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Top Customer Reviews: The Romantic ...

Rating: 4 out of 5 with 11 ratings
5 / 5
I have listened Vittorio Grigòlo in Covent Garden last Monday in 'Werther' and was very impressed; besides, they are engreído that by means of careful management his voice has grown in amplitude of record this disk three years ago. This in spite of come from a lot of work here which are really partorisca the pushed tenor in a heroic French repertoire, likes quota other fundamentally lyric voices like Thill and Vanzo has done in some evasions with him although there is not denying that so only occasionally the little less art and the little more sheer heft stops of calls. For example, it can not emulate a swell Caruso has propiciado a B step of 'the tone belong' (in fact ,like Caruso sings in Italian, 'Tom belong me'') in an air 'Ô paradise' and instead opts partorisca a 'artful' piano ; this in spite of, concludes an air with this full same note voiced to the aim has in him.

The allied upper notes to a unfailingly the beautiful tone that comes easy to this singer; his cup C in alut, remain' soars up with nary the clue of tension and his poetic delivery of a French text, virtually flawless except the smallest error on 'launch' in a 'Carmen' air, touch it totally idiomatic and fluent. It has included it emulates one that breaks French Alagna partorisca use a guttural 'R' in place of a forward Italianate the trills have favoured of some singers when singing in this notoriously difficult tongue.

Utmost singers like Corelli and Björling was able to comprise this repertoire, hips, and Grigòlo in no way touches on-separated in him. I still pefer partorisca listen Björling especially in a cup B is of 'Engalanaba! engalanaba!' But have enjoyed this recital so much that once it has listened it once by means of me immediately begun throughout again.

I tenors of this quality are like this of the hens' teeth these days. Any only is Grigòlo a real thing, but is looking his voice intelligently and is growing like this mature . While revel In the recital of the French repertoire so that there is virtually any singer today.
5 / 5
This the voice that agree of rich dark chocolate. It sings like this easily. This CD is so only perfect!
4 / 5
There is enjoyed a same flange although some critics were a lot of sniffy roughly he
4 / 5
the Good prize has arrived like this promised well packaged
4 / 5
He ozzes romance and is like this exquistate partorisca listen to
5 / 5
Vittorio in his beautiful more ... Throughly The value that shabby and listening to .
5 / 5
Have in the first place listened Grigolo in Mantua Rigoletto,and has thought is avoice partorisca look,the first disk was well,but something missing,now here is in the program of French arias,and is glorious! I think that it it has found it his niche,the suitable French repertoire partorisca arrive to this point of his career,later-perhaps can go to some heavier functions,but please,no partorisca the while still,does not ruin to the to voice likes like this of another before the,partorisca take on some fleshier functions before it is ready .
4 / 5
Had expected partorisca quite some time thus CD to be liberto but was a lot of value a the must has CD for the voice of the velvet of any classical music is like this easy to listen the calm voice does not go never to listen to...
5 / 5
All have expected of Vitorio Grigalo good-looking music and the wonderful voice I reccomend in any lover of classical music
5 / 5
there is not enjoyed this as much as his leading register, like the little there is disappointed.
5 / 5
Has been bit it hard in Grigolo in of the earliest descriptions, doubting if a voice was quite robust to project effectively on phase. Well, the descriptions of recent actions have indicated to be able to do has listened so only well, and this pleasant album resupplies some chance of that. Short free in of the moments here with the sound the big plus, and he so only well. It is true that a sweetness of a voice is listened more in his flange softer, but there is at all ugly or forced in an end of 'Or paradise,' for example, and his account of 'Ah! It escaped it Finds with a class of desperation that finds to lose in esason me reveiller,' in those touch altogether too soft-centred in an end, in spite of some well ringing the big note earlier. It would have liked him too much it bite it more machismo in an of the end of 'Ah! Light-you, alone!' Also, but Grigolo' incumplimiento way in registering looks to be to sing words more than finding to park of musical line to form. A duet of 'Romeo and Juliette' ('Prejudices of hymenee') is interesting to the respect -- a soprano looks in the slightly different aural space that Grigolo and is both embroiders was, keeping in shape, And when being expressive, while Grigolo, singing sweetly enough, looks more afterwards in and die to a altogether the softest way. For everything concealed, some works of duet well, and Sonya Yoncheva to to the fine work likes them Juliette positive and appeal.

