleman Jaroussky the pleasure has experienced obviously while singing these arias and duets, and certainly an auditor also .

Surprisingly, although one has think that all Farinelli arias was known already, an album Farinelli - Porpora' in fact contains 7 world-wide premiere registers, which aim Porpora in fact like the highly talented composer, especially for a virtuosa voice.
A neighbour is a lot well, fresco, creative and inspired, a acoustical the excellent quality.
5 / 5
...According to legend, Nicola Porpora done one castrated Caffarelli treat the alone discharge of vocal exercises, whereupon says 'Aller, have at all more to teach you. Calm now is a better singer in Europe'. This history undoubtedly does Porpora the disservice, but is orientative of a there will be around the and an estimate in that was resisted like vocal professor More adds them of his time, and the composer with a unparalleled feeling to write for a human voice.

Another of Porpora famous protegés was Farinelli, and eleven of a arias writes specifically for him for Porpora look in this disk, seven when being registers of world-wide première. A lot like recent disk for Franco Fagioli, 'Porpora: He Operates Master Arias ', a program here is any like this in a dramatic virtuoso arias, quite more a lyrical works of some bondadosos the one who Farinelli is said to have preferred. Among these is an absolutely gorgeous and heart-rendingly beautiful 'Big Giove' of a work 'Polifemo' staged to Londra in 1735, and listening this rid for Jaroussky you so only will melt.

Some careers out of adjectives to rent some delicate and affecting voices of Philippe Jaroussky. In a downside, are not like this enthusiastic in some two duets with Cecilia Bartoli, those who is more like this he bludgeon compared to Jaroussky finesse with an acute-edged rapier; Bartoli enough dominates and was of riadas. But it is not enough to downgrade this of the five indication of star.
5 / 5
And Philipe Jaroussky is better in a has has selected arias of a DVD issued for Virgin - Better moments in concert.
5 / 5
A can not help but admire Jaroussky and Bartoli flange. Meeting listening less to this album that another of Jaroussky emissions, simply reasons a music is inferior.
5 / 5
Read a booklet and calm will know the plot in Porpora and Farinelli, and especially an end of both a same time, Farinelli as the castrated when it takes partorisca sing, and Porpora like the composer when you lose his castrated. There is not any explanation in this breaking of professional collaboration, he desglosa real partorisca Porpora the one who has finalised in misery and a full disappearance of a public eye partorisca Farinelli.

But a thing is sure: a famous film Farinelli has to that be remade, at least partorisca his clue of the his of the music of then there is the voice now that it can it to it sing that Farinelli without step of the voice or anything have used at the same time.

Now the register of separate arias is frustrating reason calms only of the thin pieces of some diverse but the calm works does not take a dramatic dimension, a real charm of a work and all this is spending in a phase. Like six reduced partorisca listen to a voice and that tries to enjoy he in his beauty scatter during a recording studio. Partorisca Philippe Jaroussky is the challenge partorisca follow Farinelli and Porpora in his clues but when we are that they go partorisca take his works?

And a voice is like this charming that forgets all this dubitative blah-blah, and together with him a black sheep of critique, critic and critic, and dive to a beauty of this voice that has any limit in a conquest of our mental virtual heaven, and that the conquest is like this real is mesmerized, hypnotized, charmed and is ready the lie down like Cleopatra and leave a snake his work. In two arias is reason further, control further, besides a real world-wide this finalises partorisca disappear like the dark cloud dissolved in a brilliant sun of this mystery, and the mystery is in his meaning of old Renaissance. You owe that be initiated partorisca the appreciate. But it is not fearful, an initiation is simple: once again, I had mentido down and open a heart of your alcohol to a snake that comes on this @@@cofre of the property of this voice and leave a snake takes tibia in your brain and try enjoy a slow consolation that comes from/comes from his fresh heat.

I absolutely wants to all some clues but I have to that choose one or two, perhaps more, ossia more attacking that some another and concealed to send me in such an acme to like that I almost fainted, would have said swooned in timing older, step a bit salts, please.

A third clue is one of this class, with this power. A wild conqueror so only is running with which , on ours has has strengthened slopes and on our crenellated defended and there is jumping out of his wild box to a serenáis yard of our private garden and he so only focus and tramples with rose to rastras full ours and knots only stand, kneels, there was mentido there and ask more than this stunning vocal power. You beg for the harm and calm beg it can go in for ever. The beauty is in timing one the majority of what brutal that can hardly dare this in spite of like this love the left penetrates like this deep that loses our alcohol, loosen all our canons and result popish sinners and without to to the slyness likes them Pope Francis. Vocal and auditory sinners so only simple to those who like to be tugged to this forceful sin that is enjoying the voice that have beaten roughly in his tournament and is any equal to refuse or resist that pursuing cavalier that , is sure, transpierce with launches of sound and then dip knots in a grill for entertainment more extraordinary of a beauty of his voice.