My reservations in this disk, then, is stylistic more than vowel, how is of entity to say the one who that annoy me could not annoy more auditors. There is not an ugly sound to be listened, an orchestral work is well, and a balance of voice and orchestra is has very concentrated. It adds to this a fact that here have an Italian tenor that sings less familiar (in some chances) material in excellent French throughout. There have it a lot to enjoy here.

Top Customer Reviews: Ave ...

Rating: 4 out of 5 with 3 ratings
5 / 5
As my descriptions of Vittorio Grigòlo leading albums in a Sony focus clearly show, are the complete admirer of the voice of his tenor and his art. In spite of I have dipped his new CD in my player with the terracing of aprehension. It was this another sugary resumido of sweet saint melodies like this apt partorisca a upcoming Navidad? I have had enough those. Felizmente, ossia the very different class of disk. There is of course some predictable pieces, of Franck Panis Angelicus to Schubert Bird Maria, but the majority of some clues in an album are very little known and previously unrecorded songs of prayer that Vittorio has learnt and sung with some priests of some legendary Sistine Corazón of Chapel in Vatican, duquel was the member of an age of 11 to 14. Some girls of a real heart join some grown on artist in diverse of them and his both touch celestial. Many of these pieces can not be the music adds, but everything of pleasant sound to listen and have the deep importance the years to form of an artist and aims. Grigòlo Probably has not sung never more than a heart that there is here. And in an age of mostly technical and inexpressive that sings that it is not the quality to be underestimated. Like this heartly recommended.
5 / 5
Ossia The beautiful, restful group of pieces. Vittorio HAS the gorgeous voice and lovely interpretation. I particularly liked Panis Angelicus
4 / 5
Vittorio Grigolo has the good-looking voice this CD is all I expected and more really loves the and the touch on and in

Top Customer Reviews: ...

Rating: 4 out of 5 with 7 ratings
4 / 5
DIFFERENT VOICE

CD has ARRIVED YESTERDAY And after the TOUCH COULD not EXPECT for The TOUCH AGAIN .IF HAS the CALM ITALIAN BLOOD DOES not TIRE you NEVER partorisca LISTEN ROUGHLY OF THESE WONDERFUL SONGS And VICTORIO GRIGOLO DIPS SIMILAR PLOT partorisca FEEL To THEM. I KNOW it does PURISTS Of WHO of WORK ASKS WHY the TENORS WANT TO SING I OLD NEOPOLITAN SONGS WELL The MELODIES ARE GOOD-LOOKING And The VOICE of TENOR CAN BE EXTENDED The FULL CAPACITY,AFTER ALL WAS A lot ENOUGH FOR CARUSO And GIGLI. HIS A LOVELY CD And WELLDONE VICTORIO.
4 / 5
Master. Good-looking voice.
CD slightly jumpy on first clue.
4 / 5
Vittorio Is or.k. But it is the light of has bitten . It finds I am touching Joseph Alley much more
4 / 5
Adds Alburm. Fab Mixes songs but was hard to find a 20 version of song and no a short a. I have taken there finally. So that the value that takes this 20 version of song!
5 / 5
A same good-looking voice as in some other albums. Good mix of traditional and operatic pieces
5 / 5
Stunning music like this always of Gentleman Grigolo. I owe that admit that I am no expert on acts-far of him-but his voice is so only and has such the only quality, the wonderful fact that listens.
5 / 5
One of one presents to a sense likes to maintain. But a boy of anniversary was like this happy could a lot of begrudge the. Thank you

Top Customer Reviews: The Italian ...

Rating: 4 out of 5 with 21 ratings
5 / 5
A tenor partorisca some ages? It is too punctual to say. But this has to that be one of one the majority of album of extraordinary operatic beginning the very long time ( has registered previously so only the good but sugary easy listening record with bondadoso of tunes of pop). A test partorisca any one the tenor of course is a house of work, but yes Grigolo the sounds the averages also live like this he here, has reasons partorisca celebration. It was quite well in an alive telecast of Rigoletto of Mantua, where he sung an opposite Duke a jester of Plácido Sunday, but is glorious here in his scene of a third law of this work, that directs to touch extend and forceful, with some impulses to contrast of the amour and to the lust wisely has balanced. It has chosen thus disk mainly very good known arias of an Italian repertoire, but his fact the fresh and almost new sound. Ossia Particularly true of an air of Luisa Miller (sung the majority of a time with the beguiling mezzavoce in an unusual interpretation that so only touches right), but equally personal and impressive is his renderings of warhorses like That gelida manina (radiant with an emotion of first amour of view), A furtiva lagrima (sung fantastically sincere like the view of a soul) or an emotional but restrained (any clue of an usual self harm) goodbye the life of Cavaradossi. A arias and cabalettas of him Corsaro and Trovatore is both tender and heroic respectively. A less known arias of Gianni Schicchi and He Villi in his ringing the tone is quite the revelation. A full lyric tenor, in all some clues a breath, a shading and a phrasing show the good technician, while a voice is young and good-looking. But it is an only art for behind the that together Grigolo averts. A singer to look.
5 / 5
Will admit to share fellow-reviewer the reservations of Stanley Crowe in Grigolo capacities to project in the big house but having has listened the last week like Nemorino in a Real Work, Covent Garden, was able to listen fantastically from above in some of the and are now the convert. I have commented sceptically in a data of welcome enthusiast this disk for another fellow reviewer , an Auditor of Faith Santo, but are again ready to recant and say that five years later are engreído that Grigolo is directing his vowel and development of career a lot wisely. Perhaps one has continued dearth of really Italianate the tenors me more susceptible to his presents but I am now sincerely enthused in his capacity to spend a torch.

Some better things in his voice averts of his intrinsic beauty is his evenness of production, a way in that he inflects a music with musically acute details and a clarity of his diction. It has studied and shopping all some pocolos vocal refinements that leaves the singer to inject a note with emotion without being too overt roughly that; like this there is mastered a judicious use of portamento, a acciaccatura, one dipped has given voice and a despatch of fioratura - all desquels can be listened to perfection in a better clue here of a same function in that I active has listened so only alive, 'A furtiva lagrima'.

Has been surprised that he opes this recital with an air of the heavy plus, pushed function of tenor but directs without tension and he returns was to the second air of 'A dance in mask'ings in track11. He a lot here still have enough a full weight of voice for the full justice but his attention to paint a text is exemplary. A program comprises several weightier arias at the side some that the bel rule sings numbers;of here prompt and half period characteristic Greens, as some heftier Puccini, like an indication of a direction gradually has been taking of then. In fact, there is so only two Donizetti arias here;the other is everything of these two other composers.

While his voice does not have a sign ping of a youngster Pavarotti, touches far more pharyngeal and viril that Bocelli - and I like his chutzpah in launching in the big C acute in an end of an air of 'He corsaro'. Low expecting besides big and better - but everything in good time how is still three years was forty to the equal that write.