A fourth clue is the duet with Cecilia Bartoli and ask the one who is a soprano and the one who is a countertenor although we know the one who is a man and the one who is a woman , a woman and his trembling voice like being awed and scared for a man in front of sound. And they come for the moment perfect when some two voices are melting and melted together this in spite of like this is the miracle because you can do a difference among a two, especially of then in the moment is singing the chapel.

A fifth clue is long and of the entirely different fashion. We are to surprise for and in a double tone has in this air. Aci Is thanking Jove for a god gives. We expect awe and joy, happiness and humility, and take all that probably but this in spite of this alcohol is entirely on-drowned in some tone that a flange so only, and a music then, door by means of with such the force that is by train to ask if this is not to complain it, he dirge. At least in one first splits of an air. To be appreciated to Jove a human subservience has to that be express with some sorrowful yours that perhaps complains a conquest of a god has not gone exactly romantic, so only divine, for divine decision; there is then in Aci something that a tentativa to recapture. And movement out of a complain, but ossia cut lived when one complains turn, when it results to contemplation this has to that do quell'human poor the one who receives the god like his partner of the absolutely powerless and unable amour to treat the one who Jove authorises to treat. Any shiny knight in the golden tournament, so only the simple adolescent that fulfils his prime minister sexual partner, likes to beg for a divine inspiration that could do it until a task. A humility this flange contains is more than just humble amour. It is the dirge, like complaint and repented a fact goes to lose, perhaps waste, his human virginity in the desires of god, master, anxiety, fantasizes this in spite of the one who will leave emasculated in a bed. This in spite of like this a last note is to total submission to a pleasure of this meeting, joy in a flash any one imports that it can come afterwards: so only take this instant of orgasm like that is supposition to be the present of some of which so only last an instant but will leave your alcohol and organism like this fully satisfied that then a future, life or death, the torture or a bet does not import more. Ossia That the amour is and can last for ever although an instant to like so only last the minute.

A seventh clue is so only another air in of the motivations that ambiguous and contradictory is to express for a music and a voice. Although Febo is requiring a sacrifice of the virgin in an altar to blow one Greek fleet in Troia, as it can, or enough Achilles, accept a sacrifice of Iphigenia good-looking has to that be enamoured with? And both a composer and a singer excel in this ambiguous dual loyalty: a duty to go in this punitive war against Troia and a same time a gallant devotion to protect and master Iphigenia good-looking the one who in spite of will be sacrificed for a first has to that to be fulfilled. Ossia Where Philippe Jaroussky is more reason can use his voice with such nuances subtiles in his expressive feelings that we so only marvels in timing if this singer is not a devil he able of fascinating and taking all our attention and mental energy to total submission to a sad sorrow of this flange, a beautiful extraordinary suffering of this hymn the life in and further has died.

Any eleventh and last starts of clue like him dirge and is consecrated to love. Orpheus is enamoured, is singing his amour this in spite of like this is of duel, crying his amour and that last piece is prodigy of vocal expertise and genial inspiration. Philippe Jaroussky is for me one of some scarce singers, if no an only singer the one who is able to use his voice to express the joy and the together sadness, to to like and suffering like them to them two sides of an alone coin. And that duplicity, to duality of the his flange a doppelganger of mine the majority of impulses and intimate desires. As it Can the man be divided like this in his unit, unified in his distribution, so able to melt near an antagonistic dimension of life and death?

To compose such ambiguous arias for Farinelli, Porpora has to that it has been enamoured with this voice, and probably man, concealed and the one who could bring together in some same notes, in some same sequences, in some same measures so many some emphases and some time of sorrow and joy, of sadness and happiness. Ossia Like this scarce, as that surprises that we remain totally frozen in front of such depth and of the multiple facets of life and died like this good crisscrossed together that so only ask if the amour is not to hate, if the hate is not to wish, if the desire is not destructive of an amour begins with and that remain discarded in the way to impotence and sterility, fantasy and virtuality. This in spite of like this each musical sentence, each vocal cadence is full of a faith and same faith that the amour is one the human lovely majority , would like me say a human-is value.

Philippe Jaroussky a voice that some see like voices of angels, or of God, or of a Saint Virgin, or still of a Devil and Satanás, Philippe Jaroussky this voice, his like this human voice that is ready to die for him, I bad data with liking, given of entertainment, given for a promise of an orgasmic communion with supernatural beauty. So only it seats that emotion with a first soprano I never listened to: Teresa Stich-Randall sings some sung for Johan Sebastian Bach.

Dr. Jacques COULARDEAU
4 / 5
This time thinks Jaroussky is that it tries to beat and to overtake his leading heights. A Big Giove in this cd is too long and boring. There is his earlier version of him, which well in a point, but this one is so only joyless to listen to. Disappointing.