(PS: A three to sustain comprimario voice that does the brief appearances in two clues are absolutely say - reasons?)
5 / 5
That more can one asks? Well, in a house of Work has found to be ardent and committed but with the voice that has not gone really in an upper category, ossia a category of Pavarotti, Sunday,, or Kaufmann. Any rush me go to listen again, although it was not disappointed if a work has loved to see had eat tenor of advantage. More haste-me-was was to see, for a way, the one who is coming punctual to a Bank Of the sud, is Joseph Alley.
But behind to this disk. I simply state that touch in this CD as it tenor of upper class, and for this is all highly enjoyable
4 / 5
has purchased this album in that listened that to some samples of Vittorio Grigolo laws. They are happy the , and times when the close my eyes and agree a voice of Luciano a lot of youngster Pavarotti. The voice of Vittorio is crisp and modern and sings with treating adds of passion, and the remain with an impression that achieves the future adds. Have enjoyed his selection of work is and especially - Puccini.
4 / 5
Amur This voice. Like this ardent, like this sweet and has controlled. Tenor of mine Viril favourite.
4 / 5
Some clues are the good mix of popular and known minors a lot of. Has the 4+ travesía of car of now for 4 consecutive days in time and terrible traffic. It is not so only partorisca background. I listen intently, especially to an emotional The BohèI ask and never held with him, has has had to that included listen in a cookery when I am returned. I have seen Grigolo in New York has Fulfilled in Manon and also last year in Proms in a Park that sings the wide row. It has tried it is a complete container . Any sense in comparing to another. To sing Puccini, Green and Donizetti thinks that is a better at present.
4 / 5
Are any expert of the work but this rids the mix of powerful voice beside lovely musicianship. I bought it on a force of some tunes has listened in a radio and has not been disappointed.
5 / 5
I thoroughly there be enjoyed to listen to this register, although that the comparatively young tenor now am sure his voice will go in to mature the closing of sounds more utmost, up there with one much more.
5 / 5
A fine singer, one of one the majority of musical and sensitive around interior a moment. A selection is mostly of 'explosion' without any adventure adds to the field the wide plus, but the buyers can read a cast of clue and decide for his suitable his flavour.
4 / 5
Has taken this just with which have seen in Greens rigelleto in a bbc of Italy in 2010 when a bbc has used partorisca aim work !!!!
5 / 5
Wants to Donizetti will want you this.
All roughly is wonderful comprising this new tenor adds.
Well, is not really new but new mine.
4 / 5
Are the defender of Andrea Bocelli and Vittorio Grigolo is up there in the pair. His interpretations of the songs familiarised have me to us almost have moved the tears.
5 / 5
I sucedidos adds. It has done recipient avid defender now. It has asked to take it loaned but feel it could be the long time that comes.
5 / 5
A terrific CD if you are the defender of Vittorio Grigolo, and Work, I mine of game enough to plot in a car, while I am driving.
5 / 5
To our introduction to Grigolo and tries an exceptional experience--An individual sound that is strong and sure and technically virtually perfect!
5 / 5
Brilliant voice very partorisca listen more youngster talented singers
5 / 5
has been always the daft thought that only Three value of Tenors that listens to, and is not never state truer that now. There are tenors of world-wide class in pecial' to the categories likes them to them Ian Bostridge, Mark Padmore and Juan Diego Florez. And in a Italianate category of the lyric tenor so only could mention varied current contenders: Roberto Alagna, Marcelo Alvarez, Piotr Beczala and of course Jonas Kaufmann - same although any all partorisca touch strictly lyric tenors and any of them is strictly Italian. To good sure the lyric tenor and to good sure Italian, this in spite of, Vittorio Grigolo well could be a Pavarotti of a next generation. His voice has character and enormous yard on phase, and his good looks and slightly histrionic work of delivery perfectly in a material is chosen in this album. All one same was the bit there is disappointed that it does not press a boot out of the bit, and plumped instead partorisca arias ossia almost all the tad obvious; but perhaps it bite it more adventurousness will go in future collections. For now this in spite of, a thing is sure - Grigolo is a new boy in a blockade.
4 / 5
Has seen the start of Vittorio in 'The Boheme' in a Praise in New York and has been impressed with a power of his voice, which has fill a house without tension or loss of sweetness of tone....
While the CD will not transmit his presence of charismatic phase, can enjoy here the lovely action of his big air of 'The Boheme' as well as exciting clues of 'He Corsaro' (in that his action of Corrado garnered rave descriptions in a Work of Zurich.) Some two clues of 'Rigoletto' is fantastically' hope that early will be able to purchase a DVD of a sound alive action in 'Rigoletto the Mantova.' There is also one amusing 'Firenze is coming a flowery tree,' Rinuccio' defiant air of 'Gianni Schicchi, which have treated in the Stairs. Among other clues, a less very known arias of 'The Villi' and 'I Preferred' underline. A youthful lyricism, an expressive vocal shadings and an excellent diction is everything here. It enjoys!!
4 / 5
. . . But I will admit that my doubts (after listening Grigolo according to recital) in his capacity to project adequately in the a lot of-sized the house has been dipped to rest. It sings Rodolfo in a next season has fulfilled, and here his 'That gelida manina' the coverages was a lot enough. A half of a voice is pleasant to listen to, and loses some colour to the equal that locate, well, the better singers that is has to that question also. They are still any livestock on, this in spite of. A fund of a voice is not never really projected in this recital (the alley is, for contrast, is solid), and does not like me a constant dipping and swelling to and out of this whispery half voice. I know that it is hard to say in the register sometimes, but still have my doubts roughly that a lot-the data endure his soft flange really is. I do not have this doubt on Alley and Vargas, for example. Finally it can be the subject of schooling and way -- does not project the very constant line, and Alley , included when his phrasing is not all this imaginative. The the direct comparison among Alley (in 25) and Grigolo (in 33) in a sequence of 'Rigoletto' these starts with is mine was rapita' by means of 'Go in to see' to 'Possente Amur' -- the sequence, for a way that is listened to perfection like this afterwards as you go to locate Vargas Verdi disk in RCA. Neither Alley neither Grigolo is really after that classifies, but projects of Alley and maintains a line with firmness, clarity, and your well, while Grigolo tends to touch fussy and mannered with his little decrescendo effects. Neither one would have to that it has gone for a last a big in an end of 'Possente Amur'! But that the alley was eight young years , and sounds like a singer a mature and musical plus. I have read in Grigolo the booklet remarks that in 23 sings in Beethoven Nono partorisca Dumb, and assumes Dumb for now has power of veto in unsuitable singers, as they are still has had to listen the one who Grigolo develops.

NOTE: In this booklet: any text, but a lot of photo of Vittorio in snazzy has dressed. I know the marketing of the marketing, but come on . . . Ossia Purportedly in a music!
5 / 5
Full of anticipation - and no the few jealousies - I ask those who was this Grigolo to sing Manon of Anna opposite in Covent Garden last June. Well! I won sure on, together with a lot, a lot another.

Could have known of a youthful photgraph in a sleeve of his prime minister CD, 'Vittorio'. His web of place in that then would owe that it has left to good sure. I have bought the copy in all the chance and was duly disappointed in a sugary registers - although it has dipped the little mine of clues iPod. Here it was the a lot of looking, talented singer with his youngster ego that goes in his way.

As where is Vittorio Grigolo has seen in Covent Garden. Ah! Stay awhile and his new CD will be liberto! Wonderful! And I have settled down to expect.

Well listened it now. Disappointing again - this time of expectations too big, admits. His voice is not like this big to the equal that have thought but his talent is undoubted. Like reason oh! Reason has chosen to dip quell'was to try his comprising of the Italian work is greter that that is to go before? Ah! His ego still is when being in his way. Left his, looks to be unable to give on sugariness, doing some beautiful arias to his likes the pop-emotional songs.

'And lucevan he crashes' does not fail Never to twist my heart and guts - boxes now, in all the chance. Grigolo Appearance like this taken up with his own emotions that fails absolutely to agree that, like the auditor, has been involved also. A climax has slipped to leave me in slope - and does not remark .

Please, Vittorio, taking used to calm and work of flange of the start. With good direction, calms he in Covent Garden. They are sure calm can do it again.
5 / 5
For any any one Operates this album is the must . Vittorio has matured to one of some worlds upper Tenors of then in the first place looking in some visas the few years done.